The award winning Drawmer 1978 builds on the success of the 1973 multiband FET compressor and adorns an unparalleled array of controls to give complete mastering over your mix, and all in a deceptively simple 1U frame. In addition to the usual Ratio, Threshold, Attack and Release controls, the 1978 features four character switches offering […]
The award winning Drawmer 1978 builds on the success of the 1973 multiband FET compressor and adorns an unparalleled array of controls to give complete mastering over your mix, and all in a deceptively simple 1U frame.
In addition to the usual Ratio, Threshold, Attack and Release controls, the 1978 features four character switches offering a wide range of compression flavours, as well as a variable saturation control to add harmonic distortion to the signal. Side chain functionality is also included with side chain insert points on both channels and a very comprehensive and flexible Side Chain EQ section which offers LF and HF controls with a choice of specific shapes and frequencies for precise frequency-conscious compression such as de-essing. A wet/mix control also allows you to blend the processed signal with the dry for parallel compression.
In addition, a fast reacting Dual colour backlit VU Meter is employed to provide a visual indication of the amount of saturation added. Time delay relays are incorporated into the outputs to provide clean power-up and down with no pops or bangs, and a low hum toroidal linear power supply. The Drawmer 1978 is a truly flexible compressor made in the UK with high-quality components.
The 1978 is a Buss Compressor like no other – compression with character, controlled distortion, tonal shaping, wet/dry mixing – others have tried but have never managed to build a compressor that is this versatile and yet intuative. It\’s never been easier to get that elusive characteristic sound that sets you apart from the rest. Glue your mix, bring out the bass, control the highs, add warmth, distortion, smoothen, widen, sound less digital more analogue – and at a price that\’s right for even the smallest studio. Winner of the Resolution Award 2016 in the dynamics category.
Fast Reacting Stereo FET Design compressor with excellent Left/Right Tracking across the Full Range of compression and in a 1u rack mount housing.
Threshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.
4 character switches provide a multitude of compression flavour combinations that allow the 1978 to take on the characteristics of other compressors.
A Saturation knob allows you to dial in variable amounts of 2nd and 3rd harmonic distortion, and under complete control.
Comprehensive side chain EQ giving simultaneous control of frequency and level of filtering for the low and high bands. This works in conjunction with the rear panel stereo insert points that provide even further control.
Variable Wet/Dry Mix plus Output Gain Knobs give a \’Parallel Compression\’ function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.
Two Analogue V.U. Meters with Switchable +10dB Meter Rescale Mode. These have additional dual colour backlighting that act as a visual indication for the amount of saturation.
Time delay relays on outputs for clean power up/down.
Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
Designed and manufactured by Drawmer in the UK.
Mix Control – Pricisely Control the Amount of Compression Applied!
Incorporated into the 1978 is the \’Mix\’ Control. This acts like a \’parallel compression\’ effect that mixes the Wet (compressed) and Dry (original) signals to provide a simple and exact way of controlling the amount of compression used – all with the turn of a single knob.
With the extensive controls of the 1978, such as saturation and tonal shaping, it could be possible to take the effects too far and ruin a mix – this is easily prevented by the use of the Mix control just by mixing in less of the wet signal and more dry. By the same token, the mix control can add more compression and character simply by adding more of the wet signal. It\’s that simple!
Weight
3.00 kg
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The award winning Drawmer 1978 builds on the success of the 1973 multiband FET compressor and adorns an unparalleled array of controls to give complete mastering over your mix, and all in a deceptively simple 1U frame.
In addition to the usual Ratio, Threshold, Attack and Release controls, the 1978 features four character switches offering a wide range of compression flavours, as well as a variable saturation control to add harmonic distortion to the signal. Side chain functionality is also included with side chain insert points on both channels and a very comprehensive and flexible Side Chain EQ section which offers LF and HF controls with a choice of specific shapes and frequencies for precise frequency-conscious compression such as de-essing. A wet/mix control also allows you to blend the processed signal with the dry for parallel compression.
In addition, a fast reacting Dual colour backlit VU Meter is employed to provide a visual indication of the amount of saturation added. Time delay relays are incorporated into the outputs to provide clean power-up and down with no pops or bangs, and a low hum toroidal linear power supply. The Drawmer 1978 is a truly flexible compressor made in the UK with high-quality components.
The 1978 is a Buss Compressor like no other - compression with character, controlled distortion, tonal shaping, wet/dry mixing - others have tried but have never managed to build a compressor that is this versatile and yet intuative. It\'s never been easier to get that elusive characteristic sound that sets you apart from the rest. Glue your mix, bring out the bass, control the highs, add warmth, distortion, smoothen, widen, sound less digital more analogue - and at a price that\'s right for even the smallest studio. Winner of the Resolution Award 2016 in the dynamics category.
Fast Reacting Stereo FET Design compressor with excellent Left/Right Tracking across the Full Range of compression and in a 1u rack mount housing.
Threshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.
4 character switches provide a multitude of compression flavour combinations that allow the 1978 to take on the characteristics of other compressors.
A Saturation knob allows you to dial in variable amounts of 2nd and 3rd harmonic distortion, and under complete control.
Comprehensive side chain EQ giving simultaneous control of frequency and level of filtering for the low and high bands. This works in conjunction with the rear panel stereo insert points that provide even further control.
Variable Wet/Dry Mix plus Output Gain Knobs give a \'Parallel Compression\' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.
Two Analogue V.U. Meters with Switchable +10dB Meter Rescale Mode. These have additional dual colour backlighting that act as a visual indication for the amount of saturation.
Time delay relays on outputs for clean power up/down.
Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
Designed and manufactured by Drawmer in the UK.
Mix Control - Pricisely Control the Amount of Compression Applied!
Incorporated into the 1978 is the \'Mix\' Control. This acts like a \'parallel compression\' effect that mixes the Wet (compressed) and Dry (original) signals to provide a simple and exact way of controlling the amount of compression used - all with the turn of a single knob.
With the extensive controls of the 1978, such as saturation and tonal shaping, it could be possible to take the effects too far and ruin a mix - this is easily prevented by the use of the Mix control just by mixing in less of the wet signal and more dry. By the same token, the mix control can add more compression and character simply by adding more of the wet signal. It\'s that simple!
High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System
Professional 31-band stereo graphic equalizer for live and studio applications
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
Ultra-low noise 4580 operational amplifiers for highest signal integrity
Dedicated mono subwoofer output with adjustable crossover frequency
Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
“Planet Earth" switching power supply for maximum flexibility (100
- 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
3-Year Warranty Program*
Conceived and designed by BEHRINGER Germany
Shure DP11EQE Dynamics Processor Specification:
GENERAL:
Frequency Response: 20 to 20k Hz +/- 1.0 dB re 1 kHz
Dynamic Range: 104 dB minimum, A-weighted, 20 Hz to 20 kHz
Sampling Rate: 48 kHz
Digital-to-Analog, Analog-to-Digital Conversion: 20 bit resolution
Voltage Gain:
1 dB +/- 1dB (power off)
12 dB +/- 2 dB (input 10 dBV, output +4 dBu)
12 dB +/- 2 dB (input +4 dBu, output 10 dBv)
0 dB +/- 2 dB (equal input and output sensitivities)
Impedance:
Input: 47 kilohms +/- 20% actual
Output: 120 ohms +/- 20% actual
Input Clipping Level
+18 dBu minimum (at +4 dBu setting)
+6 dBV minimum (at 10 dBV setting)
Output Clipping Level
+18 dBu minimum (at +4 dBu setting)
+6 dBV minimum (at 10 dBV setting)
Total Harmonic Distortion
LED Signal Indicators
Signal: 40 dB
Clip: 6 dB down from input clipping
Propagation Delay from Input to Ouput
0.8 ms (all filters flat, no dynamics processing, 0 ms delay), up to 2.1 ms (all processing enabled)
Polarity
Input to output: inverting optional (default: non-inverting)
XLR: pin 2 positive with respect to pin 3
1/4-inch TRS: tip positive with respect to ring
Operating Voltage
DP11EQ: 120 Vac, 50/60 Hz, 50 mA max
DP11EQE: 230 Vac, 50/60 Hz, 25 mA max
DP11EQJ: 100 Vac, 50/60 Hz, 50 mA max
Temperature Range
Operating: 0 degrees to 60 degrees C (32 degrees to 140 degrees F)
Fuse
DP11EQ: 120 Vac. Fuse: 100 mA, 250V time delay
DP11EQE: 230 Vac. Fuse: 50 mA, 250 V time delay
DP11EQJ: 100 Vac. Fuse: 100 mA, 250 V time delay
Dimensions
219 mm x 137 mm x 44 mm (8-5/8 in x 5-3/8 in x 1-3/4 in)
Weight: 930 g (2.05 lbs)
DYNAMICS PROCESSOR
Gate and Expander:
Threshold: 72 to 1 dB, 0.5 dB resolution
Attack: 1.0 to 200 ms
Decay: 0.05 to 1 second
Gate Hold Time: 0 to 0.5 seconds
AGC Leveler
Threshold: 72 to 1 dB, 0.5 dB resolution
Attack: 0.2 to 3 seconds
Decay: 0.5 to 5 seconds
Hinge: Threshold to 1 dB, 0.5 dB resolution
Compressor and Limiter
Threshold: 72 to 1 dB, 0.5 dB resolution
Attack: 1.0 to 200 ms
Decay: 0.05 to 1 second
Knee: Hard or Soft selectable
No Overshoot Peak Limiter
Propagation delay: 1 ms
Threshold: 72 to 1 dB, 0.5 dB resolution
Attack: 0 msDecay: 100 ms
PARAMETRIC EQUALIZER
Parametric Filter Frequency Bands
Up to 9 bands, variable frequency, variable Q
Boost/Cut Range
+6 dB to 18 dB per band
Q Range
1/40-octave to 2 octave
High and Low Shelf/Cut Filters
Shelf, +6 to 18 dB per filter
Cut, 12 dB per octave nominal
DELAY
Up to 1.3 seconds, 21 microsecond resolution
GENERAL DATA
Power Supply 220 / 110V 25 VA
Dimension 434x351x44mm (1 rack unit)
Weight » 4 Kg
MEETING INTERFACE IN / OUT
Connector DB 9 female
Nominal in / out audio level 0 dBm
Input impedance 600 W / 10 KW (selectable)
Output impedance 100 W
* nominal line level: - 6 dBm
** it can vary depending on characteristics of telephone line
All measurements are intended at 1 kHz.
AUDIO PROGRAM IN / OUT
Connectors XLR, electr. balanced
Input impedance 600 W / 10K W (selectable)
Output level * - ¥ ¸ + 16 dBm
Output impedance 100 W
Noise on Receive output
2-Wire separation £ 25 dB**
4-Wire separation £ 70 dB
2-WIRE SECTION
Connector RJ11
Nominal input level - 6 dBm
Nominal output level - 6 dBm
Compensation mode Electronic, transf. decoupled
Impedance 600 W
4-WIRE SECTION
Connector Terminal block
Impedance 600 W
Nominal TX level 0 dBm
Nominal RX level 0 dBm
SHARK FBQ100
Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor
High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
Automatically and "intelligently" locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
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