| Content | The distribution of mono and stereo balanced audio signals from a single source to multiple destinations has many applications including multi-zone sound reinforcement installations, live sports events coverage, broadcast studios, video suites, duplication or indeed anywhere high quality audio has to be distributed to a number of locations down long cable runs.
The Drawmer DA-6 is a six channel stereo (or twelve channel mono) distribution amplifier featuring XLR balanced inputs and outputs with optional transformer balancing where remote amplifiers and recorders are fed from separate power supplies.
The stereo Input features individual left/right level controls with LED bargraph metering enabling the correct balancing of stereo material or two mono signals. Each of the six outputs incorporate further left/right level controls and a Mono/Stereo switch providing the selection of either one stereo output or two mono outputs per channel. This feature allows the DA-6 to function as either a 1 x stereo input/6 x stereo outputs or 1 x mono input/12 x mono output unit or any combination of the two.
The output section consists of a Channel Select so that the individual left/right output level of each channel is displayed on the output LED bargraph and can be monitored by the Headphone jack socket. A pair of auxiliary link stereo jack sockets (TRS) are provided via the rear panel for connection to further DA-6 units for the distribution of even more channels. Features: - 1x6 Stereo Distribution Amp with Monitoring.
- 1 set of stereo (2) XLR inputs.
- 6 sets of stereo (2) XLR outputs.
- Input stage has LED level meter.
- Each output channel can be switched to mono.
- Each output channel can be individually monitored.
- Built-in headphone amp.
- Optional transformer balanced outputs.
- Electronically balanced inputs with individual left/right level controls.
- LED metering on input for balancing stereo material or two mono signals.
- Left / Right level controls on each output with a stereo / mono switch.
- Headphone jack to monitor output of selected channel.
- LED metering on output of selected channel.
- Auxiliary pair of balanced 1/4" output jacks for linking multiple DA6 units.
- 1 unit rack space.
- Inputs and Outputs are balanced XLRs at +4dBu.
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iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
| More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.
XLR balanced ins and outs
Mode switches for mono 4-way or stereo 2-way/3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
dbx® 2 year parts and labor as standard
CSA NRTL/C approved
CE compliant
| Input Connectors |
XLR |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
| Max Input |
>+22dBu balanced or unbalanced |
| CMRR |
>40dB, typically >55dB at 1kHz |
| Output Connectors |
XLR |
| Output Type |
Impedance-balanaced/unbalanced, RF filtered |
| Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
| Bandwidth |
20Hz to 20kHz, +/-0.5dB |
| Frequency Response |
90 kHz, +0/-3 dB |
| Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
| Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >93dB (Mid Output), >90dB (High Output) |
| Signal-to-Noise (Mono Mode) |
>94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output) |
| Dynamic Range |
> 106 dB, unweighted, any output |
| THD+Noise |
| Interchannel Crosstalk |
| Crossover Frequencies (Stereo Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting) |
| Crossover Frequencies (Mono Mode) |
Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz |
| Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
| Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
| Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
| x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
| Mode Switch |
Selects stereo/mono and 2/3/4-way operation |
| LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
| Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
| Operating Voltage |
100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz |
| Operating Temperature |
32°F to 113°F (0°C to 45°C) |
| Power Consumption |
15W |
| Power Connector |
IEC receptacle |
| Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
| Unit Weight |
4.0 lbs. (1.8 kg) |
| Shipping Weight |
5.8 lbs. (2.6 kg) |
|
- Connect HDMI sources to your audio equipment, even if they lack a dedicated audio output (Apple TV 4, Chromecast, Wii U, media players).
- Listen to music (MP3, audio streams, radio channels) without requiring the TV being turned on.
- Versatile problem solver when connecting your audio equipment to your TV, monitor or projector.
- Determine your desired audio format using the unique EDID switch.
- Play the audio from your Smart TV applications (Netflix, YouTube) or built-in TV decoder on your home cinema set, audio amplifier or soundbar.
- Use your TV's Audio Return Channel (ARC) function, even when your audio equipment is not suitable for this.
Still want to connect your Apple TV 4, Google Chromecast or TV without an audio output to your audio equipment? You can with the Connect AE14.
This HDMI audio extractor with ARC allows you to extract audio from your HDMI source or TV and to forward it to the speakers of a home cinema set, audio amplifier or soundbar.
The products the Connect-series can be used if the inputs and outputs of equipment cannot be connected with each other by default.
Connections
|
|
| AV input |
1 x HDMI |
| AV output |
1 x HDMI |
| HDMI cable length |
15 metres (max.) |
| Digital audio output |
1 x Toslink (optical), 1x coaxial |
| Analogue audio output |
1 x stereo 3.5 mm jack |
Video
|
|
| Supported resolution |
Max. 2160@30Hz |
| HDMI standards |
HDMI 1.4, HDCP, CEC, ARC, EDID, DVI, Deep Color 36-bit, 3D formats and x.v. Colour |
| Video bandwidth |
10.2 Gbps |
| Clock frequency |
300 MHz |
| HDCP standards |
HDCP 1.4/2.2 |
| Colour formats |
RGB and YCbCr 4:4:4, 4:2:0 of 4:2:2 |
| Colour depth |
Max. 36-bit |
Audio
|
|
| Digital audio output |
DTS 5.1, Dolby Digital/AC3 and PCM 2.0 CH |
| Analogue audio output |
2.0 CH |
General
|
|
| Dimensions (h x w x d) |
20 x 70 x 68 mm |
| Weight |
130 grams |
| Ambient temperature |
+0 to +70 °C |
| Humidity |
10% to 85% |
| Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
| The MX225 is designed for remote volume control of multiple amplifiers or powered speakers in a distributed audio system. Two stereo sources are available to each of five output zones. Each source input pair handles separate left and right balanced line level signals. Each output zone features independent level control from inputs 1 and 2, stereo/mono selector with mono indicator, LED level metering, and left and right balanced line level zone outputs. All audio connections are balanced XLR. The built in power supply and single high 19″ rack mount format allows for easy installation and reliable operation.
- 5 Zone mixer / distributor
- Adjusts volume of multiple amplifiers or active monitors separately
- Stereo/mono switch + clip and 5 segment LED on each zone
- Connectors: 4x line in XLR (2x L/R), 10x XLR Out (5x L/R)
- Dimensions: 482 x 152 x 44.5 mm (19"/1U)
- Weight: 2.4 kg
| XLR-F balanced (x4) |
| XLR-M balanced (x10) |
| 47k Ω |
| 200 Ω |
| .05% Typical |
| > 90dB typical |
| +20dBu |
| +24dBu balanced |
| +6DB |
| USA – 105 to 125 VAC / 50-60Hz, 15 W typical |
| 1.75″H x 19″W x 7.25.0″D (44.5mm x 483mm x 184mm) |
| 5.34 lbs (2.42 kg) |
| Passive splitter box for microphone signals. One module has 4 channels. Each channel has an input, an output wired in parallel for passthrough of phantom power, and two splitter transformer-isolated outputs. All outputs are also decoupled via resistors.
- Each channel: Input: female XLR type
- Outputs: 1 parallel male XLR type, 2 transformer isolated male XLR type
- Nominal impedance for inputs/outputs: 200
- Max. input level: + 6 dBu
|
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