The Kickbox 4×4 is an ‘all terrain’ 4 in/16 out mic/line signal splitter. Its extremely high audio quality, robust build and portability make it the ideal tool to provide multiple outputs for live sound, broadcast coverage, sports events, live recording, press conferences, corporate events and any situation where distribution of high quality audio is required. […]
The Kickbox 4×4 is an ‘all terrain’ 4 in/16 out mic/line signal splitter. Its extremely high audio quality, robust build and portability make it the ideal tool to provide multiple outputs for live sound, broadcast coverage, sports events, live recording, press conferences, corporate events and any situation where distribution of high quality audio is required. It incorporates 4 studio grade mic/line pre-amps, each providing up to 66dB of gain and 16 balanced output stages, each with the option of transformer isolation and comprehensive linking facilities.
The 4×4 is supplied as standard in a road proof case with a removable lid for unhindered access to all controls and connections.
Inputs
4 STUDIO GRADE MIC/LINE PRE-AMPS.
INDEPENDENT INPUT BARGRAPH METERING.
66dB OF VARIABLE GAIN.
48V PHANTOM POWER.
MIC/LINE SWITCHING.
HEADPHONE MONITORING FACILITY.
Outputs
4 OUTPUTS PER CHANNEL.
ACTIVE SPLITTING ALLOWS FOR LONG CABLE RUNS.
OPTIONAL TRANSFORMER ISOLATION.
TRANSFORMER LOADED LED STATUS.
LINKING.
Can be configured as
1x 1 IN/16 OUT.
2x 1 IN/ 8 OUT.
1x 1 IN/12 OUT plus 1 IN/4 OUT.
4x 1 IN/4 OUT.
Other Features
PORTABILITY.
INTERSTACKABLE.
REMOVABLE LID TO PROVIDE EASY ACCESS AND CABLE ROUTING.
COMPACT SELF CONTAINED ROAD PROOF CASE ELIMINATES THE NEED FOR BULKY FLIGHT CASES.
WHEN LOCKED IT’S DUST / WATER / CORROSION PROOF.
Weight
5.00 kg
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The Kickbox 4x4 is an ‘all terrain’ 4 in/16 out mic/line signal splitter. Its extremely high audio quality, robust build and portability make it the ideal tool to provide multiple outputs for live sound, broadcast coverage, sports events, live recording, press conferences, corporate events and any situation where distribution of high quality audio is required. It incorporates 4 studio grade mic/line pre-amps, each providing up to 66dB of gain and 16 balanced output stages, each with the option of transformer isolation and comprehensive linking facilities.
The 4x4 is supplied as standard in a road proof case with a removable lid for unhindered access to all controls and connections.
Inputs
4 STUDIO GRADE MIC/LINE PRE-AMPS.
INDEPENDENT INPUT BARGRAPH METERING.
66dB OF VARIABLE GAIN.
48V PHANTOM POWER.
MIC/LINE SWITCHING.
HEADPHONE MONITORING FACILITY.
Outputs
4 OUTPUTS PER CHANNEL.
ACTIVE SPLITTING ALLOWS FOR LONG CABLE RUNS.
OPTIONAL TRANSFORMER ISOLATION.
TRANSFORMER LOADED LED STATUS.
LINKING.
Can be configured as
1x 1 IN/16 OUT.
2x 1 IN/ 8 OUT.
1x 1 IN/12 OUT plus 1 IN/4 OUT.
4x 1 IN/4 OUT.
Other Features
PORTABILITY.
INTERSTACKABLE.
REMOVABLE LID TO PROVIDE EASY ACCESS AND CABLE ROUTING.
COMPACT SELF CONTAINED ROAD PROOF CASE ELIMINATES THE NEED FOR BULKY FLIGHT CASES.
WHEN LOCKED IT’S DUST / WATER / CORROSION PROOF.
At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didnʼt settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally thereʼs a direct box worthy of the dbx name.
Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.
As a professional, you donʼt have time for interference, so weʼve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx dB10 dB12 is for you.
Thru Output: 1 parallel connection from input jack
Connector: 1/4" jack
Type: Unbalanced, RF filtered
Main Output: 1 line level
Connector: XLR male jack
Type: Balanced
Impedance: 150 Ohm typical
Max Output Level: 0dBu
PERFORMANCE
Transformer: Custom dbx mu-metal-shielded
Frequency Response: 20Hz to 20kHz, +/-2.5dB
Noise:
THD:
GENERAL
Dimensions: 5.82" L X 5.44" W X 2.20" H (148 x 138 x 56mm)
Weight: 1.4 lbs / 0.65 kg
Note: Specifications subject to change without notice.
The Stewart ADB-1 is a single channel active direct box that allows an unbalanced source to directly feed a balanced input. Musical instruments, tape recorders, VCRs and sound projectors can be run "direct" to the mixing console, avoiding unnecessary degradation of sound quality. The ADB-1 operates on either phantom power or a 9-volt battery.
FEATURES: Flat response Low distortion Low noise Wide dynamic range No transformer RF protection on input and output Switchable ground isolation Flush mounted slide switches
Phantom or battery powered in a rugged steel chassis, with separate Speaker Level input connector
The ARX DI-PLUS represents another major step forward in active direct boxes. Packaged in a single channel stand-alone format, the DI-PLUS represents a fresh look at active D.I. concepts. Precision engineered Ultra quiet, ultra clean circuitry delivers maximum headroom whatever the signal. Premium grade components, plus an all-steel chassis gives excellent hum and noise specifications and superb audio quality in a tough, roadworthy package. Level control The DI-PLUS features a Normal gain high impedance unbalanced input on the front panel, running to a balanced XLR output on the rear. There is also a separate -40dB Speaker Level input for signal coming from the External (auxiliary) speaker output of an amplifier. A a global Pad switch drops both the normal input and the speaker input by a further 20dB, making it suitable for all applications, from the softest keyboard to the hottest broadcast levels.
Battery compartment The revolutionary simple 'clamshell' action of the DI-PLUS battery compartment makes battery changing extremely easy, even on the darkest stages. A 9v alkaline battery snaps into a PCB mounted battery holder for fast, secure location. No fragile battery clip leads to break, no tools required, no screws to lose. Production crew heaven!
Automatic Phantom switching The DI-PLUS will automatically switch itself to the console's own Phantom Power, if available, and an LED will indicate this mode. Turn the Phantom Power off and it will instantly revert back to battery mode. Rugged all-steel case A lot of direct boxes are fitted into brittle cast alloy cases. Not this one! The tough all-steel inner and outer chassis of the DI-PLUS provide excellent RF/EMF shielding while making it a sturdy, heavy duty unit that is hard to dislodge, and hard to leave behind.
Rear panel showing XLR connector, ground lift switch, and captive screw for opening up the unit for battery changing
Whether you're a Studio or Live Sound engineer, installation contractor, or broadcast engineer, you want all the dynamics and clarity of the original sound source transferred to the mixing console. The ARX DI-PLUS provides a rugged, no-compromise solution to all direct injection and signal balancing requirements.
T E C H N I C A L S P E C I F I C A T I O N S: Max Input Level +13 dB Phantom powered +6 dB Battery powered Input Impedance 1 Meg Ohm Max Output Level +17 dB 10K Ohm load Phantom powered +12 dB 10K Ohm load Battery powered +11 dB 600 Ohm load Phantom powered +12 dB 600 Ohm load Battery powered Output Impedance 680 Ohms Balanced Output Signal to Noise -100 dB unweighted -104 dB A weighted Dynamic Range 117 dB 10K Ohm load Phantom powered 112 dB 10K Ohm load Battery powered 111 dB 600 Ohm load Phantom powered 107.5 dB 600 Ohm load Battery powered Distortion 100 Hz .0027%, 1KHz .0028%, 10KHz .0037% Frequency Response 20Hz to 20KHz, ± 0.2 dB Gain through Unit: 6dB (Normal input, Pad switch out) Pad Switch: -20 dB attenuation Speaker Input -40 dB attenuation, equivalent to 100:1 decrease in input level -60 dB attenuation available with Pad switch Input Connectors Insulated jacks (!!!Note that the Input connector switches the unit on when a plug is inserted. Remove plug when storing to avoid battery drain!!!) Output Connector 3 pin XLR. Wired Pin 1 Ground, Pin 2 + Hot, Pin 3 - Cold. With Audio Ground (Pin 1) lift switch Construction All-steel chassis, fibreglass PCB Battery Access Twist connector opens chassis, snap-in battery holder inside. No tools required
Active DI-Box SM-60
The electronic Direct-Injection Box SM-60 allows direct connection of electronic music instruments such as keyboards, synthesizers, electric and electronic pianos, etc. with mixing consoles in PA-systems and in recording studios. The SM-6 is designed for applications, where a passive DI-Box does not perfom satisfactorily, i.e., where the output level of a passive DI-Box is too low for the microphone input section of the mixing desk. Because the input impedance of the SM-6 is above 5 MOhm, instrument outputs are not loaded or in any other way adversely affected. The voltage ratio from input to output is 1: 1 and is always sufficient for connection with any microphone input. Input connectors are 1/4" phone jacks, output connector is a Switchcraft D3M; output is 600 Ohms, transformer balanced. The output level may in certain cases overload microphone inputs - the line input section of the mixing console must then be used for connecting the SM-6. The unit operates with a 9 V battery or phantom powering from 24 to 48 volts.
Technical Data
input impedance > 5 MOhm max. input impedance + 6 dBu, 1,55V ouptut impedance 600 Ohm frequency response 20 ... 20000 Hz, ± 0,2 dB gain 1 : 1 THD < 1 % at 30 Hz < 0,7 % bei 40 Hz powering 9-V battery (IEC 6LF22) or phantom power 24 ... 48 V. inputs two 1/4" phone jacks , unbalanced (one being used as output to instruments amp) outputs XLR, balanced pin 1 = ground, pin 2 = hot, pin 3 = cold case aluminium die-cast weight 240 g dimensions 113 x 71 x 37 mm
Behringer DI-400P High-Performance Passive Direct Injection Box
Introducing the Ultra-Compact DI-Boxes from BEHRINGER
There are times when you will want to connect certain sound sources straight to other audio gear, be it for a live performance or a studio session. A direct connection between audio equipment can be a challenge though: technical problems crop up that?ll corrupt the signal.
The DI400P lets you connect instruments or amplifier outputs. It converts any unbalanced signal to a balanced signal and eliminates unwanted noise. With its high-performance transformer, it also allows you to use very long cables without the loss of high frequencies.
This is the sort of medicine that?ll cure headaches in your studio or on stage.
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