DRAWMER MC 2.1 Monitor controller

550.00 incl. GR VAT

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MC2.1 – Monitor Controller It is imperative that what you record is exactly what you hear – this is the philosophy that is at the heart of the design of the MC2.1 Monitor Controller. With the Drawmer MC2.1 Monitor Controller incorporated into your system you combine the clarity, fidelity and transparency of the highest quality monitoring […]

 

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MC2.1 – Monitor Controller

It is imperative that what you record is exactly what you hear – this is the philosophy that is at the heart of the design of the MC2.1 Monitor Controller.

With the Drawmer MC2.1 Monitor Controller incorporated into your system you combine the clarity, fidelity and transparency of the highest quality monitoring circuit with the complexity of a host of mix checking features. It is versatile and intuitive, but above everything else, where the Drawmer MC2.1 excels is in it’s accuracy and ability to faithfully reproduce what has been recorded.

The MC2.1 incorporates four inputs with three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. In addition, it has a host of mix checking features not often found on other controllers, such as individual left/right cut, as well as two seperate headphone amplifiers and a talkback facility, making the MC2.1 a true engineers tool.

Whether you’re mastering a cd/dvd, recording, checking a mix for balance and e.q, doing A/B comparisons, plus a mutlitude of other tasks, you’ll have spent weeks designing the perfect studio environment and a fortune on active speakers, dynamics processors, various microphone and preamplifier combinations as well as a whole room full other gear, one thing is for sure – a monitor controller is central to every recording setup and probably the most important element of the entire signal chain – providing the ‘reference’ listening signal that enables the user to achieve the optimal mic placements, the perfect balance and EQ etc. There is one thing that should always be absolutely guaranteed – that you can rely on the accuracy of your monitor controller.

  • Ultra low noise and transparent circuit design.
  • Linear power supply with low hum toroidal transformer and internal voltage selector switch.
  • 3 stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output. All have individual left & right trims under the unit to provide complete control over level matching.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • Comprehensive mix checking facilities including Left/Right Cut, Phase Reverse, Mono, Dim, Mute.
  • Parallelled custom quad pots on main and headphone level controls for excellent channel matching and smooth feel.
  • Four inputs including balanced Neutrik XLR, balanced Neutrik XLR/JACK COMBI, and shared aux phono or 3.5mm jack.
  • Two headphone amplifiers with individual level controls.
  • Built in talk back microphone with level control, mono output jack and internal headphone routing.
  • Rugged steel chasis and stylish brushed aluminium cover.
  • Can be stacked and is rack mountable (with the MCB 2U mounting kit).
  • Dimensions: L 272mm x W 215mm x H 81mm. Weight: 2.5kg
Weight 2.50 kg

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MC2.1 - Monitor Controller

It is imperative that what you record is exactly what you hear - this is the philosophy that is at the heart of the design of the MC2.1 Monitor Controller.

With the Drawmer MC2.1 Monitor Controller incorporated into your system you combine the clarity, fidelity and transparency of the highest quality monitoring circuit with the complexity of a host of mix checking features. It is versatile and intuitive, but above everything else, where the Drawmer MC2.1 excels is in it’s accuracy and ability to faithfully reproduce what has been recorded.

The MC2.1 incorporates four inputs with three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. In addition, it has a host of mix checking features not often found on other controllers, such as individual left/right cut, as well as two seperate headphone amplifiers and a talkback facility, making the MC2.1 a true engineers tool.

Whether you’re mastering a cd/dvd, recording, checking a mix for balance and e.q, doing A/B comparisons, plus a mutlitude of other tasks, you’ll have spent weeks designing the perfect studio environment and a fortune on active speakers, dynamics processors, various microphone and preamplifier combinations as well as a whole room full other gear, one thing is for sure - a monitor controller is central to every recording setup and probably the most important element of the entire signal chain - providing the ‘reference’ listening signal that enables the user to achieve the optimal mic placements, the perfect balance and EQ etc. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

  • Ultra low noise and transparent circuit design.
  • Linear power supply with low hum toroidal transformer and internal voltage selector switch.
  • 3 stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output. All have individual left & right trims under the unit to provide complete control over level matching.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • Comprehensive mix checking facilities including Left/Right Cut, Phase Reverse, Mono, Dim, Mute.
  • Parallelled custom quad pots on main and headphone level controls for excellent channel matching and smooth feel.
  • Four inputs including balanced Neutrik XLR, balanced Neutrik XLR/JACK COMBI, and shared aux phono or 3.5mm jack.
  • Two headphone amplifiers with individual level controls.
  • Built in talk back microphone with level control, mono output jack and internal headphone routing.
  • Rugged steel chasis and stylish brushed aluminium cover.
  • Can be stacked and is rack mountable (with the MCB 2U mounting kit).
  • Dimensions: L 272mm x W 215mm x H 81mm. Weight: 2.5kg
  • Latency-free analogue signal path
  • Customisable
  • Level indicator L/R with +4, +10 and +18 dBu calibration options
  • Correlation meter for verifying mono-compatibility
  • Two headphone outputs with volume controllers and main cue selector switches
  • Three analogue inputs, one S/PDIF input
  • Three loudspeaker outputs with volume controllers for level calibration
  • Mono summed output for subwoofer or mono monitor
  • Main and cue direct outputs
Switching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button. The Palmer studio monitor controller features three analog stereo inputs, one S/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal\'s left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style. Its fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount. Product type Other Studio and Recording Equipment
Channels 3 x switchable balanced outputs, 1 x CUE output, 1 x main output
Inputs 3 + SPDIF
Input connectors 3.5 mm TRS , 6.3 mm jack , RCA , SPDIF
Input type balanced/unbalanced (depending on TS/TRS connection)
Max. input level 20 dBu
Input impedance (balanced) 10.000 Ohm(s) , (unbalanced) 5.000 Ohm(s)
Outputs 7 x stereo
Output connectors TRS balanced (1 - 3) , TRS unbalanced (CUE, MAIN, headphones 1 & 2)
Output impedance 600 Ohm(s)
Frequency response 12 - 90000 Hz
Total Harmonic Distortion (THD) 0.002 % (BW 20 - 20,000 Hz)
Signal-to-noise ratio (SNR) 102 dB (a-weighted) @ + 4 dBu
Dynamic range (DR AES17) 115 dB
CMRR > 55 dB
Max. attenuation (Attenuator + Mute) 111 dB , (Attenuator) 86 dB
Controls attenuation , Audio DIM , input selector , mono , mute , output selector , PFL source , Talkback
Housing material sheet steel , wood
Cabinet surface Powder coated
Width 254 mm
Height 84 mm
Depth 215 mm
Weight 1,512 kg

The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. A great way to passively attenuate stereo signals from soundcards, CD players, pre-amps, and mixers, the M-Patch 2 front panel rotary controls allow precise level adjustments for two input sources. Featuring balanced combo XLR/TRS input jacks and XLR outputs, RCA & 3.5mm jack inputs, mono/stereo summing switch, Mute switch, A/B output pairs, and a built in stereo headphone amplifier, the M-Patch 2 has all bases covered.

- High quality? passive volume attenuator
- Great monitor switching device
- 2 x Input channels, 2 x Output channels
- Combo, RCA, & 3.5mm input connectors
- XLR outputs (balanced or unbalanced depends on the inputs selected)
- Mono/Stereo summing switch
- System mute function
- Built in headphone amplifier
- Quality components and rugged construction
- Desktop or Rack-mountable installation
- External 16Vac power supply (Supplied. Only required for operation of headphone amplifier)

  • All-passive volume control circuit
  • Stereo and AUX inputs
  • Dual outputs
  • Additional mono output
  • Balanced and unbalanced connection
  • Integrated high quality headphone amplifier
  • Mono, mute and PFL switches
  • Stereo volume, AUX and headphone level controls
  • Elegant design with solid wood side panels
  • Built to last
The Palmer Monicon® L is a precise, analogue volume control that connects between a computer or audio interface and active monitor speakers. The switch is completely passive and distortion-free, the LED displays and built-in headphone amplifier are powered via the included power supply. Symmetric combo sockets serve as stereo input. The Monicon® L’s AUX input features RCA sockets and a 3.5 mm stereo jack. The compact console offers outputs for two monitor pairs and a mono summed output via XLR sockets. The stereo or AUX input can be selected alternately, the two outputs individually and together. In addition to its large volume controller, the Monicon® L is also equipped with mono, mute and PFL switches, a 6.35 mm headphone output, and separate AUX and headphone controllers for convenient operation. Product type Other Studio and Recording Equipment
Channels 2
Inputs 2
Input connectors 3.5 mm TRS , RCA , XLR
Input type balanced/unbalanced (depending on TS/TRS connection)
Max. input level 20 dBu
Input impedance (balanced) 10k Ohm(s) , (unbalanced) 5k Ohm(s)
Outputs 3
Output connectors XLR
Output type balanced/unbalanced (depending on TS/TRS connection)
Max. output level 20 dBu
Output impedance 600 Ohm(s)
Frequency response 10 - 40000 Hz
THD 0.001 %
Max. attenuation (Attenuator + Mute) 112 dB , (Attenuator) 85 dB
Controls attenuation , input selector , mono , mute , output selector , PFL source
Cabinet material sheet steel , wood
Cabinet surface Powder coated
Width 218 mm
Height 77 mm
Depth 100 mm
Weight 1,14 kg

The CMC7 is a compact 8 channel / 7.1 / 5.1 surround volume controller and cost-effective alternative to the more complex and feature rich MC7.1. In order to maintain it's compact proportions and to keep the product budget friendly the CMC7 does away with controls that can often be found within your workstation software and concentrates on essential features such as ease of use and the quality of the signal path, ensuring that the audio is transparent and accurate across all channels and operation intuitive. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all-encompassing orchestral piece, one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever-increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. The budget friendly CMC7 allows you to do this without the large financial outlay that other setups will produce.

Coming from the same stable as the MC2.1, MC3.1 and MC7.1 you can be sure of the same high quality for the Drawmer CMC7 Surround Monitor Controller. The circuit is just as transparent and accurate. It's controls have the same quality feel and operation and the huge volume knob provides excellent channel matching, and smooth feel.

You hear exactly what you've recorded!

Surround Sound

The 8 inputs and outputs are provided via two balanced 25 pin d-sub connectors wired to the Tascam standard making connecting easy. It allows for 8 independent channels, 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc, the setup is up to the user.

With the Stereo Mix switch active the surround mix can be bounced down to a 2.1 signal in the front left and right monitors and sub-woofer, to test the quality of the recording when in stereo. In addition, it has a professional quality stereo headphone output with a separate amplifier and level control, that provides private mix checking, a DIM switch reduces output by 20dB and a MUTE switch is also available to cut the output completely.

Precision

The circuit design of the CMC7 ensures that the channel matching of all 8 channels is consistent throughout the full range of the volume control. Other manufaturers of surround controllers use multi-ganged potentiometers to achieve the levels of the 8 channels, this is especially true of passive surround controllers, this simplifies the circuit but leads to discrepancies in the level of each channel, especially at the lower and upper volumes, where accurate channel matching can vary wildly.

Compact

The CMC7 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC7 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.

Tough & Secure

Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC7 is built to last. In addition, a Kensington security slot provides protection from thieves.

Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

Features:
  • Ultra low noise and transparent circuit design.
  • All 8 inputs and outputs are via 2 tascam standard 25 Pin D-Sub connectors making connection to interfaces and speakers simple and intuitive.
  • Mix down switch enables you to check the Surround as a Stereo mix with an independent Sub switch controlling the LFE/Sub.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • A large volume knob incorporating excellent channel matching and smooth feel.
  • An independent Headphone Amplifier with Individual Level Control with jack on the rear.
  • Kensington security slot (also called a K-Slot or Kensington lock).
  • Very low profile desktop enclosure with a footprint of just 18x16cm.
  • Stylish and Rugged Enclosure will withstand the knocks of the studio.

 

MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors. \"Fully passive\" means that there are no active components involved, that could in any way alter the audio signal - keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4\" TRS connectors, one with both unbalanced RCA and unbalanced 1/8\" TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4\" TRS plus unbalanced 1/8\" TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out! Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume.
Features

  • 2x mono balanced 1/4\" TRS input (input A)
  • 2x mono unbalanced RCA input (input B)
  • 1x stereo unbalanced 1/8\" mini jack input (input B)
  • 2x mono balanced XLR output (output A)
  • 2x mono balanced / unbalanced 1/4\" TRS output (output B)
  • 1x stereo unbalanced 1/8\" mini jack output (output B)
  • selected high quality potentiometer for passive volume control
  • A/B input selection switch
  • L/R switch to swap left & right audio channels
  • independent A and B buttons to enable and disable the outputs
  • mono downmix button (mixes left to right channel and right to left channel)
  • mute button to mute output signal instantly
Weight2.50 kg1.50 kg2.00 kg1.14 kg1.50 kg0.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 1.50 kg
Weight 2.00 kg
Weight 1.14 kg
Weight 1.50 kg
Weight 0.80 kg