DBX Driverack RTA-M Real Time Analyzer Microphone

135.00 incl. GR VAT

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Omni-directional, flat frequency, measurement microphone.

 

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Omni-directional, flat frequency, measurement microphone.
Weight 0.50 kg

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Quick Comparison

DBX Driverack RTA-M Real Time Analyzer Microphone removeSHURE Beta-87A - Vocal Microphone 50hZ to 20kHz removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeSHURE MX-393C - Cardioid Boundary Microphone removeBEHRINGER ECM8000 Omnidirectional Measurement Condenser Microphone removeShure 55SH Series II Vocal Microphone 50Hz to 15kHz remove
NameDBX Driverack RTA-M Real Time Analyzer Microphone removeSHURE Beta-87A - Vocal Microphone 50hZ to 20kHz removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeSHURE MX-393C - Cardioid Boundary Microphone removeBEHRINGER ECM8000 Omnidirectional Measurement Condenser Microphone removeShure 55SH Series II Vocal Microphone 50Hz to 15kHz remove
ImageECM8000-behringer messurement microphone condencer artsound
SKUDBX DRIVERACK RTA-MBETA87AC414-XLSMX393CE00527455SH2
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Price 135.00 incl. GR VAT 375.36 incl. GR VAT1,116.00 incl. GR VAT 281.00 incl. GR VAT 40.00 incl. GR VAT 189.99 incl. GR VAT
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Description
  • Perfect for analysing audio with an ultra-linear condenser element
  • Suitable for room equalisation applications as well as high-fidelity studio and live recording
  • Accurate sound capture across an ultra-flat frequency response
  • Records audio from all directions with the true omnidirectional polar pattern
  • No power supply needed – works with phantom power from +15V to +48V
  • Compatible with Behringer’s ULTRACURVE analyser
  • Eliminates low-frequency distortion with a transformerless FET input
  • Flawless signal integrity from a gold-plated 3-pin XLR connector
  • Comes equipped with swivel stand mount and carry case
ContentOmni-directional, flat frequency, measurement microphone.The Beta 87 microphone has consistently been a top choice of performers and audio technicians around the world due to its superb accuracy and detail, and rich vocal production. This long-standing favorite now features a new design and has been renamed the Beta 87A TM. In response to user requests, Shure has redesigned this microphone by just slightly thickening the handle for a more comfortable feel when hand-held. In addition, the Beta 87A now includes the A25D break-resistant swivel adapter. The Shure Model Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level (SPL) capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production. The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the "boomy" sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.
  • Smooth, tailored frequency response provides detail, accuracy, and warmth for vocals
  • Extremely accurate supercardioid pattern at all frequencies provides the highest gain-before-feedback
  • Three-stage pop filter minimizes breath pop and noise
  • Break-resistant stand adapter
  • Frequency response: 50 to 20,000 Hz
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter. The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty. Features High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors Specifications Type: 1" large diaphragm pressure gradient microphone Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Frequency Range: 20 to 20,000 Hz Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB) Preattenuation Pad: -6, -12,-18 dB, switchable Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Power Requirements: 48 V phantom power to DIN/IEC Connector: 3-pin XLR Dimensions: 2" x 1.5" x 6.3“ Net Weight: 10.6 oz Shipping Weight: 5 lbs (2.27 kg)

 MX393C - Condenser Boundary Microphone, Built-in Preamp, 12-ft Tini "QG" ? to XLR Cable, Programmable Switch and LED Indicator

Behringer ECM-8000 Omnidirectional Measurement Electret Condenser Microphone The Behringer ECM8000 Measurement Microphone provides an instantaneous acoustic image of your performance environment. Hear how your room and speakers really sound thanks to a linear frequency response and omnidirectional polar pattern. Analyse every detail. Whether you're in a live performance venue or recording studio, the ECM8000 works smoothly with real-time analysers such as Behringer's ULTRACURVE. You'll completely remove the guesswork out of EQing. No unwanted sound. No inaccuracies. The ECM8000 eliminates low-frequency distortion with a transformerless FET input. Just plug in, play, and enjoy pristine signal integrity from a gold-plated XLR connector. With stand adapter and carry case included, you're ready to get to work straight out of the box

Features

  • Perfect for analysing audio with an ultra-linear condenser element
  • Suitable for room equalisation applications as well as high-fidelity studio and live recording
  • Accurate sound capture across an ultra-flat frequency response
  • Records audio from all directions with the true omnidirectional polar pattern
  • No power supply needed – works with phantom power from +15V to +48V
  • Compatible with Behringer’s ULTRACURVE analyser
  • Eliminates low-frequency distortion with a transformerless FET input
  • Flawless signal integrity from a gold-plated 3-pin XLR connector
  • Comes equipped with swivel stand mount and carry case

Specifications

  • Type: Electr. Condenser
  • Polar Pattern: Omnidirectional
  • Impedance: 200 ohms
  • Sensitivity: 70dB
  • Frequency Response: 20Hz - 20kHz
  • Connector: Gold-Plated XLR
  • Phantom Power: +15V to +48V
  • Weight: 136g
  • Tailored for Vocals & Speech
  • Cardioid Polar Pattern
  • Shock-Mounted Dynamic Cartridge
  • 50 Hz to 15 kHz Frequency Response
The Shure 55SH Series II is a Unidyne cardioid dynamic microphone boasting a classic look and vocal-tailored sound for recording sessions, live stage applications, and on-camera use. The dynamic cartridge is shock-mounted to impede handling noise and vibrations transferred through your mic stand. The implementation of a cardioid polar pattern minimizes pickup of off-axis noise and ambience, yielding higher gain before feedback and attenuated stage bleed. The mic delivers a frequency response of 50 Hz to 15 kHz with a gentle presence boost peaking at approximately 6.5 kHz. Its XLR 3-pin output ensures compatibility with most mixer inputs, microphone preamps, and portable PA systems. An on/off switch is provided for convenient muting of the mic between speeches or performances. The attached, self-tensioning, 5/8“-27 thread swivel mount can be tilted up to 45 degrees forward and 80 degrees backward. Chrome die-cast metal construction provides tour-worthy durability. Classic Appearance In addition to being a mic with solid audio characteristics for the studio and stage, the 55SH Series II makes a great prop microphone in video shoots, photos, and theater applications Tailored Frequency Response The 50 Hz to 15 kHz frequency response features a slight dip in the low-mid frequency range and a gentle rise from 1 to 10 kHz, making its sonic performance optimized for vocals, public address, and dialog Cardioid Polar Pattern The cardioid polar pattern is effective in minimizing sound pickup at the off-axis sections of the capsule, ensuring high gain before feedback Shock-Mounted Cartridge The dynamic capsule is shock-mounted for added protection against shock- and structure-born noise Shure 55SH II Specs Microphone
Sound Field Mono
Operating Principle Pressure Gradient
Capsule Dynamic
Polar Pattern Cardioid
Circuitry Solid-State
Pad None
High-Pass Filter None
Performance
Frequency Range 50 Hz to 15 kHz
Impedance 270 Ohms
Sensitivity -58 dBV/Pa at 1 kHz
Connectivity
Output Connectors 1 x XLR 3-Pin
Physical
Dimensions ø: 3.06 x L: 7.4" / ø: 77.8 x L: 188 mm
Weight 1.37 lb / 0.62 kg
Weight0.50 kg0.60 kg2.27 kg0.40 kg0.12 kg0.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.60 kg
Weight 2.27 kg
Weight 0.40 kg
Weight 0.12 kg
Weight 0.80 kg