DBX Driverack RTA-M Real Time Analyzer Microphone

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€135.00 incl. GR VAT

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Availability: Available Available SKU: DBX DRIVERACK RTA-M Category:
Omni-directional, flat frequency, measurement microphone.

 

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Omni-directional, flat frequency, measurement microphone.
Weight 0.50 kg

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Quick Comparison

DBX Driverack RTA-M Real Time Analyzer Microphone removeSHURE MX-393C - Cardioid Boundary Microphone removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE SM 58LCE - Vocal Microphone 50Hz to 15kHz removeShure DMK57-52 - Drum Mic Kit removeSHURE Beta-87C - Vocal Microphone 50Hz to 20kHz remove
NameDBX Driverack RTA-M Real Time Analyzer Microphone removeSHURE MX-393C - Cardioid Boundary Microphone removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE SM 58LCE - Vocal Microphone 50Hz to 15kHz removeShure DMK57-52 - Drum Mic Kit removeSHURE Beta-87C - Vocal Microphone 50Hz to 20kHz remove
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SKUDBX DRIVERACK RTA-MMX393CBETA 56ASM58LCEDMK57-52BETA87C
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Price €135.00 incl. GR VAT €281.00 incl. GR VAT €196.80 incl. GR VAT €122.00 incl. GR VAT €627.00 incl. GR VAT€391.00 incl. GR VAT
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Description
ContentOmni-directional, flat frequency, measurement microphone.

 MX393C - Condenser Boundary Microphone, Built-in Preamp, 12-ft Tini "QG" ? to XLR Cable, Programmable Switch and LED Indicator

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
The legendary Shure vocal mic is tuned to accentuate the warmth and clarity of lead and back-up vocals. Consistently the first choice of performers around the globe. The Shure SM58? is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing, speech - the SM58 is the overwhelming choice of professionals.
  • Frequency response tailored for vocals, with brightened midrange and bass rolloff
  • Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Effective, built-in spherical wind and pop filter
  • Supplied with break-resistant stand adapter which rotates 180 degrees
  • Lengendary Shure quality, ruggedness and reliability
  • Cardioid (unidirectional) dynamic
  • Frequency response: 50 to 15,000 Hz
Frequency Range 50 Hz to 15 kHz
Impedance 150 Ohms
Sensitivity -57.5 dBV/Pa at 1 kHz

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
    		• The Beta 87A has consistently been a top choice of performers and audio technicians around the world due to its superb accuracy and detail, and rich vocal production. This long-standing favorite now incorporates a cardioid polar pattern and has been named the Beta 87C TM. Developed in response to professional demands associated with the use of personal monitoring devices like the Shure PSM ? Series, Shure's new Beta 87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design. The uniform cardioid polar pattern of the Beta 87C enables users to effectively reject ambient noise arriving at the rear of the microphone, an attribute that will be especially appealing to users of personal monitors and others who frequently experience undesirable sounds bleeding into their mixes. Other features include:
    • Smooth, wide frequency response with slight presence rise
    • Uniform cardioid polar pattern for maximum isolation
    • Minimal off-axis tone coloration
    • Low-frequency roll-off compensates for proximity effect
    • Three-stage pop filter minimizes breath pop and noise
    • Break-resistant stand adapter
    • Frequency response: 50 to 20,000 Hz
    Weight0.50 kg0.40 kg0.80 kg0.50 kg2.00 kg0.80 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 0.50 kg
    Weight 0.40 kg
    Weight 0.80 kg
    Weight 0.50 kg
    Weight 2.00 kg
    Weight 0.80 kg

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