drum microphone set The AKG Drum Set Session 1 Drum Mic Set is a high performance drum microphone set. The Drum Set Session I is a high-performance drum microphone set and the ideal all-in-one starter kit that delivers an impressive combination of performance and value. With seven microphones and accessories packed in a durable aluminium […]
The AKG Drum Set Session 1 Drum Mic Set is a high performance drum microphone set. The Drum Set Session I is a high-performance drum microphone set and the ideal all-in-one starter kit that delivers an impressive combination of performance and value. With seven microphones and accessories packed in a durable aluminium carrying case, it provides all the essentials needed to capture a complete drum set. It can also be used for miking percussion, bass and guitar amps, brass, woodwinds and other instruments. All microphones are from the Perception Live series and feature a durable metal casing, rugged spring steel microphone grill, scratch-resistant finish and high maximum SPL capabilities.
The main features of the AKG Drum Set Session 1 Drum Mic Set include:
The set contains: 1 x P2 bass drum microphone, 2 x P17* for overheads, and 4 x P4 for toms and snare
Complete drum kit microphone pack includes five dynamic and two condenser overhead microphones for an array of applications
Microphones optimally tuned to work in harmony
Includes all microphone clamps and stand adapters allowing for quick and easy set up
Roadworthy, rugged aluminium carrying case offering portable protection to store microphones and accessories
Weight
3.00 kg
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Legendary, universal all purpose microphone classic
Perfectly suitable for stage and studio
Unbelievably rich sound
Made in germany
Content
drum microphone set
The AKG Drum Set Session 1 Drum Mic Set is a high performance drum microphone set. The Drum Set Session I is a high-performance drum microphone set and the ideal all-in-one starter kit that delivers an impressive combination of performance and value. With seven microphones and accessories packed in a durable aluminium carrying case, it provides all the essentials needed to capture a complete drum set. It can also be used for miking percussion, bass and guitar amps, brass, woodwinds and other instruments. All microphones are from the Perception Live series and feature a durable metal casing, rugged spring steel microphone grill, scratch-resistant finish and high maximum SPL capabilities.
The main features of the AKG Drum Set Session 1 Drum Mic Set include:
The set contains: 1 x P2 bass drum microphone, 2 x P17* for overheads, and 4 x P4 for toms and snare
Complete drum kit microphone pack includes five dynamic and two condenser overhead microphones for an array of applications
Microphones optimally tuned to work in harmony
Includes all microphone clamps and stand adapters allowing for quick and easy set up
Roadworthy, rugged aluminium carrying case offering portable protection to store microphones and accessories
The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g
Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!
Flexible tool iN The studio
The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.
The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).
Features:
Identical acoustics of the legendary CK 1.
Rugged construction.
Ruler-flat on-axis frequency response.
Precise, nearly frequency independent cardioid.
Extremely accurate signal transfer.
Transformerless output stage for minimum distortion at low frequencies.
Protected against electrostatic and magnetic interference.
Selectable 10-dB and 20-dB preattenuation pads.
Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
Operates on phantom power to DIN/IEC between 12 V and 48 V.
Complete with SA 40 stand adapter and W 90 windscreen.
Each microphone comes with its own individual frequency response plot.
Specifications:
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV)
Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
Equivalent noise level (CCIR 468-3): 29 dB
Equivalent noise level: 18 dB-A
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
Impedance: 1000 ohms
Supply voltage: 9 to 52 V phantom power to DIN 45596
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