DSPPA MP 9912 M MONITOR PANEL ME 10 INPUT CHANNELS

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  10 INPUT ΚΑΝΑΛΙΑ ΕΣΩΤΕΡΙΚΟ ΜΕΓΑΦΩΝΟ ΕΝΔΕΙΞΕΙΣ LEVEL ΓΙΑ ΚΑΘΕ ΚΑΝΑΛΙ ΔΙΑΣΤΑΣΕΙΣ: 48x9x38cm ΒΑΡΟΣ: 5kg   Micro computer chip control, light-touch button 10 Channels inputs, switch at will Inner monitor speaker Level indicator for each channel  

 

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10 INPUT ΚΑΝΑΛΙΑ
ΕΣΩΤΕΡΙΚΟ ΜΕΓΑΦΩΝΟ
ΕΝΔΕΙΞΕΙΣ LEVEL ΓΙΑ ΚΑΘΕ ΚΑΝΑΛΙ
ΔΙΑΣΤΑΣΕΙΣ: 48x9x38cm
ΒΑΡΟΣ: 5kg

 

Micro computer chip control, light-touch button

10 Channels inputs, switch at will

Inner monitor speaker

Level indicator for each channel
 

Weight 5.00 kg

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DSPPA MP 9912 M MONITOR PANEL ME 10 INPUT CHANNELS removeWORK WDR 24 Wireless digital audio receiver removeBehringer MULTIGATE PRO XR4400 Quad Expander/Gate removeDBX 520 DE-ESSER MODULE PROCESSOR removeDBX PMC16 Personal monitor controller removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE remove
NameDSPPA MP 9912 M MONITOR PANEL ME 10 INPUT CHANNELS removeWORK WDR 24 Wireless digital audio receiver removeBehringer MULTIGATE PRO XR4400 Quad Expander/Gate removeDBX 520 DE-ESSER MODULE PROCESSOR removeDBX PMC16 Personal monitor controller removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE remove
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SKUMP 9912 MWDR 24E005394DBX 520DBX PMC16DBX 510
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Description
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10 INPUT ΚΑΝΑΛΙΑ
ΕΣΩΤΕΡΙΚΟ ΜΕΓΑΦΩΝΟ
ΕΝΔΕΙΞΕΙΣ LEVEL ΓΙΑ ΚΑΘΕ ΚΑΝΑΛΙ
ΔΙΑΣΤΑΣΕΙΣ: 48x9x38cm
ΒΑΡΟΣ: 5kg

 

Micro computer chip control, light-touch button

10 Channels inputs, switch at will

Inner monitor speaker

Level indicator for each channel
 

WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system. The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
  • Wireless Digital Audio Receiver System
  • Operating Band ISM 2.4GHz (free band).
  • One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
  • GFSK digital modulation/demodulation.
  • External antenna can help to increase the transmission distance.
  • Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
  • Automatic mute in bad channel quality conditions or high error code rate.
  • Transmission distance higher than 30 meters in open places.
  • Up to three transmitters WDT 24 in a zone
  • Balanced XLR and unbalanced ¼\'\' jack outputs
  • Working mode: stereo or mono
Power Supply AC 9V-500 mA 50/60 Hz
Frequency 2404-2476MHz
Channel 25
Modulation/Demodulation GFSK
Receive Sensitivity (WDR 24) -84dBm (min.)
Transmitted Power (WDT 24) 6 dBm
Output Level (WDR 24) +13dBu (BAL max.)
Input Level (WDT 24) +5dBu (max.)
Bandwidth >=1.8 MHz
Frequency Response 20Hz - 20kHz, +3dB / -3dB
S/N >80 dB
Dynamic Range @ 1 kHz >90 dB
Crosstalk @ 1kHz >90 dB
THD

The MULTIGATE PRO XR4400 provides four frequency-selective expanders/noise gates in a single rack space. Each section comprises an ultra-fast gate, a program dependent expander, a filter section and precision meters indicating both threshold point and gain reduction.

The included side chain parametric filters allow the user to fine-tune control signals so that the gate reacts only when required. The Interactive Attack Control (IAC) circuit analyzes the program material to calculate the attack time of the gate. Separate hold and release controls offer additional flexibility. The XR4400 has a switchable operating mode for the gate and expander. With the MODE function off, the unit works in gate mode using an extremely fast attack time, thus preserving the transient details of the program material. In expander mode, the device analyzes the shape and dynamic contents of the input signal to calculate the control time parameters. The result is that vocals, instruments and complex mix signals can be cleaned up without audible clicks or other detrimental effects.

A couple function on the XR4400 provides a great deal of flexibility to link the expander/gate sections in a master/slave configuration.

Quadruple expander/gateHigh-precision parametric filter for frequency selective operationFully adjustable Ratio control in Expander modeFully adjustable Attenuation control in Gate modeIndependent Hold/Release controls for any envelope shapingFlexLink system for flexible Master/Slave configurationsExtremely low-noise operational amplifiers and high-grade VCA\'sFilter Monitor facility for monitoring the filter sectionHigh-quality detent potentiometers and backlit switchesServo-balanced gold-plated XLR and 1/4" TRS inputs and outputs8-digit LED meters for input level, output level and gain reduction monitoring

Function Four channel expander/gate
Number of Channels 4
Inputs 4 x XLR, 4 x TRS 1/4" phone
Output 4 x XLR, 4 x TRS 1/4" phone
Maximum Input Level +21dBu
Compression Threshold Not applicable
Compression Ratio Not applicable
Attack Time Not applicable
Release Time Not applicable
Gate Threshold 0 to -80dB
Gate Rate Attack: Program dependant
Hold: 0 to 4 sec, variable
Release: 50ms to 4 sec, variable
Maximum Output Level +21dBu
Make-up Gain Not specified by manufacturer
Frequency Response 18HZ to 30kHz
Dynamic Range Not specified by manufacturer
Noise >95dBu, unweighted, 22Hz to 22kHz
Dimensions 1U rack mount, 8 1/2" deep
Specialties Unit will operate at either +4dB or -10 dB
The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance! With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB. Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520!

Overview Dial in YOUR mix exactly as YOU want it, in Real Time.

The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.

Recommended for: Portable, Tour.

Features
  • 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
  • 16 Preset Locations for Mix & Configuration Recall
  • LCD Display with 16 Channel Metering
  • Built-In Lexicon© Reverb
  • dbx PeakStopPlus™ Limiting
  • Global High & Low EQ
  • Global Master Level Control
  • Global Stereo Width Control
  • BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
  • XLR & 1/4” Stereo or Mono Outputs
  • 1/8” & 1/4” Headphone Outputs
  • Setup Wizard for Easy Configuration
  • Supports 48 kHz & 96 kHz Sampling Rates
  • Channel Linking, Grouping, & Multi-Select Capabilities
  • Supports up to 60 PMC16s on a Single BLU Link Ring
  • Built-In Sturdy Mic Stand Mount
  • USB Port for Firmware Updates

For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.

The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!

Put some boom in your room with the dbx 510!

Weight5.00 kg450.00 kg3.20 kg1.00 kg2.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 5.00 kg
Weight 450.00 kg
Weight 3.20 kg
Weight 1.00 kg
Weight 2.00 kg
Weight 1.00 kg