If it ain’t broke, don’t fix it. The Dunlop Crybaby Wah-Wah has stood the test of time and has served generations of guitarists of every style. The sound is unmistakable, and frankly, has never been duplicated. There is but one control, the pedal itself – that is all you need to add this classic sound […]
If it ain’t broke, don’t fix it. The Dunlop Crybaby Wah-Wah has stood the test of time and has served generations of guitarists of every style. The sound is unmistakable, and frankly, has never been duplicated. There is but one control, the pedal itself – that is all you need to add this classic sound to your own. Mash the pedal down and the effect kicks in. Mash it again and you’ve engaged the bypass and your pure signal passes through.
Here’s a secret of the pros: turn the effect on and find that “sweet spot” about half-way down the travel of the pedal. Leave it right there, and turn up the crunch on your amp. It’s a sound you’ve heard and tried to get, but just couldn’t get quite right.
Its heavy-duty construction means you will wear out pairs of shoes before you wear the Crybaby out. There is a saying that “they don’t make them like they used to,” which is disproved here, because they are still making the Crybaby like they used to.
Weight
1.00 kg
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If it ain't broke, don't fix it. The Dunlop Crybaby Wah-Wah has stood the test of time and has served generations of guitarists of every style. The sound is unmistakable, and frankly, has never been duplicated. There is but one control, the pedal itself - that is all you need to add this classic sound to your own. Mash the pedal down and the effect kicks in. Mash it again and you've engaged the bypass and your pure signal passes through.
Here's a secret of the pros: turn the effect on and find that "sweet spot" about half-way down the travel of the pedal. Leave it right there, and turn up the crunch on your amp. It's a sound you've heard and tried to get, but just couldn't get quite right.
Its heavy-duty construction means you will wear out pairs of shoes before you wear the Crybaby out. There is a saying that "they don't make them like they used to," which is disproved here, because they are still making the Crybaby like they used to.
The Digitech XHP HYPER PHASE Guitar Effect Stomp Box Pedal. Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds.
The Digitech XHP Hyper Phase delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Hyper Phase has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.
The main features of the Digitech XHP HYPER PHASE include:
Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds
7 Different phase types
Speed, Depth, Regen, and Mode controls
Triggering and step capability
Stereo outputs with switchable CIT Cabinet Modeling
Experience true analog delay and vintage slap-back echo that rivals any tape delay
This BEHRINGER product has been designed to compete head to head with leading products on the market
Vintage BBDs produce up to 300 ms of delay and advanced noise reduction circuit keeps your signal clean
Dedicated Intensity, Echo and Repeat Rate controls for awesome sound shaping
Blue status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for highest signal integrity in bypass mode
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Analog at its Finest
Though digital sound technology constantly evolves, nothing sounds quite like the "old-school” analog Bucket Brigade-style delay you get when you step on the VD400. With its dedicated REPEAT RATE, INTENSITY and ECHO dials, this amazing little stomp box evokes the spirits of some of rock and rollʼs most legendary heroes, and provides up to 300 milliseconds of true analog delay. Every type of classic delay, from a deep-space whisper, to an interplanetary battle cry—is at your command.
Easy to Operate
The bright blue LED tells you when the Vintage Delay is activated (and serves as a beacon for other time travelers), and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the VD400 with either a 9 V battery or our PSU-SB DC power supply (not included).
Like a Trip Back in Time… The VINTAGE DELAY VD400 is like a snapshot pulled right out of time—and its low, low price tag will have you reminiscing about how much you miss those "good-old” days. Visit your BEHRINGER dealer without delay, delay, delay...
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.
The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.
The main features of the Marshall EH-1 ECHOHEAD include:
6 different, high quality delay effects for you to explore
Multi-mode selector switch
Delay time control
Feedback control
Level control
Solid metal casing
Passive bypass
Tap tempo pedal input
Power: 9V DC Centre Negative Regulated PSU or PP3 battery
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.
Compact chorus pedal especially designed for bass guitar
Applies chorus sound to the high frequencies without altering low frequencies
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