Based on John Petrucciʼs Cry Baby Rack Wah settings, ultimate tonal control of wah effect, volume, Q, and six EQ controls The JP95 John Petrucci Signature Cry Baby® Wah is the result of the legendary prog metal shredderʼs years-long quest to hone his perfect wah tone. For years, John used the Cry Baby Rack Wah […]
Based on John Petrucciʼs Cry Baby Rack Wah settings, ultimate tonal control of wah effect, volume, Q, and six EQ controls
The JP95 John Petrucci Signature Cry Baby® Wah is the result of the legendary prog metal shredderʼs years-long quest to hone his perfect wah tone. For years, John used the Cry Baby Rack Wah system to tweak and fine-tune its numerous parameters until he found the sound that perfectly represents all the expression and intensity he needs. Recently, he and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to replicate and further fine-tune that sound with a single pedal. This is a wah that, as John puts it, “sounds huge and badass like an angry, screaming monster with the ultimate expressive range—itʽs perfect for shaping single notes or manipulating growling, heavy chords.”
Factory set to Johnʼs personal settings, the JP95 features all the controls he used to find his Cry Baby voice: Volume to add gain, Q to shape the width of the effect, and a 6-band EQ to shape the tone of the wah sound, from 100Hz to 3.2KHz. Want to fine-tune the sound to your own preference? Just take off the bottom plate and tweak away.
The John Petrucci Signature Cry Baby Wah comes in a sturdy, road-ready housing with custom smoked chrome finish and JP shield logo tread.
Weight
1.80 kg
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Based on John Petrucciʼs Cry Baby Rack Wah settings, ultimate tonal control of wah effect, volume, Q, and six EQ controls
The JP95 John Petrucci Signature Cry Baby® Wah is the result of the legendary prog metal shredderʼs years-long quest to hone his perfect wah tone. For years, John used the Cry Baby Rack Wah system to tweak and fine-tune its numerous parameters until he found the sound that perfectly represents all the expression and intensity he needs. Recently, he and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to replicate and further fine-tune that sound with a single pedal. This is a wah that, as John puts it, "sounds huge and badass like an angry, screaming monster with the ultimate expressive range—itʽs perfect for shaping single notes or manipulating growling, heavy chords.”
Factory set to Johnʼs personal settings, the JP95 features all the controls he used to find his Cry Baby voice: Volume to add gain, Q to shape the width of the effect, and a 6-band EQ to shape the tone of the wah sound, from 100Hz to 3.2KHz. Want to fine-tune the sound to your own preference? Just take off the bottom plate and tweak away.
The John Petrucci Signature Cry Baby Wah comes in a sturdy, road-ready housing with custom smoked chrome finish and JP shield logo tread.
Features The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.
Classic "blues" guitar tones with tube amp simulation
Warm distortion and overdrive
Responds to nuance and volume changes
AC adaptor or 9V battery operation
BOSS 5-year warranty
Features twin modes for an expanded range of distortion—taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
Compact overdrive pedal with warm, smooth overdriven sounds
Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
Tone control provides precise adjustment of drive sound
BOSS 5-year warranty
Input Impedance
1 M ohms
Output Impedance
10 k ohms or greater
Equivalent Input Noise Level
–120 dBu or less (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack
Power Supply
DC 9 V: Dry Battery 9 V type, AC Adaptor
Current Draw
12 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Option
AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
400 g
0 lbs. 15 oz.
Tame your tone with the new Snake Charmer Compressor. The result? Silky smooth, mesmerizing tone that behaves as it should. The Snake Charmerʼs compression affects the ratio and threshold of the signal, smoothing out peaks and spikes. At the same time, the Snake Charmer also increases the Gain level to complement the corresponding ratio and threshold settings so that the overall gain remains constant.
Thereʼs also a Gain Reduction Indicator that gives you visual cues of the results of your settings. And a High/Low Switch lets you choose between two overall levels of ratio. The Snake Charmer is equipped with other controls for Attack, which determines how quickly the gain reduction kicks in, and Release, which determines how long the gain is attenuated. Finally, the High-End Emphasis control fine-tunes the amount of compression applied to the top end of the guitar signal.
Power Supply: Four AA alkaline batteries or DC9V AC adapter
Battery Life: Approx. 18 hours
Current Consumption: 95 mA
Dimensions: 168.5 (W) x 155.5 (D) x 64.0 (H) mm / 6.63” (W) x 6.12” (D) x 2.52” (H)
Weight: 1,007 g (excluding batteries / 1,102 g including batteries)
Included Items: Four AA alkaline batteries
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
Wah-Wah Pedal HB-01 hell-babe
HELLBABE HB01
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
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