EDEN WP100 ΛΑΜΠΑΤΟΣ PRE AMP NAVIGATOR WORLD TOUR EXPRESS

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The Eden WP100 preamp features a tube input stage, dbx type compression with variable threshold and rate controls, tube character control, enhance control, the famous Eden semi-parametric eq, front panel D.I. output control, mono pre-eq loop, stereo post-eq loop, side-chain loop with front panel blend pot, variable crossover, stereo led output meters, tuner out, a […]

 

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The Eden WP100 preamp features a tube input stage, dbx type compression with variable threshold and rate controls, tube character control, enhance control, the famous Eden semi-parametric eq, front panel D.I. output control, mono pre-eq loop, stereo post-eq loop, side-chain loop with front panel blend pot, variable crossover, stereo led output meters, tuner out, a set of stereo and mono XLR outputs, and a defeatable limiter. The front panel switches that defeat the compressor, enhance, mute, and turbo boost are duplicated on a lighted footswitch (included) that connects via a standard, easily replaceable midi cable.

Weight 5.00 kg

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Quick Comparison

EDEN WP100 ΛΑΜΠΑΤΟΣ PRE AMP NAVIGATOR WORLD TOUR EXPRESS removeBEHRINGER ADA8200 Microphone preamplifier removeAVALON AD2022 DUAL MONO PURE CLASSA PREAMPLIFIER removePRESONUS HP-60 Headphone Amplifier 6 Channels removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier removeGOLDEN AGE PRE73 MK2 + FC3 Microphone preamp and condenser microphone bundle remove
NameEDEN WP100 ΛΑΜΠΑΤΟΣ PRE AMP NAVIGATOR WORLD TOUR EXPRESS removeBEHRINGER ADA8200 Microphone preamplifier removeAVALON AD2022 DUAL MONO PURE CLASSA PREAMPLIFIER removePRESONUS HP-60 Headphone Amplifier 6 Channels removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier removeGOLDEN AGE PRE73 MK2 + FC3 Microphone preamp and condenser microphone bundle remove
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SKUWP100E005873AD2022APA2018-00893AUCPR12PRE-73 MK2 FC-3
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Description
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The Eden WP100 preamp features a tube input stage, dbx type compression with variable threshold and rate controls, tube character control, enhance control, the famous Eden semi-parametric eq, front panel D.I. output control, mono pre-eq loop, stereo post-eq loop, side-chain loop with front panel blend pot, variable crossover, stereo led output meters, tuner out, a set of stereo and mono XLR outputs, and a defeatable limiter. The front panel switches that defeat the compressor, enhance, mute, and turbo boost are duplicated on a lighted footswitch (included) that connects via a standard, easily replaceable midi cable.

    • Ultra-high quality 8-channel A/D and D/A interface for virtually any digital recording/mixing environment
    • 8 state-of-the-art MIDAS designed Mic Preamplifiers
    • Phantom power on all microphone inputs
    • Reference-class Cirrus Logic 24-bit converters for ultimate signal integrity
    • Processes 48 and 44.1 kHz sample rates
    • External sample rate synchronization via word clock or ADAT input
 
  • Optical ADAT in/out interface for ultimate compatibility
  • All mic/line inputs routed to the ADAT output
  • ADAT input routed to all Line outputs
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

The AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure
Class A microphone preamplifiers. The dual mono AD2022 includes the original
sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus
several additional features, including selectable microphone source loading for
optimized cable/mic matching, improved high-voltage Class A regulated power
supplies, two high Z instrument inputs, variable-passive high pass filter, teflon/
silver wiring and doubled plated circuit boards for superior low level signal transfer.
 
AD2022 FEATURES
Symmetrical Pure Class A design, two channels
Microphone and hi-Z instrument inputs
Gain switched 4dB steps plus +/- 3dB fine output trim 
Selectable microphone input impedance matching 
Low noise -126dB EIN
Ultra high quality, low-ratio, balanced input transformer
Balanced, high-current Class A output to +36dB
Large illuminated analog VU meters and twin peak LED's
Regulated phantom power supply +48v 
Input polarity phase reverse 
High headroom +36dB input before overload
Input -20dB pad for high level signals
Sealed silver relays for all signal routing
External AC 150w toroidal power chassis
Fully discrete Class A regulated audio power supplies
Deep, musical sound-stage, transparent amplification

MICROPHONE INPUT
The AD2022 incorporates the most advanced high-performance microphone
transformer available. Split low-ratio primary windings are carefully combined
within a custom mu-metal core for extended smooth frequency response and
very low distortion.  Sealer silver relays are used for minimal signal invasion. 
The input signal selector, high pass filter, polarity-phase reverse, +48v power
and the 20dB input attenuator all utilize local sealed relay operation. A variable
passive high pass filter provides a minimum phase shift design while eliminating
low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies.

SYMMETRICAL PURE CLASS A DESIGN
Two 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers
are utilized per channel. The first operates in a cascaded-cascode FET
configuration while the second stage amplifier is fully bipolar. The twin amplifiers
share the total available gain requirement. This shared architecture increases
the high level headroom capability, improves transient response and doubles the
internal bandwidth of the ultra-high performance pure Class A signal amplifiers.
OUTPUT and METERING
High-current DC coupled, Class A discrete amplifiers are utilized for the output
drive interface with +36dB capability into all known loads.  Two large, high-quality
analog VU meters indicate accurate signal readings while bi-color LED's offers
peak indication at 0dB and +20dB.

AD2022 PREAMPLIFIER SPECIFICATIONS
 
Circuit Topology:  Twin cascode FET and bipolar low level signal amplifiers,
high-voltage, 100% discrete, symmetrical Pure Class A 
Input Type and Load:  Transformer balanced low-ratio, 50, 150, 600 and 1k5
ohm input load selection  
Maximum Mic Level:  +36dB balanced XLR pin 2 hot (with -20dB passive
attenuator) 
Maximum Instrument Level  +18dB at 100k ohms instrument input level,
standard mono 1/4 inch jack 
Input Attenuator:  -20dB resistive pre transformer primary, sealed silver relay 
Phantom Power:  +48v regulated 50mA capability, sealed silver relay 
High Pass Filter:  Passive, variable from 30Hz to 185Hz @ 6dB per octave,
sealed silver relay. 
Polarity Reverse:  Sealed silver relay on microphone input 
Gain Range Input:  +20dB to +64dB in 4dB steps 
Gain  Output Range:  +/- 3dB variable conductive plastic potentiometer 
Maximum Output Level:  +36dB balanced 600 ohms, DC coupled, discrete
symmetrical Pure Class A 
Output Type:  XLR connector, pin 2 hot 
Noise EIN Unweighted:  -126dB 150 ohm 
Noise 20kHz Unweighted:  -102dB 
Distortion THD, IMD:  0.05% nominal 
Frequency Response -3dB:  1Hz to 120kHz transformer limit 
System Bandwidth:  DC to 1MHz 
Output Meter:  High quality, illuminated analog VU meter 0dB = +4dB. 
Peak Meter:  Bi-color LED's 0dB and +20dB peak detection circuit. 
AC power supply B2T:  External toroidal 100V to 240V, 50-60Hz selectable,
150 watts maximum. 
Cables:  90V ac, 4 pin male power input connector, B2T required, internal
DC regulation  
Dimensions:  19 x 12 x 3.5 in (482 x 305 x 89mm) 
Weight:  15lbs (6.8kg) 
Dimensions - Shipping Carton:  24 x 21.5 x 7.5 in (610 x 546 x 190mm)  
Weight - Packed:  25lbs (11.4kg) 

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

The CPR12 is an easy to use, flexible and multifunctional 10 channel pre-amplifier. Six of these input channels are selectable between Mic / Line level and equipped with a 3 band tone control. The first two can be switched to priority and phantom power. The other four channels are direct line inputs.

Every input channel has its own gain and fader volume control with PFL button which makes it possible to pre-listen each input or output channel with the built-in pre-listening speaker, and can be routed to one or both output channels. This makes the CPR12 a full two-zone system.

Other present features are a priority input, a recording output, separate sub-out channels and the 24 V DC emergency power connection. This last feature makes it possible to power the CPR12 with emergency power when the main power is shut down. In this case, the priority input will automatically mute all input signals, and a evacuation message will be announced. The steel 19" housing has a height of 2 HE.


  • 10 audio input sources
  • 6 Mic / Line inputs with 3 band EQ
  • 4 Direct Line Inputs
  • Fader volume control
  • Two output zones
  • Built-in pre-listening speaker
  • Priority input for emergency situations
  • + 15 V DC Phantom power
  • Works on 24 V DC emergency power
Specifications
  • Model Name / Type: CPR12 / 10 channel 2 zone pre-amplifier
  • THD+N:
  • Signal/Noise: > 90 dB
  • Frequency Response: 20 Hz - 20 kHz
  • Phantom Power: + 15 V DC
  • Emergency Power: + 24 V DC
  • Power Supply: 100 - 240 V AC / 50 - 60 Hz
  • Dimensions (W x H x D): 420 x 88 x 320 mm

The PRE-73 Mk2 pre-amp and the FC3 condenser microphone in one bundle. The bundle also includes Golden Age P1 Pop Filter, Proel RSM180 mic stand and Proel CHL250 5m cable.

Weight5.00 kg3.00 kg11.40 kg2.00 kg6.80 kg7.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 5.00 kg
Weight 3.00 kg
Weight 11.40 kg
Weight 2.00 kg
Weight 6.80 kg
Weight 7.00 kg