EDIROL CS-15 Condenser Stereo Microphone

For when you need even more advanced recording than R-09's built-in mic
CS-15CS-15 For serious field recording, the optional CS-15 cardioid-type stereo microphone is a great match for the R-09. For portability and convenience, the R-09 supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.
    
Cardioid-type stereo microphone
    
Battery operation is also possible when using with a recorder that doesn't supply the power
    
Ideal combination with the R-09 --- also the UA-4FX and the UA-1EX
    
Comes with a desktop stand, a hand-held mount (can be attached to the microphone stand) and a windscreen

ProMic Laser is our first ever DSLR on-camera microphone - a shotgun condenser microphone with a precision-tuned capsule for capturing professional-quality audio direct to camera.

With more and more video recording enthusiasts taking an increased interest in the quality of the audio of their videos, ProMic Laser provides the high-quality audio to match the high-definition video capabilities of todayʼs DSLR cameras.

Laser, the first release in the ProMic series, is a truly professional solution. It has a rugged aluminium design and comes with a removable wind shield and a custom shockmount for hot-shoe mounting directly onto a DSLR camera.

Laser is battery-powered using a single AAA battery (not included), which means that the microphone has an increased sensitivity level, and a lower noise floor, but the inclusion of a -10dB Pad allows you to reduce the level of the mic for recording louder sources.

The microphone also features a Bass Cut, which gives you the option of removing unwanted low frequency rumble, such as traffic or noise from the camera itself, and this can be used in tandem with the -10dB Pad.

As with all sE Electronics products, ProMic Laser comes with a three-year free replacement warranty, which means if it lets you down, weʼll simply give you a new one.

ProMic Laser comes with a protective carry bag and a 3.5mm coiled jack-to-jack cable to connect the microphone to your camera. Laser is compatible with the upcoming ProMic accessories series, which includes boom poles and fur windshields.

The MD 46 is a high-quality reporter's microphone with cardioid pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 46 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.

• Two-ply sound inlet basket provides increased protection from wind and pop noise
• Rugged metal housing
• Rubber mounted capsule ensures low sensitivity to handling noise
• Cardioid pick up pattern ensures excellent speech intelligibility even with high ambient noise levels

The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically
designed for professional applications within the film, video, television, voice-over and
ENG industries.
The NTG-1 provides an electronically balanced output stage and operates on 48 V to
the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response
coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it
ideal for mounting directly to video cameras (with optional accessories) or a Boom pole.
The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively
suppresses wind noise when recording outdoors in moderate conditions. Optional accessories
are available for more demanding applications.

SPECIFICATIONS:
Features:
Broadcast sound quality. Low noise circuitry. Condenser transducer. Rugged metal construction.
Low weight: 105 grams approx. . Low handling noise. Supplied with stand mount, zip pouch and
windshield. Designed & manufactured in Australia. Full 2 year guarantee.
Operation power:
The NTG-1 is designed to operate from standard P48 phantom power. The NTG-1 will
operate between 44 V to 52 V applied with positive polarity to pin 2 and pin 3 via the
output XLR connector.
Operation output impedance:
The NTG-1 will operate satisfactorily into a load impedance as low as 1 k§?. If a load below
this is used, the output signal level will be reduced. The NTG-1??s output is balanced between
pin 2 (hot), pin 3 (cold) and pin 1 is ground.
Acoustic principle: Line plus Gradient.
Directional pattern: Super-Cardioid.
Frequency range:
20 Hz ~ 20 kHz selectable HPF @ 80 Hz/12 dB octave
Output impedance:  50 ?
Signal noise ratio din iec 651:
76 dB (1 kHz rel. 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 18 dB SPL (per IEC651, IEC268-15)
Maximum spl: 139 dB (@ 1% THD into 1 k?)
Sensitivity:
-36 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB (at 1 kHz in free field into open circuit)
Dynamic range din iec 651: 121 dB (per IEC651, IEC268-15)
Power supply voltage:  P48 Phantom, 44 V to 52 V
Current consumption:  3.5 mA
Output connection:
3 pin XLR, balanced output between pin 2 (+), pin 3 (-) and pin 1 (ground)
Weight with battery:  105 g approx. 
Dimensions width:  217mm
Dimensions depth:  22mm
Dimensions height: 22mm

Internally switchable proximity effect compensation and sensitivity reduction.

The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.

Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user

Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.

Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.

Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.

Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm