UR-80: 24 Bit/96 kHz USB Recording System Features Over forty assignable controls Up to 24-bit/96KHz recording 2x XLR/TRS combo jack with qualified microphone preamp & phantom power Included HQ-GM2, HyperCanvas software synthesizer ASIO2.0/WDM, MacOS X compatible drivers, low-latency support. UR-80 Editor Software Included V-Link support Knob8Fader9Rotary Encoder1Button25LED10Number of Memory SetsPreset1User7Number of Audio Record/Playback Channels (Full […]
UR-80: 24 Bit/96 kHz USB Recording System
Features
Over forty assignable controls
Up to 24-bit/96KHz recording
2x XLR/TRS combo jack with qualified microphone preamp & phantom power
Included HQ-GM2, HyperCanvas software synthesizer
ASIO2.0/WDM, MacOS X compatible drivers, low-latency support.
UR-80 Editor Software Included
V-Link support
Knob8Fader9Rotary Encoder1Button25LED10Number of Memory SetsPreset1User7Number of Audio Record/Playback Channels (Full duplex (except for 96 kHz setting))Record2 channels (stereo)Playback2 channels (stereo)Signal ProcessingAD/DA Conversion24 bits (linear)PC interface24 bitsSampling Frequency24 bitsDigital output44.1/48/96 kHzDigital input32/44.1/48/96 kHz* Built-in realtime sample rate converterAD/DA Conversion44.1/48/96 kHzFrequency Response96.0 kHz20 Hz to 40 kHz (+0 dB/-2 dB)48.0 kHz20 Hz to 22 kHz (+0 dB/-2 dB)44.1 kHz20 Hz to 20 kHz (+0 dB/-2 dB)Nominal Input Level (variable)Input Jack 1, 2 (XLR type)-50 to -10 dBuInput Jack 1, 2 (1/4 inch TRS phone type)-35 to +4 dBuInput ImpedanceInput Jack 1, 2 (XLR type)5 k ohmsInput Jack 1, 2 (1/4 inch TRS phone type, Lo-Z)32 k ohmsInput Jack 2 (Hi-Z)1 M ohmsNominal Output LevelOutput Jack0 dBuOutput ImpedanceOutput Jack1 k ohmsHeadphones160 ohmsResidual Noise LevelOutput Jack-90 dBu or less
(input terminated with 1 k ohms, OUTPUT VOLUME: max., INPUT SENS = min., INPUT MONITOR = min., IHF-A, typ.)InterfaceUSB
Digital input/output Coaxial type
Optical type(conforms to S/P DIF)ConnectorsInput Jack 1, 2 (XLR type (phantom power)
1/4 inch TRS phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Headphones Jack (Stereo 1/4 inch phone type)
Output Jack L/R (RCA phone type)OthersPower SupplyAC adaptorCurrent Draw1000 mAAccessoriesInstallation Guide
Owner's Manual
USB cable
AC adaptor
CD-ROM
Overlay Sheets with Application LabelsSize and WeightWidth379 mm14-15/16 inchesDepth239 mm9-7/16 inchesHeight84 mm3-5/16 inchesWeight1.7 kg3 lbs. 11 oz.
Korg D-4 Digital Recording Studio
High-performance recording studio in a friendly, compact package
Welcome a new member to Korg?s lineup of D-series recorders - acclaimed for their superb audio quality and intuitive ease-of-use. About the same size as a VHS video tape, the D4 Digital Recorder contains built-in effects, rhythms, and a tuner, everything needed to plug in a guitar or mic and start recording right away. Five real-time knobs provide immediate control over numerous functions, including a full array of Korg?s proprietary ?REMS? modeling effects. These same knobs perform double duty as Pan knobs and Record Select buttons; an informative backlit LCD screen keeps it all together. Inside, you?ll find powerful recording and sophisticated editing functions that rival high level models. There?s even a USB connector that makes it easy to transfer song data to a computer. With enormous potential packed into its small size, the D4 is the ideal partner for your creative music life.
Main features ? 4-Track digital recorder features 8 virtual tracks per track, for a total of 32 tracks. ? Two tracks of simultaneous recording. ? High audio quality with extended recording times using MPEG1 Layer 2 compressed recording format. ? XLR and 1/4 inch inputs accommodate both a microphone and/or guitar. ? Intuitive user interface provides plenty of knobs for easy operation. ? Instantly recall frequently-used effect settings, including custom-tailored settings, using the Favorites knob. ? Five knobs (with push-button function) allow for easy effect editing and pan control. ? Full suite of non-destructive editing tools includes punch-in/out, bounce, copy/paste, delete ? even pro-level functions such as time compression/expansion are provided. ? Korg?s proprietary ?REMS? modeling technology delivers 93 effect types that can be used for guitar, insert, master, or final effect processing. There are 100 preset effect programs ready for immediate use, and 100 user program locations. ? High-capacity CompactFlash data storage. ? Transfer data to a computer quickly and easily via the USB connector. ? Built-in mic allows immediate recording on the go. ? 87 Rhythm / metronome patterns and a chromatic tuner are built-in. ? The custom LCD display is backlit for easy visibility - even in dark locations. ? AC adaptor and 64 MB CompactFlash media are included.
A studio that?s just the right size The D4 is a complete four-track recording studio, providing multi-effects based on Korg?s proprietary ?REMS? modeling technology, and an array of rhythm and metronome patterns to compliment any musical style. Just plug a guitar or microphone into the D-4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes ?High Quality, Standard or Economy ? providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. There?s also a built-in tuner, ensuring that you?ll be in tune whenever you record.
*maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.
Simple, easy-to-use controls, including new ?turn and push? knobs Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select recording status of each track and turn effects on and off. There?s also a ?favorites knob? that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), you?ll be able to get the optimum level in any recording situation.
A full suite of editing tools bring a final polish to your song The D4 provides the functionality and flexibility you?ve come to expect from Korg digital recorders, including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one ? with no loss of fidelity ? and frees up tracks for additional recording. You can also use professional time compression/expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.
“REMS" modeling effect technology KORG?s proprietary "REMS" (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. The AMP effect faithfully recreates a range of amps; from classics such as the VOX AC30TB through today?s latest guitar amps. The CABINET effect accurately simulates a wide variety of speaker cabinets that match the various AMP types. The 4-BAND EQ allows you to make detailed adjustments to the tonal character and you can also apply chorus, phaser, and flanger type MODULATION effects. For recording bass parts, the BASS DRIVE and BASS CABINET effects provide a broad spectrum of bass sounds that perfectly simulate the character of various bass rigs. When it comes time to add vocals ? or another acoustic instrument ? the mic simulator recreates the ideal tonality for various recording applications.
What is REMS? REMS (Resonant structure and Electronic circuit Modeling System) is Korg?s proprietary modeling technology that digitally simulates a wide range of factors that affect sound, including the sound-producing mechanism of acoustic and electric/electronic instruments, the body and cabinet resonances that affect the tone, the spatial character of the sound field in which the sound is heard, the electrical and acoustical response of the mics and speakers that are in the sound-transmission path, and the way in which electrical circuits such as vacuum tubes and transistors affect the tone.
Create multi-effect ?chains? using up to five simultaneous effects The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material you?re recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. Four chain types are provided. [GUITAR/MIC] is used when applying effects to a mono input, such as guitar or vocal; [INSERT/GTR+VO] is for use with a stereo input, or when applying separate effects to a vocal track and a guitar track that are being recorded simultaneously; [MASTER] makes the overall sound more consistent; and [FINAL], which applies overall adjustments to the final output stage. A dedicated switch is provided to select each chain type. No complicated operations are required, letting you concentrate on your recording.
High-quality PCM rhythms Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.
Reliable, convenient CompactFlash storage CompactFlash capacities of 16 MB ? 2 GB are supported for data storage.*1*2 The data is written automatically when you?ve finished recording or editing. The D4 also provides a USB connector, so it?s easy to transfer song data and user effect data to your computer for backup.*3 Completed songs created within the D4 as stereo MPEG format*4 song files, can be played back as stereo MPEG files on your computer.*5 This also makes it easy to distribute or exchange data on the Internet.
*1 One (1) 64 MB CompactFlash card containing demo song data is included. *2 CF TYPE I cards only. CF TYPE II cards are not supported. *3 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. If your computer does not have a USB connector, you can still use a card reader/writer to backup data that?s stored on the card. *4 MPEG1 Layer2 format. *5 Windows Me, Windows 2000, Mac OS 9.0.4, or later systems are supported - when using a PC with an audio card that supports 32 kHz.
ψ6.3 mm phone jack (use separately sold PS-1 foot switch)
USB:
Connector:
Type B
Supported OS:
Windows Me/2000 or later, Mac OS 9.0.4 or later
Included Items:
CompactFlash, AC adapter
D4 Options:
PS-1 Foot Switch
The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.
Specification
* 0 dB = 0.775 V
Power Source
220 - 240 V AC
Power Consumption
18 W
Volume Adjustment
100 mm motorized fader x 12
Rotary encoder x 8
Line Input
1 channel (stereo)
Headphone Output
Stereo 100 mW + 100 mW (32 Ω load)
Monitor Bus
1 stereo input
Connector: RJ45 connector
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable (2 pairs of data lines)
Maximum cable distance: 100 m (109.36 yd) (between D-2012C and D-2008SP)
LAN
Network I/F: 10BASE-T/100BASE-TX (Automatic-Negotiation)
RJ45 connector
Network protocol: TCP/IP
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable
Maximum cable distance: 100 m (109.36 yd) (between D-2008SP and switching hub)
Control
RS-232C: D-sub connector (9 pins) for maintenance use
Power cord (2 m (6.5 ft)) ……1
Fader knob (yellow) ……3
Option
Console case: D-2012AS
The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features
Support for PAL, NTSC and 60 Hz B&W standards
One composite video input and three composite video outputs
Can operate as a master black-burst generator
Can operate as genlocking slave device
* 8-track Digital Portastudio with CD Burner * Records to SD/SDHC Card media * Import audio tracks from CD * Built-in stereo condenser microphone * Two XLR microphone inputs with phantom power * 1/4" stereo line inputs * Switchable instrument-level input for guitar/bass direct recording * Multi-band mastering effects * 2-band EQ per track * Internal reverb processor with dedicated send per track * Chromatic Tuner and Metronome * Track editing, autopunch and bounce features * Optional RC-3F footswitch offers three switches for punch-in and transport operation * Compact and lightweight * Dimensions: 11.4" W x 2.1" H x 8.2" D * Weight: 4lbs
Record to SD/SDHC card (Up to 32GB)
Simultaneously record up to 4 tracks
Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
TASCAM original HDDA microphone preamps
Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
Plug-in power and high-output mic input supported on inputs 3-4
CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
CAMERA IN connector for sound monitoring from the camera
Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
50mW/ch headphone output
Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
Handles protect the screen and can be used to attach a shoulder strap
Soft-Touch Rubber Keys for silent operation
HOLD switch to prevent accidental operation
QUICK button feature for easy access to various functions
128x64 pixel LCD with backlight
USB 2.0 connection for high-speed transferring of files
Mini USB cable included
Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
Can extend battery life with BP-6AA battery pack (sold separately)
Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
Internal mixer: PAN and LEVEL controls
Low cut filter(40/80/120Hz)
Limiter (1/L and 2/R can be selected for link-operation)
Delay function for microphone distance adjustment (up to 150ms)
M-S decode function
Slate tone generator (AUTO/MANUAL)
Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
File name format can be set to use a user-defined word or date
Dual-recording function allows two files to be recorded simultaneously at different levels
Auto-record function can automatically start and stop recording at set level
Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
Self-timer function for solo recording
New file starts recording automatically without interruption when maximum file size is reached
Track incrementing function allows a recording to be split by creating a new file when desired
Jump back and play function
Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
Resume function to memorize the playback position before the unit is turned off
MARK function up to 99 points per audio track
DIVIDE function
SPECIFICATIONS
Recording media
SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV
44.1/48/96kHz, 16/24bit
BWF
44.1/48/96kHz, 16/24bit
Number of channels
4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
Input impedance
2k ohms
Phantom power
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level
0dBu
Minimum input level
-72dBu
MIC input gain
TRIM MAX
LOW
+11dB
MID
+36dB
HIGH
+52dB
Set to "LINE“
Input impedance
10k ohms or more
Standard input level
+4dBu
Maximum input level
+24dBu
3-4 connector
Connector
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance
10k ohms
Maximum input level
+10dBV
Minimum input level
-50dBV
MIC input gain
TRIM MAX
LOW
+3dB
HIGH
+26dB
CAMERA IN connector
Connector
3.5mm (1/8“) stereo mini jack
Input impedance
10k ohms
Standard input level
-10dBV
Maximum input level
+6dBV
Analog audio output
CAMERA OUT connector
Connector
3.5mm (1/8“) stereo mini jack
Output impedance
200 ohms
Standard output level
-50dBV
Maximum output level
-30dBV
LINE OUT connector
Connector
3.5mm (1/8“) stereo mini jack
Output impedance
200 ohms
Standard output level
-10dBV
Maximum output level
+10dBV
PHONES connector
Connector
3.5mm (1/8“) stereo mini jack
Maximum output level
50mW + 50mW
USB
Connector
Mini-B type
Format
USB2.0 HIGH SPEED mass storage class
REMOTE
Connector
2.5mm TRS jack
Power
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption
5.4W
Continuous operation time
2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA)
About 2:30 min (Phantom on)
About 4:30 min (Phantom off)
NI-MH batteries (eneloop)
About 3:15 min (Phantom on)
About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro)
About 3:45 min (Phantom on)
About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA)
About 5:30 min (Phantom on)
About 10:30 min (Phantom off)
NI-MH batteries (eneloop)
About 7:30 min (Phantom on)
About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro)
About 9:30 min (Phantom on)
About 14:30 min (Phantom off)
Dimensions
133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight
510g (not including batteries)
Operating temperature
0˚C to 40˚C
Standard accessories
USB cable, warranty card, Owner's manual
Computer compatibility
Windows
OS
Windows XP, Windows Vista, Windows 7, Windows 8
CPU
Pentium 300MHz or more
RAM
128MB or more
USB
recommended: USB2.0
Macintosh
OS
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8)
CPU
Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB
recommended: USB2.0
Audio performance
Frequency response
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise
-120dBu or more
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting)
SD/SDHC card capacity(hours:mintes)
1GB
2GB
4GB
8GB
WAV/BWF 16bit(STEREO)
44.1kHz
1:41
3:22
6:44
13:28
48kHz
1:33
3:06
6:12
12:24
96kHz
0:46
1:33
3:06
6:12
WAV/BWF 24bit(STEREO)
44.1kHz
1:07
2:15
4:30
9:00
48kHz
1:02
2:04
4:08
8:16
96kHz
0:31
1:02
2:04
4:08
The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
If recorded in mono in WAV files, the maximum recording time will be double the figures above.
For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
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