This polyphonic powerhouse flawlessly transposes your pitch in two different directions over a +/- 3 octave range: transpose up, down or both, simultaneously! Staggering whammy effects and dive bombs, bends, harmonies, cross-fades between your dry and transposed sounds, cocked pitch shifting… this pedal does it all. The 11-position Shift switch selects the maximum transposition starting […]
This polyphonic powerhouse flawlessly transposes your pitch in two different directions over a +/- 3 octave range: transpose up, down or both, simultaneously! Staggering whammy effects and dive bombs, bends, harmonies, cross-fades between your dry and transposed sounds, cocked pitch shifting… this pedal does it all. The 11-position Shift switch selects the maximum transposition starting with D (Detune), a shift of 17 cents that creates a chorus or doubling effect. This table details the pitch effect relative to the original note.
Application:
Εl.Guitar
Type:
Single
Effect:
Octave
Signature:
No
Weight
0.40 kg
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This polyphonic powerhouse flawlessly transposes your pitch in two different directions over a +/- 3 octave range: transpose up, down or both, simultaneously! Staggering whammy effects and dive bombs, bends, harmonies, cross-fades between your dry and transposed sounds, cocked pitch shifting... this pedal does it all. The 11-position Shift switch selects the maximum transposition starting with D (Detune), a shift of 17 cents that creates a chorus or doubling effect. This table details the pitch effect relative to the original note.
Application:
Εl.Guitar
Type:
Single
Effect:
Octave
Signature:
No
The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.
Flexible distortion pedal capable of producing blended overdrive/distortion sounds
Provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing
Includes Level, Tone, Drive and Color controls for precise tonal shaping
BOSS 5-year warranty
The V845 Wah-Wah pedal is a new version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the V845 Wah-Wah offers guitarists the same legendary Wah-Wah tone in a new sturdy but very affordable design. An AC power connector is fitted to save on batteries and the outer case is coated with tough all-black finish making it the perfect choice for your pedal board.
About the VOX Wah-Wah
VOX developed the worldʼs first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted — an important musical ingredient of the day. VOXʼs original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered "must-have equipment” for guitar players of all levels and abilities today.
VOX V845 Wah-Wah Specifications
Input/Output jacks: INST jack, AMP jack, DC i/p jack.
Power supply: One 9V DC battery 6F22(S-006P)
Power consumption: 540uA @ 9VDC
Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest position)
Weight: 942g (including battery)
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
“Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS 5-year warranty
The Digitech XHP HYPER PHASE Guitar Effect Stomp Box Pedal. Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds.
The Digitech XHP Hyper Phase delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Hyper Phase has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.
The main features of the Digitech XHP HYPER PHASE include:
Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds
7 Different phase types
Speed, Depth, Regen, and Mode controls
Triggering and step capability
Stereo outputs with switchable CIT Cabinet Modeling
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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