Re-creation of the original “triangle” Big Muff fuzz pedal Nano-sized die-cast chassis is built to last Classic fuzz tone with singing sustain and highly musical clipping Effect status LED True bypass switching Powered by 9V battery or external power supply (sold separately)
Re-creation of the original "triangle" Big Muff fuzz pedal
Nano-sized die-cast chassis is built to last
Classic fuzz tone with singing sustain and highly musical clipping
Effect status LED
True bypass switching
Powered by 9V battery or external power supply (sold separately)
The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.
Flexible distortion pedal capable of producing blended overdrive/distortion sounds
Provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing
Includes Level, Tone, Drive and Color controls for precise tonal shaping
BOSS 5-year warranty
The V845 Wah-Wah pedal is a new version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the V845 Wah-Wah offers guitarists the same legendary Wah-Wah tone in a new sturdy but very affordable design. An AC power connector is fitted to save on batteries and the outer case is coated with tough all-black finish making it the perfect choice for your pedal board.
About the VOX Wah-Wah
VOX developed the worldʼs first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted — an important musical ingredient of the day. VOXʼs original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered "must-have equipment” for guitar players of all levels and abilities today.
VOX V845 Wah-Wah Specifications
Input/Output jacks: INST jack, AMP jack, DC i/p jack.
Power supply: One 9V DC battery 6F22(S-006P)
Power consumption: 540uA @ 9VDC
Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest position)
Weight: 942g (including battery)
Features twin modes for an expanded range of distortion—taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
Compact overdrive pedal with warm, smooth overdriven sounds
Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
Tone control provides precise adjustment of drive sound
BOSS 5-year warranty
Input Impedance
1 M ohms
Output Impedance
10 k ohms or greater
Equivalent Input Noise Level
–120 dBu or less (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack
Power Supply
DC 9 V: Dry Battery 9 V type, AC Adaptor
Current Draw
12 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Option
AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
400 g
0 lbs. 15 oz.
Experience true analog delay and vintage slap-back echo that rivals any tape delay
This BEHRINGER product has been designed to compete head to head with leading products on the market
Vintage BBDs produce up to 300 ms of delay and advanced noise reduction circuit keeps your signal clean
Dedicated Intensity, Echo and Repeat Rate controls for awesome sound shaping
Blue status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for highest signal integrity in bypass mode
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Analog at its Finest
Though digital sound technology constantly evolves, nothing sounds quite like the "old-school” analog Bucket Brigade-style delay you get when you step on the VD400. With its dedicated REPEAT RATE, INTENSITY and ECHO dials, this amazing little stomp box evokes the spirits of some of rock and rollʼs most legendary heroes, and provides up to 300 milliseconds of true analog delay. Every type of classic delay, from a deep-space whisper, to an interplanetary battle cry—is at your command.
Easy to Operate
The bright blue LED tells you when the Vintage Delay is activated (and serves as a beacon for other time travelers), and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the VD400 with either a 9 V battery or our PSU-SB DC power supply (not included).
Like a Trip Back in Time… The VINTAGE DELAY VD400 is like a snapshot pulled right out of time—and its low, low price tag will have you reminiscing about how much you miss those "good-old” days. Visit your BEHRINGER dealer without delay, delay, delay...
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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