TC ELECTRONIC D-TWO MULTITAP RHYTHM DELAY PROCESSOR

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355.00 incl. GR VAT

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Renowned as a manufacturer of pristine, high quality solutions for the professional audio industry, the heritage of TC Electronic encompasses more than 20 proud years of know-how in developing cutting-edge digital technology with state-of-the-art sound quality combined with the world?s most sophisticated, yet intuitive, user interface. Our heritage of Classic delays inspired us to introduce […]

 

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Renowned as a manufacturer of pristine, high quality solutions for the professional
audio industry, the heritage of TC Electronic encompasses more than 20 proud years
of know-how in developing cutting-edge digital technology with state-of-the-art sound
quality combined with the world?s most sophisticated, yet intuitive, user interface.
Our heritage of Classic delays inspired us to introduce the truly musical Rhythm Tap
feature: Not only tempo, but actual rhythm patterns can be tapped directly ? or quantized
according to a specific tempo and subdivision. The delays and rhythm patterns can be
up to 10 seconds each. Control the exact number of repeats with Absolute Repeat Control.

Technical Specifications:

DIGITAL INPUTS AND OUTPUTS:
Connectors  RCA Phono (S/PDIF)
Formats  S/PDIF (24 bit), EIAJ CP-340, IEC 958
Output Dither  HPF/TPDF dither 24/20/16/8 bit
Sample Rates  44.1 kHz, 48 kHz
Processing Delay  0.1 ms @ 48 kHz
Frequency Response DIO  DC to 23.9 kHz ± 0.01 dB @ 48 kHz

ANALOG INPUTS:
Connectors  1/4″ phone jack, balanced
Impedance, bal/unbal  21 kOhm / 13 kOhm
Max. Input Level  +24 dBu
Min. Input Level for 0 dBFS  0 dBu
Sensitivity @ 12 dB headroom  -12 dBu to +12 dBu
A to D Conversion  24 bit, 128 x oversampling bitstream
A to D Delay  0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz
Dynamic Range  100 dB typ, 20 Hz – 20 kHz
THD  typ
Frequency Response  +0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz
Crosstalk

Weight 2.50 kg

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Quick Comparison

TC ELECTRONIC D-TWO MULTITAP RHYTHM DELAY PROCESSOR removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER removeDBX 1046 COMPRESSOR/LIMITER 4 IN removeDBX ZONEPRO 641 DIGITAL ZONE PROCESSOR removeARX EC-2 STEREO 2WAY-MONO 3WAY 24dB ACTIVE CROSSOVER removeARX DI6s 6CH. ACTIVE DIRECT BOX.SPLITTER and LINE MIXER remove
NameTC ELECTRONIC D-TWO MULTITAP RHYTHM DELAY PROCESSOR removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER removeDBX 1046 COMPRESSOR/LIMITER 4 IN removeDBX ZONEPRO 641 DIGITAL ZONE PROCESSOR removeARX EC-2 STEREO 2WAY-MONO 3WAY 24dB ACTIVE CROSSOVER removeARX DI6s 6CH. ACTIVE DIRECT BOX.SPLITTER and LINE MIXER remove
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SKUE007284DBX 1215DBX 1046DBX ZONEPRO 641EC-2DI-6S
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Price 355.00 incl. GR VAT 364.00 incl. GR VAT 443.00 incl. GR VAT 659.00 incl. GR VAT 422.88 incl. GR VAT 372.00 incl. GR VAT
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Description
ContentRenowned as a manufacturer of pristine, high quality solutions for the professional audio industry, the heritage of TC Electronic encompasses more than 20 proud years of know-how in developing cutting-edge digital technology with state-of-the-art sound quality combined with the world?s most sophisticated, yet intuitive, user interface. Our heritage of Classic delays inspired us to introduce the truly musical Rhythm Tap feature: Not only tempo, but actual rhythm patterns can be tapped directly ? or quantized according to a specific tempo and subdivision. The delays and rhythm patterns can be up to 10 seconds each. Control the exact number of repeats with Absolute Repeat Control. Technical Specifications: DIGITAL INPUTS AND OUTPUTS: Connectors  RCA Phono (S/PDIF) Formats  S/PDIF (24 bit), EIAJ CP-340, IEC 958 Output Dither  HPF/TPDF dither 24/20/16/8 bit Sample Rates  44.1 kHz, 48 kHz Processing Delay  0.1 ms @ 48 kHz Frequency Response DIO  DC to 23.9 kHz ± 0.01 dB @ 48 kHz ANALOG INPUTS: Connectors  1/4" phone jack, balanced Impedance, bal/unbal  21 kOhm / 13 kOhm Max. Input Level  +24 dBu Min. Input Level for 0 dBFS  0 dBu Sensitivity @ 12 dB headroom  -12 dBu to +12 dBu A to D Conversion  24 bit, 128 x oversampling bitstream A to D Delay  0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz Dynamic Range  100 dB typ, 20 Hz - 20 kHz THD  typ Frequency Response  +0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz Crosstalk

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

 

  •   Switchable boost/cut ranges of ±6 or ±15 dB
  •   Electronically balanced/unbalanced inputs
  •   Servo balanced/unbalanced inputs
  •   RF filtered inputs and outputs
  •  XLR, Barrier Strip, and 1/4" TRS connectors
  •  -12dB/+12dB input gain range
  •  18dB/octave 40Hz Bessel low-cut filter
  •  Chassis/signal ground lift capability
  •  Internal power supply transformer
  •  Power-off hardwire relay bypass with 2-second power-up delay

In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.

The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.

All four channels have the following controls:

Threshold - allows you to set the level at which the compressor starts affecting the gain

OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.

Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.

Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.

Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.

Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.

PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.

Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.

All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.

So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.

 

  • Four independent channels of operation, stereo linkable in two pairs
  • PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
  • Independent Threshold and ratio controls
  • Switchable OverEasy® or Hard Knee compression
  • Classic dbx® compression
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Precision metering of input level, output level, and gain reduction
  • Dual True stereo or quad mono operation
  • Switchable +4dBu or -10dBV operation per channel

 

Input Connectors XLR and 1/4" TRS (Pin 2 and tip hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced > 40 kOhm, unbalanced >20 kOhm
Max Input > +22 dBu balanced or unbalanced
CMRR Typically >50 dB at 1 kHz
Output Connectors XLR and 1/4" TRS (Pin 2 and tip hot)
Output Type Servo-balanced/unbalanced, RF filtered
Output Impedance Balanced 30 Ohm, unbalanced 15 Ohm
Max Output > +22 dBm balanced, > +20 dBm unbalanced
Bandwidth 20 Hz to 20 kHz, +0/-0.5 dB
Frequency Response 0.35 Hz to 90kHz, +0/-3 dB
Noise
Dynamic Range > 118 dB, unweighted
THD+Noise >0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
IMD
Interchannel Crosstalk
Stereo Coupling True RMS Power Summing
Compressor Threshold Range -40 dBu to +20 dBu
Compressor Ratio 1:1 to infinity:1
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Attack/Release Characteristic AutoDynamic™
Compressor Attack Time Program-dependent
Compressor Release Time Program-dependent
Compressor Output Gain -20 to +20 dB
Limiter Threshold Range 0 dBu to +24 dBu (off)
Limiter Ratio infinity:1
Limiter Type PeakStopPlus® two-stage limiter
Limiter Stage 1 PeakStop® brickwall limiter
Limiter Stage 1 Attack Time Zero
Limiter Stage 1 Release Time Zero
Limiter Stage 2 Predictive intelligent program limiter
Limiter Stage 2 Attack Time Program-dependent
Limiter Stage 2 Release Time Program-dependent
OverEasy® Switch Activates the OverEasy compression function
I/O Meter Switch Switches between monitoring input and output levels on the Input/Output Level meter
Bypass Switch Activates the direct input-to-output hard-wire bypass
Operating Level Switch (rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels
ST Link Switch Links channels in stereo pairs. Channels One and Three become the master channels
Gain Reduction Meter 8 segment LED bar graph at 1, 3, 6, 10, 15, 20, 25, and 30 dB
I/O Meter 8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu
PeakStop™ Indicator 1 LED to indicate PeakStop™ limiting
Function Switches LED indicator for each front-panel switch
Output Transformer Options Jensen® JT-123-dbx or JT- 11-dbx, BCI RE- 123-dbx or RE-11-dbx
Operating Voltage Switchable:100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption 20 Watts
Fuse 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
Power Connector IEC receptacle
Dimensions 1.75“Hx19“Wx9“D (4.4cmx48.3cmx20.1cm)
Unit Weight 5.2 lbs. (2.4 kg)
Shipping Weight 7.6 lbs. (3.5 kg)

With 6 inputs and 4 outputs the dbx ZonePro? 640 and 641 provide flexible signal routing,
powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the
highest quality tools available. Even the input and outputs connectors were chosen for their
standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced
signals and RCA connectors for interfacing with consumer equipment often used in commercial
applications; there is also a simple analog input buss that allows inputs to be sent from one
unit to the next for unit and job scalability. The 640 and 641 provide every necessary processing
tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated
and specific functions such as selectable paging microphone processing including Gating,
De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the
ZonePro products is the Routing module that provides of course Primary Source Selection
but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of
processing designed for commercial applications like our patent-pending AutoWarmth? function
that was co-developed with JBL to provide natural low frequency extension at any signal level.
Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system
optimization. With the ZonePro? every tool is at your disposal to maximize the response of
your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters.

The ZonePro? 640 and 641 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.

? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? Windows? 2000 and XP GUI
? IEC, UL and CSA Approvals

The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers.
It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on
the back panel selecting either mode.

Features
Ultra low noise circuitry
Totally phase aligned at crossover point
Switchable Dual Channel 2 way or Single Channel 3 way
Unique 'semi-fixed' crossover point
24dB per octave (Fourth Order) Linkwitz-Riley filters
Separate Summed Mono Output
Balanced Inputs and Outputs
Built in High Pass filters
Intuitive, 'user friendly' layout
Flawless performance in any audio environment

Tamper-Proof Crossover Points
The crossover points are determined internally by the value of 4 resistors per channel; changing
the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of
externally adjusted crossover points, making the crossover points tamper-proof once they are set.
Idle fingers can't fiddle with the crossover points and create havoc with the system!
As a handy guide, a list of common crossover points and their corresponding resistor values are
printed inside the unit's lid, and also set out in the Owner's Manual.
On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid
and High in single channel 3 way mode, with corresponding Outputs on the rear panel.

Balanced Inputs and Outputs
EC-2 has Balanced Inputs and Outputs, on XLR connectors.
The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low
feed (e.g. Left and Right full-range plus a single Sub Bass speaker).
High Pass Filter
There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers
and waste amplifier power.
In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of
differing sensitivities.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard
IEC connector, with built-in fuse and voltage change switch.
Uncompromising Audio Quality
Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels.
It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth
Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the
crossover region.
From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX
EC-2 is a crossover that is suited to any application that requires flawless, transparent sound.
You'll never compromise on Quality when you choose ARX

T E C H N I C A L S P E C I F I C A T I O N S

Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 21 dB
CMRR >45 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 21dB
Frequency Response 30Hz-20KHz +or- 0.5dB
Note: 30 Hz is a function of the High Pass filter
Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted
Distortion 004% THD,0dB,1KHz
Dynamic Range 111 dB
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm
Input Connector type XLR
Output Connector type XLR
Crossover point frequencies are changed internally by varying the value of 4 resistors
per channel.

Front Panel Controls
Low and High Output controls for 2 way mode
Low, Mid and High Output controls for 3 way mode
Marker panels for labelling crossover assigns
2 way/ 3 way status LEDs
Rear Panel
Balanced XLR Inputs and Outputs
Additional summed mono Low output
2 way / 3 way mode switch

About the DI6s
It's a fact of audio life that a lot of equipment that has to be connected to
professional audio systems isn't impedance or level compatible.
Interfaces Unlimited
Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers,
bass guitars, computers; at some stage all these need linking up to Balanced
inputs, whether the application is Live sound, Studio or Broadcast.
To solve these problems, we've developed the DI-6s:

Six active D.I. (Direct Injection) boxes,
plus a 6 into 1 Line Mixer,
plus a 1 to 6 Splitter,
All of this in a compact, all steel 1 RU package.

A Pro Audio Toolbox
This unique and flexible audio toolbox allows Six independent unbalanced
audio sources to easily and quietly interface with Balanced pro audio systems,
either to individual channels or summed down to one Master output.
But that's not all. By pressing a single switch on the rear panel the DI6s will
change from being Direct Boxes and a Mixer to being a 6 way Splitter (line
distribution amplifier). Now it will split an incoming signal to 6 individual outputs
or zones.
On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity
(off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has
a Master volume control and status LEDs indicating whether the unit is in DI or
Splitter mode. In addition, as on all ARX single rack unit equipment, each channel
has a numbered marker panel ('scribble strip') you can write on for easy confirmation
of channel assigns.
Balanced Outputs
On the rear, each channel has an XLR Balanced output, with associated Ground lift
switch and status LED, to isolate the chassis and electronic grounds.
The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition
there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the
unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and
voltage change switch.
With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call
the DI-6s 'A total Audio Patching System in 1 RU!'
You'll never compromise on Quality when you choose ARX

Features
Unique Pro Audio problem solver
Six Direct boxes, Splitter and Line Mixer in one unit
Multi mode unit: Six in, Six out; Six in, One out; One in, Six out
Individual Output Ground lift switches
Up to +15dB Gain available per channel
Balanced XLR Outputs; High Impedance Jack Ins and Outs
Flawless performance in any audio environment

T E C H N I C A L S P E C I F I C A T I O N S

Channels 1 - 6
High Z Input Impedance 2.2 Meg Ohm
Max Channel Gain 15dB
Clip LED Illuminates 1dB prior to clip
Direct Output Impedance 300 ohms Balanced
Max Input Level +20dB
Max Output Level +21dB
Signal to Noise -96dB(unity gain)
Frequency Response 20Hz to 20KHz, ±0.5dB
Distortion < 0.004%, 1KHz, +4dB
Output Connector 3 pin XLR
Master Section
Output Impedance 300 Ohms Balanced
Max Output Level +21dB
Signal to Noise -90dB (unity gain)
Frequency Response 10Hz to 20KHz, ±0.5dB
Distortion < 0.004%, 1KHz, +4dB
Output Connector 3 pin XLR
Splitter Section
Maximum Level + 20dB
Input Impedance 20 KOhms, Balanced
Input Connector XLR
Frequency Response 10Hz?20KHz ±0.5dB
AC Power 100-120, 220-240 V AC, 8 VA
Size 19?W x 6?D x 1??H, 482 x 155 x 44mm
Weight 2.2 Kg (5 lbs)

Front Panel Controls
Hi Impedance (Hi Z) insulated jack Input and Output
connectors
Level control with up to +15dB of Gain available
Clip LED indicator
Marker panels for labelling DI assigns
Master Level controls
Rear Panel
Balanced XLR Outputs
Individual Audio Ground Lift switches and status LEDs
XLR and jack Master Outputs
XLR Input for splitter
Splitter/DI + Mixer mode switch
AC input connector, with voltage switch and fuse. 

Weight2.50 kg2.00 kg3.50 kg4.00 kg5.00 kg5.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 2.00 kg
Weight 3.50 kg
Weight 4.00 kg
Weight 5.00 kg
Weight 5.20 kg