TC ELECTRONIC TAILSPIN VIBRATO Pedal

52.00 incl. GR VAT

Available on backorder

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TailSpin Vibrato delivers a wealth of stunning vintage vibrato tones all served in a package so affordable that it’ll make your head spin. Its all-analog bucket brigade design brings everything from subtle organic wobbles to pitch-bendy warped vinyl tones and all the way to fast leslie-like sounds. These beautiful tones are housed in a compact […]

 

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TailSpin Vibrato delivers a wealth of stunning vintage vibrato tones all served in a package so affordable that it’ll make your head spin. Its all-analog bucket brigade design brings everything from subtle organic wobbles to pitch-bendy warped vinyl tones and all the way to fast leslie-like sounds. These beautiful tones are housed in a compact and sturdy enclosure, ready to rock the road!

Vast World of Vibrato
Nothing beats the organic warm warble of a classic true pitch vibrato pedal. You can use it at slow speeds to bring life and depth to slow chord progressions ala. Steven Wilson or you can wind it up a bit for eerie Mastodon-approved melodies or energetic Lonnie Mack solos. Heck, max it and behold the faces in the crowd as they begin to look for the hidden B3 organ on stage.

Feel The Mojo
TailSpin Vibrato contains 100% vintage vibrato mojo put into play by the old-school bucket-brigade circuit design. This ensures that no matter where you set the dials, you’ll always end up with a vibrato tone that sounds natural and is highly usable across the musical spectrum.

Compact Coolness
TailSpin Vibrato doesn’t just pass the tone test, it also handles the pedalboard exam with ease. Built like a tank, yet very compact, has top-mounted I/Os AND a True Bypass design. So whether you’re a pedalboard minimalist or think bigger is better, TailSpin Vibrato will always fit perfectly into your pedal plans.

Take a closer look at the completely tweakable, extremely simple control layout. Two knobs and that’s it. TailSpin Vibrato couldn’t possibly be easier to use, all while containing a superb sonic potential.

Full Speed Ahead – This sets the speed of the vibrato. Go counter-clockwise for super-slow vibrating waves or max it for fast rotary-like tones.

We’re Going Under – This controls the intensity of the vibrato. Set it low for some subtle sway and movement or max it for extreme pitch-bendy madness.

FEATURES

  • Classic true pitch vibrato
  • All-analog bucket-brigade circuit
  • True bypass
  • Top-mounted I/O
  • Sturdy, compact metal chassis
Weight 0.20 kg

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Quick Comparison

TC ELECTRONIC TAILSPIN VIBRATO Pedal removeDIGITECH XBC Bass Multi Chorus Pedal removeBOSS DS-2 TURBO DISTORTION Pedal removeEVENTIDE TIMEFACTOR MULTIDELAY/PEDAL removeBEHRINGER BEQ700 BASS GRAPHIC EQUALIZER Pedal removeDIGITECH XHP 7-MODE PHASER remove
NameTC ELECTRONIC TAILSPIN VIBRATO Pedal removeDIGITECH XBC Bass Multi Chorus Pedal removeBOSS DS-2 TURBO DISTORTION Pedal removeEVENTIDE TIMEFACTOR MULTIDELAY/PEDAL removeBEHRINGER BEQ700 BASS GRAPHIC EQUALIZER Pedal removeDIGITECH XHP 7-MODE PHASER remove
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SKUE009467XBC690.ROL.045TIMEFACTORE005247XHP
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Price 52.00 incl. GR VAT 48.00 incl. GR VAT 95.00 incl. GR VAT 519.21 incl. GR VAT 35.00 incl. GR VAT 52.00 incl. GR VAT
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Description
ContentTailSpin Vibrato delivers a wealth of stunning vintage vibrato tones all served in a package so affordable that it’ll make your head spin. Its all-analog bucket brigade design brings everything from subtle organic wobbles to pitch-bendy warped vinyl tones and all the way to fast leslie-like sounds. These beautiful tones are housed in a compact and sturdy enclosure, ready to rock the road! Vast World of Vibrato Nothing beats the organic warm warble of a classic true pitch vibrato pedal. You can use it at slow speeds to bring life and depth to slow chord progressions ala. Steven Wilson or you can wind it up a bit for eerie Mastodon-approved melodies or energetic Lonnie Mack solos. Heck, max it and behold the faces in the crowd as they begin to look for the hidden B3 organ on stage. Feel The Mojo TailSpin Vibrato contains 100% vintage vibrato mojo put into play by the old-school bucket-brigade circuit design. This ensures that no matter where you set the dials, you’ll always end up with a vibrato tone that sounds natural and is highly usable across the musical spectrum. Compact Coolness TailSpin Vibrato doesn’t just pass the tone test, it also handles the pedalboard exam with ease. Built like a tank, yet very compact, has top-mounted I/Os AND a True Bypass design. So whether you’re a pedalboard minimalist or think bigger is better, TailSpin Vibrato will always fit perfectly into your pedal plans. Take a closer look at the completely tweakable, extremely simple control layout. Two knobs and that’s it. TailSpin Vibrato couldn’t possibly be easier to use, all while containing a superb sonic potential. Full Speed Ahead - This sets the speed of the vibrato. Go counter-clockwise for super-slow vibrating waves or max it for fast rotary-like tones. We’re Going Under - This controls the intensity of the vibrato. Set it low for some subtle sway and movement or max it for extreme pitch-bendy madness. FEATURES
  • Classic true pitch vibrato
  • All-analog bucket-brigade circuit
  • True bypass
  • Top-mounted I/O
  • Sturdy, compact metal chassis

Bass chorus like the world has never known.

The DigiTech XBC Bass Multi Chorus Pedal is designed especially for bass. The XBC Bass Chorus Pedal lets you morph up to 16 bass chorus voices at once for an endless palette of amazingly rich effects. Built-in voice randomization increases with more voices for an even denser wash of killer chorus. DigiTech includes a 9V battery with the XBC Bass Multi Chorus Pedal.

DigiTech XBC Bass Multi Chorus Pedal Features:

  • Designed especially for bass
  • Morph up to 16 bass chorus voices at once
  • Voice randomization increases with more voices
Features twin modes for an expanded range of distortion—taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob. The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
  • Compact overdrive pedal with warm, smooth overdriven sounds
  • Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
  • Tone control provides precise adjustment of drive sound
  • BOSS 5-year warranty
Input Impedance 1 M ohms
Output Impedance 10 k ohms or greater
Equivalent Input Noise Level –120 dBu or less (IHF-A, Typ.)
Connectors INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack
Power Supply DC 9 V: Dry Battery 9 V type, AC Adaptor
Current Draw 12 mA (DC 9 V)
Accessories Dry Battery 9 V type (6F22/9 V)
Option AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm 2-7/8 inches
Depth
129 mm 5-1/8 inches
Height
59 mm 2-3/8 inches
Weight
400 g 0 lbs. 15 oz.
 
Studio Quality Effects at Your Feet Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility. Flexibility Built-In Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals. Obsolescence is so 20th Century Easy to upgrade; download new software from the Internet and install via USB. Features
  • 10 Stereo or Mono Delay effects
    • Digital Delay
    • Vintage Delay
    • Tape Echo
    • Mod Delay
    • Ducked Delay
    • Band Delay
    • Filter Pong
    • MultiTap
    • Reverse
    • Looper
  • Studio Quality Sound
  • Instant Program Change
  • Real-time control with 10 knobs, MIDI or expression pedal
  • Tap Tempo and MIDI Clock Sync
  • 40 User Presets, unlimited through MIDI
  • True Analog Bypass
  • Rugged cast metal construction
  • Metal footswitches for instant Preset access
  • Mono or Stereo operation
  • Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance 500K ohms
Output Impedance 470 ohms
Recommended Load Impedance 10K ohms or greater
Connectors
Input 1 (mono) ¼ inch mono phone jack
Input 2 ¼ inch mono phone jack
Output 1 (mono) ¼ inch mono phone jack
Output 2 ¼ inch mono phone jack
Expression Pedal ¼ inch mono phone jack
Aux Switch ¼ inch stereo phone jack
USB Type B Socket. Use 2.0 cables only.
MIDI In Five pin DIN (Female)
MIDI Out/Thru Five pin DIN (Female)
AC Adapter Jack Power Supply included (see below)
Physical
Power 9 VDC, 1200 mA, Tip hot (+)
Dimensions English: 4.8" (H) x 7.5" (W) x 2.12" (D) Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight 2.15 lbs, 1kG
Product Features: Shape your sound and eliminate feedback with 7 bands of equalization This BEHRINGER product has been designed to compete head to head with leading products on the market Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band Status LED for effect on/off and battery check Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) First-class electronic On/Off switch for noise-free operation High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany How the specific frequency bands of the BEQ700 can shape your sound 50 Hz (sub-bass) Boost: To thicken up sub-bass content, which is mostly felt rather than heard Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power 120 Hz (soft bass) Boost: To enhance the lower end of the bass spectrum Cut: To reduce the tendency of low frequency content to overwhelm a small room 400 Hz (hard bass) Boost: To enhance the "hard” bass punch of fundamental tones Cut: To reduce punch for better linkage with the kick drum 500 Hz Boost: or Cut: To control bass clarity and warmth 800 Hz Boost: To add an aggressive edge to the overall bass sound Cut: For reducing somewhat nasal or horn-like content 4.5 kHz Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone Cut: To eliminate harshness 10 kHz Boost: To bring out the upper harmonics and add edge to the overall bass tonality Cut: Apply a cut to reduce harsh high-frequency content or hiss acrobat_reader_logo. User's Manual

The Digitech XHP HYPER PHASE Guitar Effect Stomp Box Pedal. Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds.

The Digitech XHP Hyper Phase delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Hyper Phase has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.

The main features of the Digitech XHP HYPER PHASE include:

  • Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds
  • 7 Different phase types
  • Speed, Depth, Regen, and Mode controls
  • Triggering and step capability
  • Stereo outputs with switchable CIT Cabinet Modeling
Weight0.20 kg1.00 kg0.40 kg1.00 kg0.50 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.20 kg
Weight 1.00 kg
Weight 0.40 kg
Weight 1.00 kg
Weight 0.50 kg
Weight 1.00 kg