The ND66 Condenser Cardioid Instrument Microphone from Electro-Voice is a versatile small-diaphragm condenser with a locking pivoting head. This condenser microphone is ideal for drum overheads, hi-hats, close-miked drums, acoustic guitar, and piano. Self-biased condenser element is vividly responsive to sound sources that need a mic which translates transient details very well Allows for appropriate […]
The ND66 Condenser Cardioid Instrument Microphone from Electro-Voice is a versatile small-diaphragm condenser with a locking pivoting head. This condenser microphone is ideal for drum overheads, hi-hats, close-miked drums, acoustic guitar, and piano.
Self-biased condenser element is vividly responsive to sound sources that need a mic which translates transient details very well
Allows for appropriate mic placement in virtually any situation by pushing a button, pivoting the head into position, and releasing the button to lock
Captures all details of percussive and stringed instruments to give a clean, crisp and detailed condenser sound
With -10 and -20 dB pads, the mic provides the necessary gain reduction to prevent the mic element from overloading
Selectable 75 and 150 Hz high-pass filters frequencies are strategically chosen to eliminate bothersome low frequencies from the signal path
General
Output Connectors
1 x 3-Pin XLR
Operating Voltage
48 V
Length
5.63″ / 14.30 cm
Diameter
0.83″ / 21 mm
Weight
6.3 oz / 179 g
Transducer
Condenser
Polar Pattern
Cardioid
Frequency Range
50 Hz to 20 kHz
Maximum SPL
Cardioid: 146 dB SPL
Impedance
Cardioid: 200 Ohms
Sensitivity
Cardioid: 10 mV/Pa
Dynamic Range
Cardioid: 126 dB
Weight
0.18 kg
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The ND66 Condenser Cardioid Instrument Microphone from Electro-Voice is a versatile small-diaphragm condenser with a locking pivoting head. This condenser microphone is ideal for drum overheads, hi-hats, close-miked drums, acoustic guitar, and piano.
Self-biased condenser element is vividly responsive to sound sources that need a mic which translates transient details very well
Allows for appropriate mic placement in virtually any situation by pushing a button, pivoting the head into position, and releasing the button to lock
Captures all details of percussive and stringed instruments to give a clean, crisp and detailed condenser sound
With -10 and -20 dB pads, the mic provides the necessary gain reduction to prevent the mic element from overloading
Selectable 75 and 150 Hz high-pass filters frequencies are strategically chosen to eliminate bothersome low frequencies from the signal path
General
Output Connectors
1 x 3-Pin XLR
Operating Voltage
48 V
Length
5.63" / 14.30 cm
Diameter
0.83" / 21 mm
Weight
6.3 oz / 179 g
Transducer
Condenser
Polar Pattern
Cardioid
Frequency Range
50 Hz to 20 kHz
Maximum SPL
Cardioid: 146 dB SPL
Impedance
Cardioid: 200 Ohms
Sensitivity
Cardioid: 10 mV/Pa
Dynamic Range
Cardioid: 126 dB
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
Frequency response shaped specifically for kick drums and bass instruments
Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal–to–noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability
Type
Dynamic (moving coil)
Frequency Response
20 to 10,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis
Output Level
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL
Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.
New volume control knob allows musicians to adjust the volume to fit each musical situation
New rugged, dynamic cartridge with improved response
High-impedance, omnidirectional
Supplied with 1/4 inch connector
Frequency response: 100 to 5,000 Hz
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
Neodymium magnet for high signal-to-noise ratio output
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
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