ELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid

110.00 incl. GR VAT

Available on backorder

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
Audio Frequency Response    20 Hz – 10,000 Hz Case Material    Die cast zinc Connector Type    3-pin XLR Element    Dynamic Finish    Textured Satin Black Impedance, Low-Z balanced    150 Ω Mic Type    Instrumental Open Circuit Voltage    0.63 mV/Pascal Polar Pattern    Supercardioid Power Requirement    Passive Shipping Weight    23.7 oz (672 g) Wired/Wireless    Wired Weight Net    12.84 oz (364 […]

 

Read more

Audio Frequency Response    20 Hz – 10,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    150 Ω
Mic Type    Instrumental
Open Circuit Voltage    0.63 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Shipping Weight    23.7 oz (672 g)
Wired/Wireless    Wired
Weight Net    12.84 oz (364 g)

Weight 0.35 kg

Reviews

There are no reviews yet.

Be the first to review “ELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid”

Your email address will not be published. Required fields are marked *

Quick Comparison

ELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeDAP AUDIO D1301 PL-07 Instrument Dynamic Microphone removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeAKG C 451B B/ST Matched Pair remove
NameELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeDAP AUDIO D1301 PL-07 Instrument Dynamic Microphone removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeAKG C 451B B/ST Matched Pair remove
Imagebeyerdynamaic m 88 tg dynamic hyperdioid microphone
SKU001808M-88 TGKSM137/SLD1301520DXC 451B STEREO PAIR
Rating
Price 110.00 incl. GR VAT 419.99 incl. GR VAT 396.80 incl. GR VAT 43.39 incl. GR VAT 165.12 incl. GR VAT 917.03 incl. GR VAT
Stock

Available on backorder

In stock (can be backordered)

Available on backorder

In stock

Available on backorder

Available on backorder

AvailabilityAvailable on backorderIn stock (can be backordered)Available on backorderIn stockAvailable on backorderAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for stage and studio
  • Unbelievably rich sound
  • Made in germany
Content

Audio Frequency Response    20 Hz - 10,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    150 Ω
Mic Type    Instrumental
Open Circuit Voltage    0.63 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Shipping Weight    23.7 oz (672 g)
Wired/Wireless    Wired
Weight Net    12.84 oz (364 g)

Technical Data

Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin

Made in Germany

Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.

 
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!  
Flexible tool iN The studio

The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps. Technical Info Type: Dynamic, Moving coil. Freq.Resp.: 40 to 16.500 Hz. Polar Pattern: Cardioid Sensitivity (1000Hz): 1,7 mV/Pa* (*1 Pa = 94 dB SPL) Max SPL: 137dB Impedance: 600 Ohm Power supply: none Connector: 3p. XLR male-type). Net. Weight: 245 g Dimensions: (Ø 32 mm x L 157 mm) Accessories: 6 mtr balanced cable with XLR plugs

Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

  • New volume control knob allows musicians to adjust the volume to fit each musical situation
  • New rugged, dynamic cartridge with improved response
  • High-impedance, omnidirectional
  • Supplied with 1/4 inch connector
  • Frequency response: 100 to 5,000 Hz

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

  • Identical acoustics of the legendary CK 1.
  • Rugged construction.
  • Ruler-flat on-axis frequency response.
  • Precise, nearly frequency independent cardioid.
  • Extremely accurate signal transfer.
  • Transformerless output stage for minimum distortion at low frequencies.
  • Protected against electrostatic and magnetic interference.
  • Selectable 10-dB and 20-dB preattenuation pads.
  • Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
  • Operates on phantom power to DIN/IEC between 12 V and 48 V.
  • Complete with SA 40 stand adapter and W 90 windscreen.
  • Each microphone comes with its own individual frequency response plot.

Specifications:

  • Polar pattern: Cardioid
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 9 mV/Pa (-41 dBV)
  • Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
  • Equivalent noise level (CCIR 468-3): 29 dB
  • Equivalent noise level: 18 dB-A
  • Signal/noise ratio (A-weighted): 76 dB
  • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
  • Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
  • Impedance: 1000 ohms
  • Supply voltage: 9 to 52 V phantom power to DIN 45596
  • Current consumption:
Weight0.35 kg0.600 kg0.50 kg0.24 kg0.80 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.35 kg
Weight 0.600 kg
Weight 0.50 kg
Weight 0.24 kg
Weight 0.80 kg
Weight 2.00 kg