Engl Reaper, distortion electric guitar effects pedal, controls: volume, bass, middle, treble & gain, 1x 6,3mm jack input, 1x 6,3mm jack output, powered via 9V battery or optional power supply #108096 (not included), dimensions: 59 x 110 x 34mm, weight: 310g
Engl Reaper, distortion electric guitar effects pedal, controls: volume, bass, middle, treble & gain, 1x 6,3mm jack input, 1x 6,3mm jack output, powered via 9V battery or optional power supply #108096 (not included), dimensions: 59 x 110 x 34mm, weight: 310g
Weight
0.31 kg
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Engl Reaper, distortion electric guitar effects pedal, controls: volume, bass, middle, treble & gain, 1x 6,3mm jack input, 1x 6,3mm jack output, powered via 9V battery or optional power supply #108096 (not included), dimensions: 59 x 110 x 34mm, weight: 310g
Studio Quality Effects at Your Feet
Premier recording studios worldwide use Eventide on hit after hit. ModFactor features Eventide's 27 best modulation effects without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
27 of Eventideʼs signature stereo or mono effects:
Liquid Chorus
Shimmer Chorus
Organic Chorus
Negative Phaser
Postive Phaser
BiPhase Phaser
Feedback Phaser
WahWah Q-Wah
Voc-Wah Q-Wah
Positive Flanger
Negative Flanger
Jet Flanger
Thru-o Flanger
Lowpass ModFilter
HiPass ModFilter
BandPass ModFilter
Standard Rotary
Giant Rotary
Bias Tremolo
Opto Tremolo
Modern Vibrato
Vintage Vibrato
Retro Vibrato
Pitch Undulator
Feedback Undulator
Ring (DC) Ringmod
String (AC) Ringmod
Studio quality sound
Software upgradeable via USB 2.0
MIDI control via USB or MIDI in, out/thru
Instant program change
Real-time control with 10 knobs, MIDI, or expression pedal
Tap tempo and MIDI clock sync
40 factory presets, unlimited through MIDI
True analog bypass
Rugged cast metal construction
Reliable metal footswitches for instant preset access
Mono or stereo operation
Guitar or line level inputs and outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.
Compact chorus pedal especially designed for bass guitar
Applies chorus sound to the high frequencies without altering low frequencies
The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.
The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.
The main features of the Marshall EH-1 ECHOHEAD include:
6 different, high quality delay effects for you to explore
Multi-mode selector switch
Delay time control
Feedback control
Level control
Solid metal casing
Passive bypass
Tap tempo pedal input
Power: 9V DC Centre Negative Regulated PSU or PP3 battery
The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.
Flexible distortion pedal capable of producing blended overdrive/distortion sounds
Provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing
Includes Level, Tone, Drive and Color controls for precise tonal shaping
BOSS 5-year warranty
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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