| Content | The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520! |
An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
| Features |
|---|
| 3 Music Source Inputs individually selectable to each output | | One Input Source with Override facility (Jukebox or Auto Announcer) | | 5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones | | Can be expanded interlink of two or more MS520 units | | Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option) | | Direct Inputs and Outputs on each zone | | Paging or Alarm Input Override System | | Full Digital Matrix control of functions to all 5 zones | | Up to 10 remote control panels RC 62 can be connected to each MS 520 |
| AMPLIFIER SPECIFICATIONS |
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| Power output: | 5 x 20 | Watt rms | | Frequency Response (Music): | 30 ÷ 45 | Hz ÷ kHz | | Frequency Response (Direct): | 30 ÷ 45 | Hz ÷ kHz | | Frequency Response (Paging): | 200 ÷ 18 | Hz ÷ kHz | | Distortion: | 0.5 | % | | Signal / noise ratio (Music): | -78 | dB | | Signal / noise ratio (Direct): | -78 | dB | | Signal / noise ratio (Paging): | -60 | dB |
| INPUT SECTION |
|---|
| Input sensitivity (Music): | -16 | dBu | | Input sensitivity (Direct): | -16 | dBu | | Input sensitivity (Paging - Line): | - 43 ÷ -27 | dBu | | Input sensitivity (Paging - Mic): | - 58 ÷ -41 | dBu | | Bass Tone: | (100 kHz) ± 8 | dB | | Treble Tone: | (12.5 kHz) ± 8 | dB |
| OUTPUT SECTION |
|---|
| Out level: | -6 / -10 | dB | | Protections: | Short ciurcuit, thermal, AC / DC fuses | | | Power supply: | 16 | V dc |
| POWER REQUIREMENT |
|---|
| Operating voltage: | 220÷240 / 110÷120 V ~ 50 / 60 Hz | V ~ Hz | | Power (consumption): | 370 | W | | Max. Available power: | 100 | W |
| PHISICAL SPECIFICATION |
|---|
| Width: | 438 / 17.24 | mm/inch | | Height: | 44 / 1.73 | mm/inch | | Depth: | 253 / 9.96 | mm/inch | | Net Weight: | 3.66 / 8.06 | Kg/Lbs |
| SHIPPING INFORMATION |
|---|
| Package height: | 75 / 2.95 | mm/inch | | Package width: | 520 / 20.47 | mm/inch | | Package depth: | 280 / 11.02 | mm/inch | | Shipping Weight: | 4.18 / 9.21 | Kg/Lbs |
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AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
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Κάρτα τεσσάρων εξόδων line για τα BLU-80, BLU-32, BLU-16.
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Wireless 5.8 GHz Stereo Receiver
- For wireless transmission of a stereo audio signal together with the
- Maximum range: 30 m
- One transmitter can be paired with up to 8 receivers
- Outputs: 2x XLR male or 2x 6.3 mm jack (unbalanced)
- Volume control
- Dimensions without antenna (L x W x H ): 110 x 105 x 45 mm
- Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket
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The dbx 580 Microphone Preamp is the perfect partner to your microphones, providing sonically-transparent gain that will reveal the detail and audio signature of even the most esoteric microphones. It will transform their low level output signal to a high level, high current output for direct connection to the line level inputs of your mixer, sampler or any other recording medium that accepts line level, analog input. |
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