Content | The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520! |
Wireless 5.8 GHz Stereo Transmitter
- For wireless transmission of a stereo audio signal
- Maximum range: 30 m
- One transmitter can be paired with up to 8 receivers
- Inputs: 2x XLR female or 2x 6.3 mm jack (unbalanced)
- Switch for mono/stereo operation
- Volume control
- Dimensions without antenna (L x W x H): 115 x 105 x 45 mm
- Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket
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Κάρτα 4άρων εισόδων για BLU-800, BLU-320, BLU-160 & BLU-120 με δυνατότητα Echo cancellation. |
The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).
The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.
The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.
The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.
Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan Connectors 2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements 90~240VAC, 50/60Hz, 150W
System Requirements Mac OS X 10.5.8 and above
Dimensions (WxDxH) 19 x 11.5 x 3.5" (483 x 292 x 89mm)
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An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
Features |
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3 Music Source Inputs individually selectable to each output | One Input Source with Override facility (Jukebox or Auto Announcer) | 5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones | Can be expanded interlink of two or more MS520 units | Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option) | Direct Inputs and Outputs on each zone | Paging or Alarm Input Override System | Full Digital Matrix control of functions to all 5 zones | Up to 10 remote control panels RC 62 can be connected to each MS 520 |
AMPLIFIER SPECIFICATIONS |
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Power output: | 5 x 20 | Watt rms | Frequency Response (Music): | 30 ÷ 45 | Hz ÷ kHz | Frequency Response (Direct): | 30 ÷ 45 | Hz ÷ kHz | Frequency Response (Paging): | 200 ÷ 18 | Hz ÷ kHz | Distortion: | 0.5 | % | Signal / noise ratio (Music): | -78 | dB | Signal / noise ratio (Direct): | -78 | dB | Signal / noise ratio (Paging): | -60 | dB |
INPUT SECTION |
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Input sensitivity (Music): | -16 | dBu | Input sensitivity (Direct): | -16 | dBu | Input sensitivity (Paging - Line): | - 43 ÷ -27 | dBu | Input sensitivity (Paging - Mic): | - 58 ÷ -41 | dBu | Bass Tone: | (100 kHz) ± 8 | dB | Treble Tone: | (12.5 kHz) ± 8 | dB |
OUTPUT SECTION |
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Out level: | -6 / -10 | dB | Protections: | Short ciurcuit, thermal, AC / DC fuses | | Power supply: | 16 | V dc |
POWER REQUIREMENT |
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Operating voltage: | 220÷240 / 110÷120 V ~ 50 / 60 Hz | V ~ Hz | Power (consumption): | 370 | W | Max. Available power: | 100 | W |
PHISICAL SPECIFICATION |
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Width: | 438 / 17.24 | mm/inch | Height: | 44 / 1.73 | mm/inch | Depth: | 253 / 9.96 | mm/inch | Net Weight: | 3.66 / 8.06 | Kg/Lbs |
SHIPPING INFORMATION |
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Package height: | 75 / 2.95 | mm/inch | Package width: | 520 / 20.47 | mm/inch | Package depth: | 280 / 11.02 | mm/inch | Shipping Weight: | 4.18 / 9.21 | Kg/Lbs |
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AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
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