DBX 520 DE-ESSER MODULE PROCESSOR

251.00 incl. GR VAT

Available on backorder

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The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, […]

 

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The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!

With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.

Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520!

Weight 1.00 kg

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DBX 520 DE-ESSER MODULE PROCESSOR removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb removeWORK WDT 24 Wireless digital audio transmitter removeBSS Z-BLU101 Signal Processor removeAPOGEE SIOC Electronics Symphony I/O Chassis removeAPOGEE BIG BEN Digital signal generator remove
NameDBX 520 DE-ESSER MODULE PROCESSOR removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb removeWORK WDT 24 Wireless digital audio transmitter removeBSS Z-BLU101 Signal Processor removeAPOGEE SIOC Electronics Symphony I/O Chassis removeAPOGEE BIG BEN Digital signal generator remove
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SKUDBX 520Z-BLUCARD-INWDT 24Z-BLU101SIOCBIG BEN
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Price 251.00 incl. GR VAT 384.39 incl. GR VAT 94.85 incl. GR VAT 3,609.32 incl. GR VAT 1,604.05 incl. GR VAT 1,730.25 incl. GR VAT
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Description
ContentThe dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance! With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB. Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520!

mic/line for the BLU-80, BLU-32, BLU-16.

WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.

The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.

  • Wireless Digital Audio Transmitter System
  • Operating Band ISM 2.4GHz (free band).
  • One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
  • GFSK digital modulation/demodulation.
  • External antenna can help to increase the transmission distance.
  • Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
  • Automatic mute in bad channel quality conditions or high error code rate.
  • Transmission distance higher than 30 meters in open places.
  • Up to three transmitters WDT 24 in a zone
  • Balanced XLR and ¼\'\' jack inputs.
  • Working mode: stereo or mono
Power Supply AC 9V-500 mA 50/60 Hz
Frequency 2404-2476MHz
Channel 25
Modulation/Demodulation GFSK
Receive Sensitivity (WDR 24) -84dBm (min.)
Transmitted Power (WDT 24) 6 dBm
Output Level (WDR 24) +13dBu (BAL max.)
Input Level (WDT 24) +5dBu (max.)
Bandwidth >=1.8 MHz
Frequency Response 20Hz - 20kHz, +3dB / -3dB
S/N >80 dB
Dynamic Range @ 1 kHz >90 dB
Crosstalk @ 1kHz >90 dB
THD

The Soundweb London BLU-101 offers a fixed configuration of 12 analog inputs and 8 analog outputs, configurable signal processing, AEC processing, and a high bandwidth, fault tolerant digital audio bus.

The BLU-101 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.

The BLU-101 contains dedicated AEC processing for up to 12 independent AEC algorithms. The AEC algorithm can be applied to signals coming from the local analog inputs or from the digital audio bus. 12 individual AEC references (one per algorithm) allow the user to provide a solution for multiple conferencing spaces using a single device.

Automatic Gain Control (AGC) and Noise Cancellation (NC) are also provided per AEC algorithm. AGC ensures that microphone levels remain at an optimum level, and NC removes steady state noise (such as from a projector fan or air conditioning device) from the signal path.

This processor features a low latency, fault tolerant digital audio bus of 48 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.

The BLU-101 is compatible with the entire Soundweb London family and its 48 channel digital audio bus represents channels 1-48 of the larger 256 channel digital audio bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices.

Analog Inputs provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel.

Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.

12 Control Inputs and 6 Logic Outputs allow the BLU-101 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.

The BLU-101 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

Key Features:
• 12 Analog Inputs (with 48v Phantom Power per Channel)
• 8 Analog Outputs
• Configurable Signal Processing
• 12 Channels of AEC Processing with Auto Gain Control and Noise Cancellation
• Rich Palette of Processing and Logic Objects
• 48 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5" (483 x 292 x 89mm) 

                    AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
                    Optional X-Video expansion card to provide master video sync generator
                    Realtime format conversion between all digital formats
                    Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
                    Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
                    Three stage Termination Sensing for each word clock output

                
                INPUTS
                    2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
                    S/PDIF optical on TOS-LINK 44.1-48k
                    S/PDIF coaxial on RCA 44.1-192k
                    ADAT 44.1-48k
                    ADAT/SMUX II for 88.2-96k
                    ADAT/SMUX IV for 176.4-192k
                    Word Clock BNC 44.1 –192k
                    Video
                    Optional video sync (X-Video card)
                
                OUTPUTS
                    2 x AES-EBU on XLR single or double wide 44.1-192k
                    S/PDIF coaxial 44.1-192k
                    S/PDIF optical on TOS-LINK 44.1-48k
                    6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
                    ADAT
                    SMUX II
                    SMUX IV
                    Optional video sync (X-Video card)
                
                SPECS
                    Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
                    Video: PAL/NTSC/60Hz
                    "SuperClock" (256fs)
                    Pull up/down 0.1% and 4% from any sample rate
                    Apogee´s new Ultra Low Jitter C777 clock
                    Three stage termination indicator (under/correct/over) on each
                    Word Clock output:
                    "SureLock" technology for drop out prevention
                    4 digit numeric true sample rate indication
                    Universal power: 15 W 90-250 VAC 50-60 HZ

 

 

Connection:

Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
         
Operating System:

Mac and Windows    

Weight1.00 kg1.00 kg0.50 kg4.10 kg2.50 kg4.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 1.00 kg
Weight 0.50 kg
Weight 4.10 kg
Weight 2.50 kg
Weight 4.00 kg

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