| Content | The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520! | The Soundweb London BLU-DAN offers Dante audio and BLU link. This means that the BLU-DAN can be used to ‘add’ Dante to one or more BLU link devices.
The BLU-DAN is configurable through HiQnet Audio Architect. A rich palette of logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment.
The BLU-DAN features Dante audio. The BLU-DAN is capable of simultaneously transmitting and receiving up to 64 channels of Dante audio (64 x 64). Primary and Secondary ports are provided for fault tolerance. Control is through a separate Ethernet port.
The BLU-DAN also features BLU link, a low latency, fault tolerant digital audio bus of 256 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.
A bi-directional locate function allows devices to be identified both from and within HiQnet Audio Architect.
The BLU-DAN and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
- AES67 and Dante Audio with support for Dante Domain Manager
- BLU link – 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
- ‘Add’ Dante / AES67 to one or more BLU link devices
- Clear Front Panel LED Indication
- Bi-Directional Locate Functionality
- HiQnet Device
- Configuration, Control and Monitoring from HiQnet Audio Architect
- 1RU, Half-Rack Device
- AES67 Compatible
- EN 54-16 Compliant for life safety applications
*The price is without VAT
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An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
| Features |
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| 3 Music Source Inputs individually selectable to each output | | One Input Source with Override facility (Jukebox or Auto Announcer) | | 5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones | | Can be expanded interlink of two or more MS520 units | | Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option) | | Direct Inputs and Outputs on each zone | | Paging or Alarm Input Override System | | Full Digital Matrix control of functions to all 5 zones | | Up to 10 remote control panels RC 62 can be connected to each MS 520 |
| AMPLIFIER SPECIFICATIONS |
|---|
| Power output: | 5 x 20 | Watt rms | | Frequency Response (Music): | 30 ÷ 45 | Hz ÷ kHz | | Frequency Response (Direct): | 30 ÷ 45 | Hz ÷ kHz | | Frequency Response (Paging): | 200 ÷ 18 | Hz ÷ kHz | | Distortion: | 0.5 | % | | Signal / noise ratio (Music): | -78 | dB | | Signal / noise ratio (Direct): | -78 | dB | | Signal / noise ratio (Paging): | -60 | dB |
| INPUT SECTION |
|---|
| Input sensitivity (Music): | -16 | dBu | | Input sensitivity (Direct): | -16 | dBu | | Input sensitivity (Paging - Line): | - 43 ÷ -27 | dBu | | Input sensitivity (Paging - Mic): | - 58 ÷ -41 | dBu | | Bass Tone: | (100 kHz) ± 8 | dB | | Treble Tone: | (12.5 kHz) ± 8 | dB |
| OUTPUT SECTION |
|---|
| Out level: | -6 / -10 | dB | | Protections: | Short ciurcuit, thermal, AC / DC fuses | | | Power supply: | 16 | V dc |
| POWER REQUIREMENT |
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| Operating voltage: | 220÷240 / 110÷120 V ~ 50 / 60 Hz | V ~ Hz | | Power (consumption): | 370 | W | | Max. Available power: | 100 | W |
| PHISICAL SPECIFICATION |
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| Width: | 438 / 17.24 | mm/inch | | Height: | 44 / 1.73 | mm/inch | | Depth: | 253 / 9.96 | mm/inch | | Net Weight: | 3.66 / 8.06 | Kg/Lbs |
| SHIPPING INFORMATION |
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| Package height: | 75 / 2.95 | mm/inch | | Package width: | 520 / 20.47 | mm/inch | | Package depth: | 280 / 11.02 | mm/inch | | Shipping Weight: | 4.18 / 9.21 | Kg/Lbs |
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Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
User's Manual
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Wireless 5.8 GHz Stereo Receiver
- For wireless transmission of a stereo audio signal together with the
- Maximum range: 30 m
- One transmitter can be paired with up to 8 receivers
- Outputs: 2x XLR male or 2x 6.3 mm jack (unbalanced)
- Volume control
- Dimensions without antenna (L x W x H ): 110 x 105 x 45 mm
- Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket
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Κάρτα 4άρων εισόδων για BLU-800, BLU-320, BLU-160 & BLU-120 με δυνατότητα Echo cancellation. |
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