| Content | The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520! |
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.
Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting. | The Soundweb London BLU-DAN offers Dante audio and BLU link. This means that the BLU-DAN can be used to ‘add’ Dante to one or more BLU link devices.
The BLU-DAN is configurable through HiQnet Audio Architect. A rich palette of logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment.
The BLU-DAN features Dante audio. The BLU-DAN is capable of simultaneously transmitting and receiving up to 64 channels of Dante audio (64 x 64). Primary and Secondary ports are provided for fault tolerance. Control is through a separate Ethernet port.
The BLU-DAN also features BLU link, a low latency, fault tolerant digital audio bus of 256 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.
A bi-directional locate function allows devices to be identified both from and within HiQnet Audio Architect.
The BLU-DAN and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
- AES67 and Dante Audio with support for Dante Domain Manager
- BLU link – 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
- ‘Add’ Dante / AES67 to one or more BLU link devices
- Clear Front Panel LED Indication
- Bi-Directional Locate Functionality
- HiQnet Device
- Configuration, Control and Monitoring from HiQnet Audio Architect
- 1RU, Half-Rack Device
- AES67 Compatible
- EN 54-16 Compliant for life safety applications
*The price is without VAT
| WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
- Wireless Digital Audio Receiver System
- Operating Band ISM 2.4GHz (free band).
- One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
- GFSK digital modulation/demodulation.
- External antenna can help to increase the transmission distance.
- Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
- Automatic mute in bad channel quality conditions or high error code rate.
- Transmission distance higher than 30 meters in open places.
- Up to three transmitters WDT 24 in a zone
- Balanced XLR and unbalanced ¼\'\' jack outputs
- Working mode: stereo or mono
| Power Supply |
AC 9V-500 mA 50/60 Hz |
| Frequency |
2404-2476MHz |
| Channel |
25 |
| Modulation/Demodulation |
GFSK |
| Receive Sensitivity (WDR 24) |
-84dBm (min.) |
| Transmitted Power (WDT 24) |
6 dBm |
| Output Level (WDR 24) |
+13dBu (BAL max.) |
| Input Level (WDT 24) |
+5dBu (max.) |
| Bandwidth |
>=1.8 MHz |
| Frequency Response |
20Hz - 20kHz, +3dB / -3dB |
| S/N |
>80 dB |
| Dynamic Range @ 1 kHz |
>90 dB |
| Crosstalk @ 1kHz |
>90 dB |
| THD |
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Wireless 5.8 GHz Stereo Receiver
- For wireless transmission of a stereo audio signal together with the
- Maximum range: 30 m
- One transmitter can be paired with up to 8 receivers
- Outputs: 2x XLR male or 2x 6.3 mm jack (unbalanced)
- Volume control
- Dimensions without antenna (L x W x H ): 110 x 105 x 45 mm
- Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket
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For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! |
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