EVENTIDE MIXING LINK HIGH QUALITY MIX PRE

High Quality Mic Pre with FX Loop in a compact form factor

-FX Loop Send and Return supports Balanced and Unbalanced signals - interfaces with consoles or guitar pedals easily

-Latching or Momentary Footswitch control of FX Loop for performance effects

-Works with a wide range of microphones including condenser and ribbon mics with up to 65dB of clean gain

-Aux I/O connection supporting stereo input and send

-Guitar Amp output and Headphone monitor output with separate master volume control

-International universal power supply included

-Operates on 9V battery
 (No phantom power)

-48V Phantom power for Condenser mics

-Balanced XLR Output which supports DI and Line levels

-Instrument and Balanced Line level inputs

-Versatile Mix Control supports 3 modes- 100% Mic w/FX blended in, or Mic/FX balance control, or 100% FX (no Mic)

Analog Input     MAX Input Levels, Input Impedance
INST IN
    +10dBu, 500kΩ
XLR
LINE IN
    +24dBu, 22kΩ
XLR MIC IN
    +4dBu, 2kΩ
FROM FX
    +10dB, 200kΩ
AUX IN
    +4dBu, 5.0kΩ

 

Analog Output     MAX Output Levels, Output Impedance
TO FX
    +10dBu, 400Ω
TO AMP
    +10dBu, 250Ω
PHONES
    150mW per channel, min Load = 8 Ohms
DI/LINE OUT
    (DI) -10dBu, (LINE) +18dBu, 200Ω
AUX OUT
    18mV, 200Ω (mobile mic level)

 

 

Power Supply
9 VDC, 500 ma, center pin (-)
Minimum required current at 9VDC = 200mA

 

Dimensions

English:
3.6” (H) x 2.65” (W) x 1.5” (D)

Metric:
91(H) x 67(W) x 38(D) mm

 

Weight
0.96lb ,0.43kG

  

The PRE-73 Mk2 pre-amp and the FC3 condenser microphone in one bundle. The bundle also includes Golden Age P1 Pop Filter, Proel RSM180 mic stand and Proel CHL250 5m cable.

Designed for high-definition field production environments, the studio-quality MP-1 is an ideal line-driver for critical radio, television, and film applications.

The MP-1 is extremely durable and easy to use. With rugged mechanical and electrical construction and high-quality components it will provide years of superb audio performance under the most punishing field conditions.

• Superb audio specifications
• 66 dB of gain, in eleven discrete steps
• Transformer-balanced input and output
• Phantom power - 48 volt or 12 volt
• High pass filter @  80 Hz or 160 Hz, 6 dB/octave
• Limiter makes unit virtually "unclippable“
• High current line output drive
• Excellent immunity to RF interference.
• Battery power (two x AA)
• Durable mechanical construction

Features
Superlative sound
Studio quality mic preamp
Total control - Input Gain, EQ contour, Output Gain,
Overload indicator
Multiple output connectors
XLR/jack combo input 
Switchable 48 V DC Phantom Power for condenser Mics
Compact, computer friendly package
Needs no external power supply
 
ARX is proud to introduce the e-pre - the ultimate microphone pre-amp for
hard disk recording, designed by audio professionals, not computer engineers.
The all-new e-pre is so much a part of your system that it fits right into a spare
5?" slot in your computer case! It's the perfect tool for all your day-to-day
recording requirements. No equipment racks to plug in, no masses of cabling to
connect - the e-pre is ready and waiting when you need it.
The e-pre is a studio quality microphone pre-amp using the same internal components
as high end mixing consoles, built into a compact, computer friendly package.
It has controls for:
Input Gain - fully variable from 10dB through to 60dB to suit all types of microphones,
plus switchable 48 V Phantom Power to enable condenser microphones to deliver
their best.
A Contour control for EQ sweetening, providing fast, easy access to a whole range
of useful EQ curves
Output level control - fully variable to match the e-pre's output to the input of the sound
card. From -10dB consumer cards through to +4dB for professional sound cards, the
e-pre can handle it.
Multiple output connectors match up with any kind of sound card, including mini jacks,
standard jack, RCA (phono) plugs, and even a connector to link to the internal CD ROM
audio input of your sound card (if fitted).
We've even fitted a 12 VDC input connector on the rear to enable the e-pre to run from an
external power supply if required (eg for use with notebook computers or stand-alone use).

Any way you look at it, the e-pre by ARX is the total professional microphone pre-amp for
all your hard disk recording needs

e-pre Benefits
Professional Balanced XLR mic input
True 48v phantom power
Runs into the Line input of ANY sound card - uses the card you've already paid for
High headroom = clean recordings
Smart EQ
Compatible with non-computer audio equipment
Professional performance and specs in a user friendly package
 

T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance
Mic 2 K Ohms Balanced; XLR type Pin 1 Audio Ground, Pin 2 +, Pin 3-
Line 25 K Ohms Balanced, ?" TRS jack Tip +, Ring , Sleeve Audio Ground
Phantom Power Voltage Switchable +48 V DC on XLR Pins 2 and 3
Max Input Level Mic +15 dB, Line +20 dB
Input Gain 10 dB Minimum, variable to 60 dB Maximum
Output Level -10 dB variable through 0 dB to +4 dB
Overload Indicator Measured at all Gain points throughout the circuitry
Output Noise -90 dB Unweighted, -97 dB 'A' weighted
(Measured with Gain nominal 20 dB, Output level -10 dB)
Frequency Response 20 - 20 KHz ± 0.25 dB
Distortion
100 Hz 0.0085%
1 KHz 0.008%
10 KHz 0.0083%
(Measured with Mic Gain 20 dB, Output 0 dB)
Power Requirements 12 V DC from either computer supply or external supply
(external power supply not included in e-pre package)
Size 148mmW x 42mmH x 150mm D (5?“W x 1?H x 6“D)
Weight Under 1 Kilo (2.2 lbs)
 

At PreSonus, weʼve been designing preamps for a long time, and we always focus on audio quality first. So when we decided to upgrade our popular TubePre V2, we focused on improving an already high-quality sound—without jacking up the price. Like the originalTubePre, the new version is a fully professional tube preamp, with a dual-servo (no capacitors) gain stage that lets you boost the program signal to smoking hot levels without significantly increasing the background noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class.

Housed in a rugged case, the TubePre V2 rear panel sports separate unbalanced, ¼” instrument and balanced, XLR mic inputs and unbalanced ¼” and balanced XLR line outputs. Weʼve included all of the extras you need for professional operation including a high-pass filter, phantom power for condenser mics, polarity reverse switch, and a backlit VU meter.

Behringer MIC-2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box

The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ?s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.