FOCUSRITE CLARETT 4 PRE USB Audio Interface

Discontinued

508.00 incl. GR VAT

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Clarett 4Pre USB is an 18-in, 8-out audio interface. Gain Halo meters make it easy for you to set the input level of the four mic/line inputs, two of which are also high-impedance instrument inputs that can record super-hot pickups with no unwanted distortion. Four fixed line inputs are also included, and the ADAT input […]

 

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Clarett 4Pre USB is an 18-in, 8-out audio interface. Gain Halo meters make it easy for you to set the input level of the four mic/line inputs, two of which are also high-impedance instrument inputs that can record super-hot pickups with no unwanted distortion. Four fixed line inputs are also included, and the ADAT input supports an additional eight channels when combined with multi-channel mic preamps like Clarett OctoPre.

Outs include two monitor outputs with anti-thump technology, a headphone output with volume control, and two line outputs. MIDI I/O is also included.

Weight 1.00 kg

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FOCUSRITE CLARETT 4 PRE USB Audio Interface removeMOTU HD192 removeYAMAHA AUDIOGRAM 6 USB Audio Interface removeDIGIDESIGN Pro Tools Mbox Mini USB EXTERNAL SOUND CARD 2X2 removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeMOTU 828mk3 - FireWire audio interface with on-board effects and mixing remove
NameFOCUSRITE CLARETT 4 PRE USB Audio Interface removeMOTU HD192 removeYAMAHA AUDIOGRAM 6 USB Audio Interface removeDIGIDESIGN Pro Tools Mbox Mini USB EXTERNAL SOUND CARD 2X2 removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeMOTU 828mk3 - FireWire audio interface with on-board effects and mixing remove
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SKUCLARETT 4 PRE USBHD192J080.00021Pro Tools Mbox MiniUltralite-mk3828mk3
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Description
ContentClarett 4Pre USB is an 18-in, 8-out audio interface. Gain Halo meters make it easy for you to set the input level of the four mic/line inputs, two of which are also high-impedance instrument inputs that can record super-hot pickups with no unwanted distortion. Four fixed line inputs are also included, and the ADAT input supports an additional eight channels when combined with multi-channel mic preamps like Clarett OctoPre. Outs include two monitor outputs with anti-thump technology, a headphone output with volume control, and two line outputs. MIDI I/O is also included.

 

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

Computer Based Recording Packages 

Computer-Based Recording Packages For All Players Of Musical Instruments 

The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.

Size/Weight
Dimensions Width 170mm (6-3/4“)
Height 59mm (2-3/8“)
Depth 192mm (7-5/8“)
Weight Weight 770g (1.7 lbs.)
General Specifications
Sampling Frequency Rate USB AUDIO 1.1, 16bit/44.1kHz
Effects
Types Dynamic 1-knob Compressor (COMP) x 2
Storage and Connectivity
Connectivity Headphones Stereo Phone connector x 1
Microphone Mic/Hi-Z input x 2
LINE IN Phone connector x 4 (L/MONO x 2, R x 2)
LINE OUT Phone connector x 2 (L, R)
USB TO HOST USB (TO HOST)
Power Supply
Power Supply USB powered
System Requirements
Windows PC Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface
CPU 1 GHz or better Intel Core / Pentium / Celeron processor 750 MHz or better Intel Core / Pentium / Celeron processor
Support OS Windows Vista / Windows XP Professional / XP Home Edition
Memory More than 1 GB More than 128 MB
Macintosh PC Macintosh computer with built-in USB interface
CPU Intel CPU / Macintosh G3 processor 300 MHz or better
Support OS Mac OS X 10.3.3 or higher
Memory More than 128 MB
Accessories
Included Accessories Cable USB Cable
Others CUBASE AI DVD, Owners Manual

 

MINIMUM SYSTEM REQUIREMENTS - Mac

    * OS X Leopard 10.5.8 or Snow Leopard 10.6.3
    * 1 GB RAM (2 GB recommended)
    * 6 GB free disk space
    * Intel® processor (no PowerPC® support)
    * One native USB port

MINIMUM SYSTEM REQUIREMENTS - PC

    * Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit Native, or Windows 7 64-bit Native
    * 1 GB RAM (2 GB recommended)
    * 5 GB free disk space
    * One native USB port

What's in the Box?

    * Mbox Mini interface
    * Pro Tools LE 8 software DVD-ROM installer (includes electronic versions of user guides, plus software plug-in bundle)
    * Mbox user guide
    * Registration information card
    * USB cable

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

Weight1.00 kg5.50 kg1.50 kg1.50 kg2.00 kg4.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
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