FOCUSRITE ITRACK DOCK RECORDING INTERFACE FOR IPAD / IPAD MINI

Track Dock is a comprehensive, studio-quality iPad recording interface that acts as the hub of your iPad recording studio. Featuring dual legendary Focusrite microphone preamps, along with two line inputs and an instrument DI with plenty of extra headroom, stereo monitor outputs with 105dB dynamic range plus independently-controlled headphone outputs, and a USB port for class compliant MIDI instruments and controllers, iTrack Dock gives you everything you need to record, monitor and control music on your iPad - with precision Focusrite digital conversion at up to 24-bit, 96kHz sampling. And at the same time it charges and powers your iPad.
Made for iPad

iTrack Dock is an Apple-compliant audio docking interface with Apple-certified "Made for iPad” status. Compliant with any Lightning iPad

    iPad 4th Generation, iPad Air, iPad mini and iPad mini with retina display
    iTrack Dock's sleek, modular design allows you to slide the Lightning connector up and down to accommodate any sized iPad.

Technical Specifications
USB MIDI Port
MIDI controllers we have tested with iTrack Dockʼs MIDI port:

    Novation Launchpad S
    Novation Launchkey range (mini, 25, 49, 61)
    Novation Impulse range (25, 49, 61)
    Novation Launchpad mini
    Novation Launch Control
    Novation SL MkII range (25, 49, 61) Please note, the Novation SL MKII range needs external power to work with the iTrack Dock
    Akai MPK mini
    M-Audio Oxygen range (25, 61)
    M-Audio Axiom Air mini
    Alesis Q49
    Alesis QX61
    Akai Max 49 Please note, the Akai Max 49 needs external power to work with the iTrack Dock

Known incompatible controllers

    Korg microkey 37
    Korg MS20ic

Analogue Input Performance - Mic
Frequency Response
20Hz - 20kHz +/- 0.2 dB (minimum gain)
THD+N
Equivalent Input Noise (EIN)
Gain Range
-4dB to +46dB (dBFS / dBu) ±1dB
Max Input Level
>+4dBu (at 1% THD)
Analogue Input Performance - Line
Frequency Response
20Hz - 20kHz +/- 0.2dB (minimum gain)
THD+N
Noise (NiPoS)
+21dBu (at 1% THD)
Analogue Input Performance - Instrument
Frequency Response
20Hz - 20kHz +/- 0.2dB (minimum gain)
THD+N
+10dBu, balanced
0dBFS = >+4bBu, unbalanced
Frequency Response
20Hz - 20kHz +/- 0.2dB
THD+N
Digital Performance
Clock sources
Internal clock only
D-A Dynamic Range
105dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB
Supported sample rates
44.1 KHz, 48 KHz, 96 KHz
24 Bit
Input Metering
Ring LED lit Green
Signal present (-24 dBFS)
Ring LED lit Red
Signal overload (0dBFS), peak held for approximately 1 second
Weight and Dimensions
Height 64mm
Width 280mm
Depth 168
Weight 0.7 Kg

Yamaha GO46 FireWire Interface

The GO46 FireWire interface from Yamaha provides a means to stream
high-quality 24-bit/192kHz digital audio and MIDI into a computer. Connect
it to a laptop, and you've got a rugged and portable interface that can go
anywhere you go, hence the name "GO46." This box is the ideal interface
for great-sounding audio on the "GO."

Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI

Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
 on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.

FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.

Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.

Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

• Plug in your favorite guitar and turn your PC or Mac computer into a guitar amp and recording system without the need for any other hardware
• Enjoy immediate access to Guitar Combos from Native Instruments—the leading authentic guitar amp and stomp box modeling software—now including VST, AU and RTAS plugin versions
• Create Music Now! Incredibly powerful energyXT2 Compact music production software and Audacity editing software—both with full portability on all PC, Mac or Linux computers
• Directly works with your PC or Mac computer—ultra-low latency ASIO driver for PC audio optimization included
• Stereo Headphone output lets you jam with your computer and can also be used for monitoring with active monitor speakers
• Guitar Combos with variable-speed file playback function for MP3, WAV, AIFF audio files—perfect for easy learning and practicing—tuner and metronome function
• Powered via USB—no additional power supply required
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.

• Stereo input and output at 24-bit/96kHz audio quality
• High-end A/D and D/A converters for accurate recording and playback
• Large Input Level knob for easy control while recording
• 1/4" jack with Hi-Z option for recording electric guitar or bass
• Electret condenser mic input
• RCA phono type and optical-digital audio I/O
• Headphone output
• USB powered – no AC adapter required
• SONAR LE for music recording, editing, and publishing on PC
• Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support

• Number of Audio Record/Playback Channels	Record: 1 pair of stereo Play: 1 pair of stereo REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting) REC SOURCE switch = DIGITAL: Recording only
  Signal Processing	PC interface: 24 bits AD/DA Conversion: 24 bits (linear) * ADVANCE DRIVER switch = OFF: 16 bits
  Sampling Frequency	Digital output: 32/44.1/48/96 kHz Digital input: 32/44.1/48/96 kHz AD/DA Conversion: 32/44.1/48/96 kHz * ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
  Nominal Input Level	Line input jacks: -10 to +4 dBu Guiter input jakcs: -30 to -16dBu Mic input jack: -40 to -26 dBu
  Nominal Output Level	Line output jacks: -10 dBu
  Interface	USB Digital input (Optical mini type) * The same jack serves as both the Mic Input jack and digital input connector. Digital output (Optical mini type) * The same jack serves as both the headphones jack and digital output connector. * conforms to IEC60958 consumer format.
  Controllers	ADVANCED DRIVER Switch Guiter/Mic Switch INPUT VOLUME knob PHONES VOLUME Dial SAMPLE RATE Switch 96kHz MODE Switch INPUT MONITOR Switch REC SOURCE Switch
  Connectors	USB Connector (B type) Line Input jacks (L, R) (RCA phono type) Line Output jacks (L, R) (RCA phono type) Guiter/Mic Input jack: （1/4 inch phone type) Mic Input jack (Plug-in powered miniature phone type) Digital Intput connector (Optical mini type) * The same jack serves as both the headphones jack and digital output connector. Headphones jack (Stereo miniature phone type) Digital Output connector (Optical mini type) * The same jack serves as both the Mic Input jack and digital input connector.
  Power Supply	Supplied from the computer
  Current Draw	200 mA
  Accessories	Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
  Size and Weight
  Width	160 mm 6-5/16 inches
  Depth	58 mm 2-5/16 inches
  Height	28 mm 1-1/8 inches
  Weight	165 g 0 lbs. 6 oz.