FOCUSRITE ITRACK DOCK RECORDING INTERFACE FOR IPAD / IPAD MINI

Track Dock is a comprehensive, studio-quality iPad recording interface that acts as the hub of your iPad recording studio. Featuring dual legendary Focusrite microphone preamps, along with two line inputs and an instrument DI with plenty of extra headroom, stereo monitor outputs with 105dB dynamic range plus independently-controlled headphone outputs, and a USB port for class compliant MIDI instruments and controllers, iTrack Dock gives you everything you need to record, monitor and control music on your iPad - with precision Focusrite digital conversion at up to 24-bit, 96kHz sampling. And at the same time it charges and powers your iPad.
Made for iPad

iTrack Dock is an Apple-compliant audio docking interface with Apple-certified "Made for iPad” status. Compliant with any Lightning iPad

    iPad 4th Generation, iPad Air, iPad mini and iPad mini with retina display
    iTrack Dock's sleek, modular design allows you to slide the Lightning connector up and down to accommodate any sized iPad.

Technical Specifications
USB MIDI Port
MIDI controllers we have tested with iTrack Dockʼs MIDI port:

    Novation Launchpad S
    Novation Launchkey range (mini, 25, 49, 61)
    Novation Impulse range (25, 49, 61)
    Novation Launchpad mini
    Novation Launch Control
    Novation SL MkII range (25, 49, 61) Please note, the Novation SL MKII range needs external power to work with the iTrack Dock
    Akai MPK mini
    M-Audio Oxygen range (25, 61)
    M-Audio Axiom Air mini
    Alesis Q49
    Alesis QX61
    Akai Max 49 Please note, the Akai Max 49 needs external power to work with the iTrack Dock

Known incompatible controllers

    Korg microkey 37
    Korg MS20ic

Analogue Input Performance - Mic
Frequency Response
20Hz - 20kHz +/- 0.2 dB (minimum gain)
THD+N
Equivalent Input Noise (EIN)
Gain Range
-4dB to +46dB (dBFS / dBu) ±1dB
Max Input Level
>+4dBu (at 1% THD)
Analogue Input Performance - Line
Frequency Response
20Hz - 20kHz +/- 0.2dB (minimum gain)
THD+N
Noise (NiPoS)
+21dBu (at 1% THD)
Analogue Input Performance - Instrument
Frequency Response
20Hz - 20kHz +/- 0.2dB (minimum gain)
THD+N
+10dBu, balanced
0dBFS = >+4bBu, unbalanced
Frequency Response
20Hz - 20kHz +/- 0.2dB
THD+N
Digital Performance
Clock sources
Internal clock only
D-A Dynamic Range
105dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB
Supported sample rates
44.1 KHz, 48 KHz, 96 KHz
24 Bit
Input Metering
Ring LED lit Green
Signal present (-24 dBFS)
Ring LED lit Red
Signal overload (0dBFS), peak held for approximately 1 second
Weight and Dimensions
Height 64mm
Width 280mm
Depth 168
Weight 0.7 Kg

MINIMUM SYSTEM REQUIREMENTS - Mac

    * OS X Leopard 10.5.8 or Snow Leopard 10.6.3
    * 1 GB RAM (2 GB recommended)
    * 6 GB free disk space
    * Intel® processor (no PowerPC® support)
    * One native USB port

MINIMUM SYSTEM REQUIREMENTS - PC

    * Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit Native, or Windows 7 64-bit Native
    * 1 GB RAM (2 GB recommended)
    * 5 GB free disk space
    * One native USB port

What's in the Box?

    * Mbox Mini interface
    * Pro Tools LE 8 software DVD-ROM installer (includes electronic versions of user guides, plus software plug-in bundle)
    * Mbox user guide
    * Registration information card
    * USB cable

Features:

USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out

Technical Specifications

Microphone Inputs:    Female XLR Pin 2 Hot
Input Impedance:    3kΩ balanced
Phantom Power:    +48 Volts
Maximum gain:    +58 dB
E.I.N. (at max gain):    -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level:    +21 dBu at minimum gain
Frequency Response:    +0/-1 dB, 20Hz - 20kHz
THD+N:    +18 dBu maximum
Impedance:    32Ω Balanced, 16Ω Unbalanced
Headphone Output:    1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface:    5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate:    44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range:    A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements:    12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU

Computer Based Recording Packages 

Computer-Based Recording Packages For All Players Of Musical Instruments 

The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.

The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.

The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.

Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.

The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.