FOCUSRITE REDNET X2P Audio Interface 2×2 Dante table type

RedNet X2P is a compact, portable and robust 2x2 Dante audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P allows you to effortless add a high quality Dante audio interface by integrating power, audio, clock and remote control over a single Ethernet cable simply use a power over Ethernet switch or PoE injector. A local input mixer allows \'more me\' monitoring control, while a control lockout mode ensures settings can not be changed when used remotely.

Rear panel XLR outputs offer level-controlled analogue outputs of up to 24dBu, while a front panel 1/4" connector provides a high-powered headphone output capable of driving both high and low impedance headphones. A pair of combination XLR/1/4" inputs allow the connection of mic, line or instrument level signals to the mic pres, which include Focusrite\'s acclaimed Air mode which emulates the sound of our classic input transformers. The top panel features an array of controls: output level for headphone and line outputs, mic pre controls of gain, high-pass filter, Air, phase invert, phantom power and stereo linking; as well as the crossfader for controlling the balance of mic pre inputs and network receiver channels which to be sent to the headphone or line outputs.

Features:

USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out

Technical Specifications

Microphone Inputs:    Female XLR Pin 2 Hot
Input Impedance:    3kΩ balanced
Phantom Power:    +48 Volts
Maximum gain:    +58 dB
E.I.N. (at max gain):    -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level:    +21 dBu at minimum gain
Frequency Response:    +0/-1 dB, 20Hz - 20kHz
THD+N:    +18 dBu maximum
Impedance:    32Ω Balanced, 16Ω Unbalanced
Headphone Output:    1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface:    5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate:    44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range:    A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements:    12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU

he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.

As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.

The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.

A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.

U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.

The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.

• Stereo input and output at 24-bit/96kHz audio quality
• High-end A/D and D/A converters for accurate recording and playback
• Large Input Level knob for easy control while recording
• 1/4" jack with Hi-Z option for recording electric guitar or bass
• Electret condenser mic input
• RCA phono type and optical-digital audio I/O
• Headphone output
• USB powered – no AC adapter required
• SONAR LE for music recording, editing, and publishing on PC
• Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support

• Number of Audio Record/Playback Channels	Record: 1 pair of stereo Play: 1 pair of stereo REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting) REC SOURCE switch = DIGITAL: Recording only
  Signal Processing	PC interface: 24 bits AD/DA Conversion: 24 bits (linear) * ADVANCE DRIVER switch = OFF: 16 bits
  Sampling Frequency	Digital output: 32/44.1/48/96 kHz Digital input: 32/44.1/48/96 kHz AD/DA Conversion: 32/44.1/48/96 kHz * ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
  Nominal Input Level	Line input jacks: -10 to +4 dBu Guiter input jakcs: -30 to -16dBu Mic input jack: -40 to -26 dBu
  Nominal Output Level	Line output jacks: -10 dBu
  Interface	USB Digital input (Optical mini type) * The same jack serves as both the Mic Input jack and digital input connector. Digital output (Optical mini type) * The same jack serves as both the headphones jack and digital output connector. * conforms to IEC60958 consumer format.
  Controllers	ADVANCED DRIVER Switch Guiter/Mic Switch INPUT VOLUME knob PHONES VOLUME Dial SAMPLE RATE Switch 96kHz MODE Switch INPUT MONITOR Switch REC SOURCE Switch
  Connectors	USB Connector (B type) Line Input jacks (L, R) (RCA phono type) Line Output jacks (L, R) (RCA phono type) Guiter/Mic Input jack: （1/4 inch phone type) Mic Input jack (Plug-in powered miniature phone type) Digital Intput connector (Optical mini type) * The same jack serves as both the headphones jack and digital output connector. Headphones jack (Stereo miniature phone type) Digital Output connector (Optical mini type) * The same jack serves as both the Mic Input jack and digital input connector.
  Power Supply	Supplied from the computer
  Current Draw	200 mA
  Accessories	Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
  Size and Weight
  Width	160 mm 6-5/16 inches
  Depth	58 mm 2-5/16 inches
  Height	28 mm 1-1/8 inches
  Weight	165 g 0 lbs. 6 oz.

  
  
  
  

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.