FOCUSRITE SCARLETT 2I2 3RD GEN USB AUDIO INTERFACE 2IN/2OUT

168.63 incl. GR VAT

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High-quality 24-bit / 192kHz USB (TypeC) audio interface (3rd Generation). 2 x TRS / XLR mic inputs with improved Focusrite preamplifiers, AIR switch, phantom power 48v, direct monitoring. 2 jack outlets and one headphone output with volume control. Metal platinum rotary knobs. Super Low Latency. Visual indication of the input signal (green, orange, red) at […]

 

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High-quality 24-bit / 192kHz USB (TypeC) audio interface (3rd Generation). 2 x TRS / XLR mic inputs with improved Focusrite preamplifiers, AIR switch, phantom power 48v, direct monitoring. 2 jack outlets and one headphone output with volume control. Metal platinum rotary knobs. Super Low Latency. Visual indication of the input signal (green, orange, red) at the input of each channel. The monitoring system has listening possibilities from the direct incoming signal to the fully processed track that goes to the speakers. The package includes ProTools First, Ableton Live Lite, 2GB Loopmasters sample content, Focusrite RED Plug-in Suite, plug-in collector, XLN Audio Addictive Keys, softube time and tone bundle. Ideal for home / project studio. Weight 470gr.
  • 24-Bit / 192 kHz
  • 2 Scarlett microphone preamps
  • Phantom power +48 V
  • Switchable air function
  • 2 Mic / instrument / line inputs: XLR / 6.3 mm jack combo balanced
  • 2 Line outputs: 6.3 mm jack balanced
  • Stereo headphone output: 6.3 mm jack
  • USB-C connection
  • For PC / Mac
  • USB bus-powered
  • Dimensions (W x H x D): 175 x 47.5 x 98.8 mm
  • Weight: 0.47 kg
  • Includes USB cable (Type C to A) and Ableton Live Lite, Pro Tools First, Focusrite Red 2 & Red 3 Plug-in Suite, Softube Time & Tone Bundle and a software tool of 4 XLN Audio Addictive Keys of your choice
Weight 0.60 kg

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FOCUSRITE SCARLETT 2I2 3RD GEN USB AUDIO INTERFACE 2IN/2OUT removeLEXICON I-ONIX U22 Audio Interface 2in/2out removeMOTU HD192 removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface removeEDIROL FA-101 FireWire Audio Capture removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE remove
NameFOCUSRITE SCARLETT 2I2 3RD GEN USB AUDIO INTERFACE 2IN/2OUT removeLEXICON I-ONIX U22 Audio Interface 2in/2out removeMOTU HD192 removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface removeEDIROL FA-101 FireWire Audio Capture removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE remove
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SKUSCARLETT 2I2 3RD GENIONIX U22HD192ENSEMBLEFA101Ultralite-mk3
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Description
ContentHigh-quality 24-bit / 192kHz USB (TypeC) audio interface (3rd Generation). 2 x TRS / XLR mic inputs with improved Focusrite preamplifiers, AIR switch, phantom power 48v, direct monitoring. 2 jack outlets and one headphone output with volume control. Metal platinum rotary knobs. Super Low Latency. Visual indication of the input signal (green, orange, red) at the input of each channel. The monitoring system has listening possibilities from the direct incoming signal to the fully processed track that goes to the speakers. The package includes ProTools First, Ableton Live Lite, 2GB Loopmasters sample content, Focusrite RED Plug-in Suite, plug-in collector, XLN Audio Addictive Keys, softube time and tone bundle. Ideal for home / project studio. Weight 470gr.
  • 24-Bit / 192 kHz
  • 2 Scarlett microphone preamps
  • Phantom power +48 V
  • Switchable air function
  • 2 Mic / instrument / line inputs: XLR / 6.3 mm jack combo balanced
  • 2 Line outputs: 6.3 mm jack balanced
  • Stereo headphone output: 6.3 mm jack
  • USB-C connection
  • For PC / Mac
  • USB bus-powered
  • Dimensions (W x H x D): 175 x 47.5 x 98.8 mm
  • Weight: 0.47 kg
  • Includes USB cable (Type C to A) and Ableton Live Lite, Pro Tools First, Focusrite Red 2 & Red 3 Plug-in Suite, Softube Time & Tone Bundle and a software tool of 4 XLN Audio Addictive Keys of your choice

Features:

USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out

Technical Specifications

Microphone Inputs:    Female XLR Pin 2 Hot
Input Impedance:    3kΩ balanced
Phantom Power:    +48 Volts
Maximum gain:    +58 dB
E.I.N. (at max gain):    -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level:    +21 dBu at minimum gain
Frequency Response:    +0/-1 dB, 20Hz - 20kHz
THD+N:    +18 dBu maximum
Impedance:    32Ω Balanced, 16Ω Unbalanced
Headphone Output:    1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface:    5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate:    44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range:    A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements:    12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU

 

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
Portable 10-in/10-out compact, mobile FireWire audio at home or on the road The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need. Supports up to 24 bit, 192 kHz Compatible with Mac OS X standard driver Two independent, on board mic pre-amps Capable of full duplex recording and playback on 10 independent channels Bus powered and durable metal construction for mobile applications Lots of ins and outs to support a wide range of recording and gigging applications The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality. * 10x10 24-bit/96kHz audio performance * 6x6 24-bit/192kHz audio performance * Firewire bus-powered * Direct monitoring * Low-latency driver support * Native Support in Mac OS X (10.3.4 or later) * 2x phantom-powered mic preamps * 8x8 balanced analog I/O * S/PDIF optical I/O * MIDI I/O
  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
Weight0.60 kg2.00 kg5.50 kg3.00 kg1.00 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.60 kg
Weight 2.00 kg
Weight 5.50 kg
Weight 3.00 kg
Weight 1.00 kg
Weight 2.00 kg