FOCUSRITE SCARLETT SOLO 3RD GEN USB AUDIO INTERFACE 1 IN/2 OUT

• 24 Bits / 192 kHz
• 1 x Scarlett microphone preamp
• Phantom power +48 V
• Switchable air function
• 1 Mic input: XLR
• 1 Line / instrument input: 6.3 mm jack
• 2 Line outputs: 6.3 mm jack balanced
• Stereo headphone output: 6.3 mm jack
• USB-C connection
• For PC / Mac
• USB bus-powered
• Dimensions (W x H x D): 143.5 x 43.5 x 95.8 mm
• Weight: 0.32 kg
• Includes USB cable (Type C to A) and Ableton Live Lite, Pro Tools First, Focusrite Red 2 & Red 3 Plug-in Suite, Softube Time & Tone Bundle and a software tool of 4 XLN Audio Addictive Keys of your choice

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

System Requirements
Mac           PC

    * Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
    * 1 GB RAM (2 GB recommended)
    * 6 GB free disk space
    * Intel® processor (no PowerPC® support)
    * One FireWire port

         

    * Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
    * 1 GB RAM (2 GB recommended)
    * 5 GB free disk space
    * One FireWire port

Compatibility

ASIO, Core Audio, WDM, MME, and multi-client drivers

Mbox Pro Hardware
Pro Tools Mbox Pro

Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.

    * Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
    * FireWire connection
    * Professional-grade circuitry and converters deliver exceptional audio performance
    * Up to 24-bit, 192 kHz sample rates*
    * Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
    * Built-in guitar tuner
    * Onboard DSP offers flexible cue mixing and reverb effects
    * Assignable Pro Tools multi-function button on interface gives you fast access to software functions
    * Connect up to three pairs of monitors or do 5.1 surround mixing**
    * Hardware configuration:
          o 8 x 8 simultaneous channels of I/O
          o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
          o 4 1/4" TRS line inputs
          o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
          o 6 1/4" TRS balanced line outputs
          o 2 discrete 1/4” stereo headphone outputs with separate volume controls
          o Stereo S/PDIF digital I/O
          o 1 MIDI input, 1 MIDI output
          o Word clock I/O
          o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
          o Dedicated monitor volume knob

* Up to 96 kHz sample rates supported with Pro Tools LE software.

** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software

The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.

Key Features

    * Award-winning Pro Tools recording, editing, and mixing
    * 48 simultaneous stereo audio tracks (expandable with Toolkit options)
    * Includes over 70 professional effects and virtual instruments
    * Professional MIDI sequencing with dedicated MIDI Editor window
    * Integrated Score Editor based on award-winning Sibelius notation software
    * Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
    * Unique Beat Detective LE automatic groove analysis and correction tool
    * ReWire support for streaming your favorite applications right into Pro Tools
    * Huge selection of compatible third-party plug-ins and software options
    * Works on Windows and Mac computers

The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.

    * 6-in/6-out 24-bit/96kHz simultaneous performance
    * 4-in/4-out 24-bit/192kHz simultaneous performance
    * 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
    * +4 dB balanced input and output
    * S/PDIF optical input & output ports with Sync LED indicator
    * MIDI in/out ports
    * Built-in analog limiter and indicator
    * FireWire bus powered
    * AC adaptor included
    * Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
    * Zero-latency Direct Monitoring
    * 6-pin and 4-pin IEEE1394 ports
    * Compact, solid-metal construction

• Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
• CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
• 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
• Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
• Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
• Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
• CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
• Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
• “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
• Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
• Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
• Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
• Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
• Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
• Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
• Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
• Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
• Expandable — add additional interfaces for more I/O as your needs grow.
• Separate TRS main outs with front panel volume control.
• Stereo 24-bit 96kHz S/PDIF in/out.
• Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
• 100% compatible with all host-based effects processing in today's popular audio programs.
• Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
• Plug-and-play operation with your Mac or PC via FireWire or USB2.
• Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
• Front panel headphone jack with volume control.
• Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
• Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.

The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.

Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.

The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.