FOSTEX FR-2 Professional Digital recorder

1,023.33 incl. GR VAT

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The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required. With excellent quality (up to 24-bit / 192KHz recording – a first for a CF recorder), huge feature list and a cost-effective price point, […]

 

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The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording – a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

  • Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
  • Up to 24-bit/192kHz uncompressed recording
  • Includes a unique 22.05kHz sampling frequency setting for extended recording
  • Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
  • Fostexʼs “File per Take” system with auto scene & take naming/increment
  • Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
  • 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
  • Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
  • Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
  • Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
  • “Pre-record” loop buffer of approximately 10 seconds*3
  • Easy software update via CF or PCMCIA card with downloads from the internet
  • Optional timecode generator / reader card

    Notes
    *1 May require software update for PCMCIA HD operation
    *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
    *3 Varies depending on sampling frequency“

  • GENERAL
    Recording Media CompactFlash card, PCMCIA HD
    Recording Format BWF
    Number of Channels Stereo / Mono
    Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
    Quantization 16 bit (22.05 – 48kHz), 24 bit (44.1 – 192kHz)
  • PHYSICAL
    Power Requirement 8 x AA type dry cell (NiMH recommended)
    AC adaptor (optional)
    DC 12V
    Power Consumption approx. 5W
    Dimension 250(W) x 77(H) x 220(D) mm
    Weight 1.5kg (w/out battery)
  • PERFORMANCE
    R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
    20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
    20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
    20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
    S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
    Line (input gain: +4dBu): 100dB (typical)
    Mic: (input gain: -60dBu): 87dB (typical)
    Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
    T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
    Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
    Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
    Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  • INPUT / OUTPUT CONNECTORS
    ANALOG AUDIO INPUT L/R
    Connector XLR-3-31 type (Pin2: Hot)
    Line Input Impedance : More than 6k ohm
    Reference Input Level +4dBu
    Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
    MIC
    Input Impedance More than 6k ohm
    Input Level -60dBu
    Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
    Phantom Power P48
    ANALOG AUDIO OUTPUT L(Mono)/R
    Connector RCA pin type
    Output Load Impedance more than 10k ohm
    Nominal Output Level +4dBu
    HEADPHONE OUTPUT 50 + 50mW (32 ohm)
    Max Speaker Output Level 1W
    DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
    Connector XLR
    Input Format S/P DIF / AES/EBU automatic
    Output Format S/P DIF / AES/EBU switchable
    USB x 2 (keyboard / PC only)
    TIMECODE CARD (OPTIONAL, T.B.A.)
    LTC Input/Output LEMO
    Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
    Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

 

Weight 3.00 kg

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Description
Content

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

  • Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
  • Up to 24-bit/192kHz uncompressed recording
  • Includes a unique 22.05kHz sampling frequency setting for extended recording
  • Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
  • Fostexʼs "File per Take” system with auto scene & take naming/increment
  • Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
  • 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
  • Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
  • Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
  • Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
  • “Pre-record” loop buffer of approximately 10 seconds*3
  • Easy software update via CF or PCMCIA card with downloads from the internet
  • Optional timecode generator / reader card

    Notes
    *1 May require software update for PCMCIA HD operation
    *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
    *3 Varies depending on sampling frequency“

  • GENERAL
    Recording Media CompactFlash card, PCMCIA HD
    Recording Format BWF
    Number of Channels Stereo / Mono
    Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
    Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
  • PHYSICAL
    Power Requirement 8 x AA type dry cell (NiMH recommended)
    AC adaptor (optional)
    DC 12V
    Power Consumption approx. 5W
    Dimension 250(W) x 77(H) x 220(D) mm
    Weight 1.5kg (w/out battery)
  • PERFORMANCE
    R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
    20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
    20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
    20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
    S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
    Line (input gain: +4dBu): 100dB (typical)
    Mic: (input gain: -60dBu): 87dB (typical)
    Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
    T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
    Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
    Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
    Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  • INPUT / OUTPUT CONNECTORS
    ANALOG AUDIO INPUT L/R
    Connector XLR-3-31 type (Pin2: Hot)
    Line Input Impedance : More than 6k ohm
    Reference Input Level +4dBu
    Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
    MIC
    Input Impedance More than 6k ohm
    Input Level -60dBu
    Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
    Phantom Power P48
    ANALOG AUDIO OUTPUT L(Mono)/R
    Connector RCA pin type
    Output Load Impedance more than 10k ohm
    Nominal Output Level +4dBu
    HEADPHONE OUTPUT 50 + 50mW (32 ohm)
    Max Speaker Output Level 1W
    DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
    Connector XLR
    Input Format S/P DIF / AES/EBU automatic
    Output Format S/P DIF / AES/EBU switchable
    USB x 2 (keyboard / PC only)
    TIMECODE CARD (OPTIONAL, T.B.A.)
    LTC Input/Output LEMO
    Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
    Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

 

Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner

Highlights:

  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off

Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.

Specifications

Recording format:

PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit

Available recording time:

Maximum approx. 20 minutes (Internal Memory size is 120 MB)

Total number of tracks:

Up to 100 tracks

Tuning:

12 note equal temperament

Detection range:

C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.

Reference tone:

            C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.

Tuning Mode:

            Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)

Calibration range:

A4 = 410 ~ 480 Hz (1 Hz steps)

Detection accuracy:

+/- 1 cent

Sound precision:

+/-1 cent

Tempo range:

Quarter Note = 30 to 252 BPM

Tempo setting:

3 Types:       Pendulum Step

Full Step

Tap Tempo

Beat range:

            Total 10 beats: "0 to 9" as "Quarter-note" Rhythm

Rhythm pattern:

Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats

Tempo accuracy:

±0.3%

Terminals:

            Input (f6.3mm, Mono-Standard Jack type)

            Headphones (f3.5mm, Stereo-mini Jack type)           

            USB (mini-Type B)      

Internal Speaker:

            Dynamic Speaker (f28 mm)                                                             

Power (Battery):

AAA battery (3.0 V) x 2

Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride

Battery Life:

Recorder ... Approximately 16/13/11 hours

(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per

recording.)

Tuner ... Approximately 24/22/20 hours

(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)

Metronome ... Approximately 18/16/14 hours

(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)

Dimensions (W x D x H):

111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches

Weight:

119 g / 4.19 oz (Including battery)

Included items:

AAA battery (3.0 V) x 2 for verifying proper operation

USB Cable

Options:

            Contact Mic = CM-100L

Computer Requirements

Windows:

A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port

Macintosh:

            Mac OS X 10.5 or later

 

Features at a glance


To TOP
  • XLR plug-on connection
  • Compatible with dynamic mics as well as bettery-powered condenser mics
  • 48kHz/24-bit linear PCM mono recording
  • WAV files (compatible with BWF format)
  • Media: microSD/SDHC cards (supports 32GB capacities)
  • Sliding record switch and hold function to prevent misoperation during recording
  • Dual recording function
  • automatic file closing function to prevent the loss of already recorded data
  • XLR connector also can use as external input for external input
  • High/Mid/Low recording level settings
  • Low-cut filter
  • Limiter
  • Automatic level function
  • With a built-in clock function, supports BWF files that can have time information added, which is convenient for editing and searching
  • Time track incrementing function can create new files at regular intervals (every 15 minutes) during recording
  • Playback function allows recorded data to be checked immediately
  • Headphone output
  • Locking mechanism assure a tight connection with the microphone body
  • Easy-to-read organic EL display
  • micro USB B port enables easy data exchange with computers
  • Records at least 10 hours on a single AAA battery by using alkaline batteries (EVOLTA)
  • Unit settings can be created and transferred as a computer text file
  • Settings can be transferred between multiple DR-10X units using the infrared transmission function
  • Firmware can be updated using a microSD card
  • RoHS-compliant product

 

Recording Media     SD/SDHC card (up to 32GB) Built-in Mic     MS stereo & 90-degree XY stereo Maximum Sound Pressure Level     120dB SPL Recording Format     《STEREO MODE》 PCM (Quantization : 16/24bit, Sampling Frequency : 44.1/48/96kHz), MP3 (Bit Rate : 48 to 320kbps, Sampling Frequency : 44.1kHz) 《4CH MODE》 PCM (Quantization: 16/24bit, Sampling Frequency: 44.1/48kHz) A/D Conversion     24bit, 128times oversampling D/A Conversion     24bit, 128times oversampling Signal Processing     32bit Functions     Lo-cut Filter, Compressor/Limiter, Auto Gain, Pre-Rec, Auto-Rec, Tuner,Metronome, Variable Speed Playback, Key Control, A-B Repeat,File Dividing, Normalize, MP3 Post-Encode, Marker, Surround Mixer Display     128 x 64 pixel, backlit LCD Input Gain     0 to +39dB Mic / Line Input     1/8" stereo phone jack (Plug-in power supported) Input impedance     2kΩ (Input level: 0 to -39dBm) Phones / Line Output     1/8" stereo phone jack Rated Output Level     -10dBm Output Load Impedance     10kΩ or more Phones Output Level     20mW + 20mW into 32Ω load Built-in Speaker     400mW 8Ω USB     Mini-B type, Mass Storage Class operation (USB2.0 High Speed compatible), Audio Interface operation (16bit, 44.1kHz/48kHz) Power Requirements     AA/LR6 battery x 2, or AC adapter AD-17 (DC5V/1A/center positive) Battery Life     20 hours (16bit/44.1kHz WAV recording) Dimensions     67.6 (W) x 113.8 (D) x 42.7 (H) mm Weight     130g (without batteries)

The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O.  It supports the RC-20 direct play remote for up to 20 tracks of flash start.

  • Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
  • One-rack-space compact design
  • Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
  • PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
  • RS-232C and Parallel Control I/O
  • Multiple playback modes for situations requiring continuous, single, programmed and random playback
  • Playback speed control without pitch change
  • XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
  • Dimensions (W x H x D): 19 x 1.8 x 11.9 (in)  482.6 x 44.5 x 301 (mm)
  • Weight:  7.50 (lbs)  3.4(kg)
  • 2-channel field recorder in Stereo or Mono on Compact Flash or Micro drive cards
  • Light weight with rigid chassis
  • FAT32 file system & BWF Stereo file format + MP3 recording/playback
  • Built-in Stereo microphone for quick memo recording
  • 2 x XLR mic inputs with phantom power to accept professional microphones
  • High resolution recording at 24bit 96kHz
  • Mic Trim for accurate recording level adjustment
  • Automatic Level Control (ALC - OFF/ALC/LIMITER)
  • Hi-Pass Filter
  • Backlit 132 x 64 dot matrix LCD display
  • Two-hour capacity on 4GB CF card with Stereo 24 Bit/96 kHz resolution  
  • Pre-record buffer (2 secs) ensures full-take recording with no inadvertent loss
  • Auto File Closing (the recording file auto-closes every minute to secure recorded data)
  • Auto Shut-off function when the input power becomes abnormally low to save data
  • Convenient file naming mode: DATE or TAKE
  • 4 hours operation on 4 x AA Alkaline / Ni-MH batteries
  • 8 hours operation possible with optional rechargeable NiMH battery pack
  • Wired remote controller with microphone attachment belt
  • USB 2.0 data transfer to Mac or PC computers for further editing and post-production
  • Comes with 128MB CF card, AC adapter, dedicated shoulder belt and carrying pouch
• Recording / Playback / General
Recording Medium: Compact Flash Card
Recording Times: see chart above
File Formats: BWF (Broadcast Wave Format), MP3 (MPEG Layer-3)
Sampling Frequency: 44.1 / 48 / 88.2 / 96 kHz
Quantization: 16-bit linear (44.1 / 48 kHz);
24-bit linear (44.1 / 48 / 88.2 / 96);
MP3 192kbps (stereo)
Recording Tracks: 2 tracks (stereo)
Simultaneous Recording: 2 tracks (stereo)
Rec/Play Frequency: 20Hz-20kHz ±2dB (FS 44.1/48kHz); 20Hz-40 kHz ±3dB (FS 88.2/96kHz)
S/N: (ADC-DAC, 24bit, 48kHz) - Line: (Input Gain: +4dBu) 95dB (typical) - Mic: (Input Gain: -60dBu) 85dB (typical)
Dynamic Range: 95dB (typical) (ADC-DAC, 24bit, 48kHz)
THD: (ADC-DAC, 24it, 48kHz) - Line: Channel Separation: more than 90dB (at 1kHz 0dB) (24bit, -20BFS, 48kHz)
Reference Level: -12dBFS
Locate Memory: 99 Cue points per file
Battery Operation Time: approx. 4 hours (4 x AA Alkaline / Ni-MH AA cells); approx. 8 hours (optional Ni-MH battery pack)
• Input / Output
Analogue In (L/R) Connector: XLR-Jack (1/4“) Combo Type
Mic In Connector: XLR (balanced, 2-pin hot)
Line In Connector: Jack (1/4“) (unbalanced)
Input Impedance: > 10k ohm
Reference Input Level: -10dBV
Maximum Input Level: +2dBV
Input Impedance: > 6k ohm
Reference Input Level: -50dBu to -10dBu
Maximum Input Level: +2dBu
Phantom: P48
Monitor Out Connector: RCA Phono (unbalanced)
Load Impedance: > 10k ohm
Reference Output Level: -10dBV
Phones Connector: Stereo Mini Jack (3.5mm)
Load Impedance: > 32 ohm
Maximum Output Level: 15 + 15mW (32 ohm)
USB 2.0 (for PC) Connector: Series "B” Receptacle
Built-in Speaker
Maximum Output: 300mW
 
• Physical

Dimensions: 57(H) x 206(W) x 132(D) mm
Weight: 0.8kgs (w/o battery)
Included Accessories: CF card (128MB), AC Adaptor, shoulder strap, remote control and carry pouch
Pedigree Portable Field Recorder

The FR-2LE is a compact field memory recorder for professional use offering 24bit 96kHz recording in the industry standard BWF file format. It has a good pedigree given Fostex's previous success with their DAT portables (PD2 & PD4) and latterly with their solid state FR-2 and its optional full timecode facility.

Now with their latest FR-2LE, they have an even more compact offering for high quality field recording, interview recording (MP3 mode also available), or simple film/broadcast audio recording.

The FR-2LE is equipped with two professional phantom powered XLR microphone inputs (XLR-Jack combo) complete with precise control over the recording level. It features a 1 take = 1 file recording system which eliminates overwrites and its 2 second ʽpre-recordʼ buffer means there should never be a missed take or lost soundbite. Thereʼs also an MP3 mode and built-in stereo microphone.

Feature rich, elegant in operation, good pedigree - the new FR-2LE looks assured of success.

MAIN FEATURES

• Long Battery Life

The FR-2LE can run for up to 4 hours on 4 x AA Alkaline batteries and up to 8 hours with the optional NiMH BATPACK battery pack. A choice of two BATPACK chargers are also available - one for the mains and one that also charges your pack from a 12V car outlet.

• Extended recording times

Over 6 hours @ 16bit 44.1kHz recording on an 4Gb CompactFlash card.

• Professional inputs

Dual XLR inputs (XLR-Jack combo) with top quality microphone pre-amps, trim control and phantom power. Analogue out is provided on phono (RCA) connectors.

• BWF or MP3 recording

Record up to 24bit 96kHz audio.

• Tough construction

Manufactured from high-grade materials and specifically designed for professional location recording.

• Fail Safe Recording

In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.

• USB 2.0

The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.

 

Weight3.00 kg0.30 kg0.50 kg0.13 kg4.00 kg0.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 0.30 kg
Weight 0.50 kg
Weight 0.13 kg
Weight 4.00 kg
Weight 0.80 kg