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The R 1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampilier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power.
A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments.
The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitve vocal recording! And even more so now when the mk3 version includes switches for low cut and 10dB pad. | Behringer C-2 2 Matched Studio Condenser Microphones
2 Matched Studio Condenser Microphones
- 2 matched condenser microphones for stereo studio recording and live applications
- Ideal as main and support microphones for studio and live applications
- Cardioid pickup pattern for effective feedback elimination
- Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
- Switchable low-frequency roll-off and input attenuation
- Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program. |
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 13 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent noise level, CCIR1) | 23 dB | | Equivalent noise level, A-weighted1) | 12 dB-A | | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 71 dB | | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 82 dB | | Maximum SPL for THD | 110 dB | | Maximum SPL for THD | 129 dB | | Maximum output voltage for THD | -1 dBu | | Dyn. range of the mic. amplifier /A-weighted, 0.5 %2)) | 98 dB | | Dyn. range of the mic. amplifier /A-weighted, 5 %2)) | 117 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 3.2 mA | | Matching connector | XLR 3F | | Weight | 825 g | | Diameter | 78 mm | | Length | 165 mm |
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal |
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| Acoustical operating principle | Pressure transducer | | Directional pattern | Omnidirectional | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 28 dB | | Equivalent SPL DIN/IEC 651 | 15 dB-A | | S/N ratio CCIR 468-3 | 66 dB | | S/N ratio DIN/IEC 651 | 79 dB | | Max. SPL (tube characteristic) | K | | Dynamic range (of the amplifier) | K | | Maximum output voltage | 8 dBu | | Weight | 800 g | | Diameter | 78 mm | | Length | 165 mm |
* THD of the microphone amplifier at an input voltage which is equivalent to the capsule output voltage at the specified SPL.
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| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 24 dB | | Equivalent SPL DIN/IEC 651 | 12 dB-A | | S/N ratio CCIR 468-3 | 70 dB | | S/N ratio DIN/IEC 651 | 82 dB | | Maximum SPL | 114 dB for THD | | Maximum output voltage | 8 dBu | | Dyn. range of the mic. amplifier DIN/IEC 651 | 102 dB for THD | | Supply voltage | Power supply N 149 A | | Matching connector | Microphone: DIN 8F, Power Supply: XLR 3F | | Weight | 460 g | | Diameter | 57 mm | | Length | 142 mm |
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| Variable large diaphragm microphone | | Pressure-gradient transducer with double membrane capsule | | The studio microphone classic | | Three directional characteristics: omni, cardioid, figure-8 | | Switchable low frequency roll-off | | Switchable 10 dB pre-attenuation | |
Ideal as main and as support microphone in the most differing recording situations
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, cardioid, figure-8 plus | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20/28/22 mV/Pa1) | | Rated impedance | 200 ohms | | Rated load impedance | 1 kohms | | Equivalent noise level, CCIR2) | 26/23/25 dB1) | | Equivalent noise level, A-weighted2) | 15/12/14 dB-A1) | | Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) | 68/71/69 dB1) | | Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) | 79/82/80 dB1) | | Maximum SPL for THD 0.5%3) | 117 dB (cardioid) | | Maximum SPL for THD 0.5% with preattenuation3) | 127 dB | | Maximum output voltage | 390 mV | | Dynamic range of the microphone amplifier (A-weighted) | 105 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 0.8 mA | | Matching connectors | XLR3F | | Weight | 500 g | | Diameter | 56 mm | | Length | 200 mm |
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