GOLDEN AGE COMP54 STEREO MP Compressor

The Golden Age COMP-54 STEREO MP is a stereo vintage-style compressor. The signal path uses only discrete components like resistors, capacitors and transistors. The line input and output are transformer balanced and the unit also has a third interstage transformer.

The class-A circuit used in the COMP-54 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to it´s totally unique sound character that is warm, smooth, sweet and musical. These characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

The COMP-54 uses a diode bridge as the gain control element, a method that is revered for its smooth way of operation. Some of the most sought after vintage compressor designs, like the 2254, 2264, 33609, Siemens and EMI used the same basic design.

The controls in the COMP-54 are very flexible covering broad ranges of Ratio, Attack and Release times, including two Auto positions. All controls except the Gain make-up one are stepped for easy resetting and stereo matching.
There are three selectable sidechain high pass filter frequencies available to handle special situations.

The Bypass switch is a true bypass where a relay switches the complete circuitry in or out. The IN/OUT switch makes it possible to switch the compression on and off while retaining the coloring from the transformers and the electronic circuitry.
The meter can show output level or gain reduction. It is also possible to link two units for stereo operation.
Features

• Vintage-style electronics
• Based on classic diode-bridge designs
• Transformer-balanced I/O
• Transformer upgrade (Carnhill) available
• Flexible control of Ratio, Attack and Release
• Stepped controls (except Gain make-up) for repeatability
• Three selectable Sidechain filter frequencies
• Separate Bypass and Compression In/Out switches
• Meter selectable for Output and Gain Reduction
• Link two units for stereo operation
• Separate input/output XLR and TRS jacks for flexible connection
• Back-panel switch for 600 ohm termination.
• External power power supply to avoid interaction with the audio circuitry and transformers.
• Great sound that suits most sound sources and genres

• Professional 31-band stereo graphic equalizer for live and studio applications
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
• Ultra-low noise 4580 operational amplifiers for highest signal integrity
• Dedicated mono subwoofer output with adjustable crossover frequency
• Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
• Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting

• Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
• Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
• “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• 3-Year Warranty Program*
• Conceived and designed by BEHRINGER Germany

VIRTUALIZER 3D FX2000
High-Performance 3D Multi-Engine Effects Processor
71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
Awesome modulation, dynamic, psychoacoustic and EQ algorithms
Authentic amp simulation, distortion and special effects
11 effect combinations with selectable serial / parallel configuration
Up to 7 adjustable parameters plus 2-band EQ per effect
24-bit A/D and D/A converters with 64/128-times oversampling
True stereo processing for realistic channel separation in stereo image
100 factory presets plus 100 user memory locations
Extensive MIDI implementation
Accurate LED level meters for perfect level setting and optimum performance
Servo-balanced XLR and ¼'' TRS inputs and outputs
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

 Reverbs & Delays

Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.

Reverbs include:

    CATHEDRAL
    GOLD PLATE
    SMALL HALL
    ROOM
    STUDIO
    CONCERT
    STUDIO
    STAGE
    SPRING REVERB
    AMBIENCE
    EARLY REFLECTIONS

Specialty reverbs include:

    REVERB – reverb is synthetically turned off after a predetermined amount of time
    REVERSE REVERB – reverb envelope is reversed—it slowly gets louder

Delays include:

    STEREO DELAY – delay is processed across the entire stereo image
    TAPE ECHO – simulates classic tape echo devices, pre-dating the advent of digital delays
    PING PONG – delay signal is "bounced” from left to right at an adjustable tempo

Much More than Just Reverb and Delay

The FX2000 has some of the best-sounding reverb and delay programs, but thatʼs not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation.

Modulation and Pitch Shifter FX:

    STEREO FLANGER (originally generated by playing back two synchronized "reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels)
    VINTAGE FLANGER simulates a guitar fl anger stomp box
    JET STREAM FLANGER sounds like a classic analog flanger
    STEREO CHORUS (combines a slightly detuned signal with the original)
    ANALOG CHORUS simulates a guitar chorus stomp box
    VINTAGE CHORUS imitates a classic analog studio chorus
    ULTRA CHORUS creates the sound of an eight person chorus
    STEREO PHASER (combines a second, phaseshifted signal to the original)
    VINTAGE PHASER represents a guitar phaser stomp box
    DUAL PHASER processes the left and right channels separately
    ROTARY (simulation of the rotating speakers typically used on an organ) – Slow or Fast
    PITCH SHIFTER (changes the pitch of the original signal) – can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
    VIBRATO – the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
    TREMOLO (common vintage guitar amplifier effect) – a fast or slow periodic variation in volume
    AUTO PANNING – signal is automatically sent from one side of the stereo image to the other, either once or multiple times

Dynamic FX:

    COMPRESSOR – reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
    EXPANDER – effectively broadens the dynamic range of source signals while reducing background noise
    GATED REVERB – helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals
    ANA. KOMPR/LIM. — similar to COMPRESSOR but with Limiting functionality
    ULTRAMIZER – analyses incoming signal and automatically applies compression across two independent frequency bands
    DENOISER – eliminates or reduces noise and other interference
    DE-ESSER – reduces or removes sibilance (Ssss sound) from signal
    WAVE DESIGNER – allows you to influence the envelope by adjusting Attack and Release of the signal

Psychoacoustic FX:

    EXCITER – adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
    ENHANCER – functions much like a dynamic pitch equalizer
    ULTRA BASS – sub-harmonic processor combined with bass exciter and limiter
    STEREO IMAGER – divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image
    ULTRA WIDE – creates a broader stereo image
    BINAURALIZER – also creates a broader stereo image and compensates for crosstalk between both speakers

Filter/EQ FX:

    AUTO FILTER – influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite
    LFO FILTER - Controls the rate of oscillation effects
    PARAMETRIC EQ – allows you to control the bandwidth, frequency and amplitude of a signal
    GRAPHIC EQ – the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined

Distortion FX and Amp Simulations

The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.

Special FX:

    VINYLIZER – adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
    SAMPLER – allows you to record and playback up to five (5) seconds of program material
    VOCODER – allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar "talking synthesizer” effect
    VOICE CANCELER – removes mono vocal parts from stereo recordings for "instant Karaoke”
    RESONATOR – simulates and oscillating system that amplifies a specific frequency

Our FX Combinations Go to 11

Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.

FX Combinations include:

    Chorus & Reverb
    Flanger & Reverb
    Leslie & Reverb
    Pitch & Reverb
    Delay & Reverb
    Tremolo & Reverb
    Phaser & Reverb
    Chorus & Delay
    Flanger & Delay
    Pitch & Delay
    Tremolo & Delay

Enhanced User Editability
Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
Value
With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor— both in the studio and on the road.

The Multicom Pro-XL MDX4600 gives you 4 channels of first-class dynamic
control in a single rack space. With a multitude of new features like the
advanced program-adaptive expander gate, extensive metering plus a variety
of configuration options, the Multicom Pro-XL puts a lot of dynamic processing
power in your rack.

Features
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression
circuitry combines the advantages of hard-knee and soft-knee characteristics
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise
suppression
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable low contour filter prevents "pumping" due to low-frequency dominated
compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system

• Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
• New gate timing algorithms ensure the smoothest release characteristics
• Program-adaptive expander/gates
• Great sounding dynamics control for any type of program material
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
• Stereo or dual-mono operation
• Balanced inputs and outputs on 1/4" TRS and XLR connectors
• Side Chain insert
• Classic dbx® "Auto" mode