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The FC 3 is a high quality dual capsule condenser microphone, inspired by classical microphone models.
The FC 3 is a very versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications.
It´s sound character is similair to vintage microphones and it is well suited to be used with most instruments and voices. Use it on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic.
The FC 3 is, in spite of it´s low cost, suitable for critical recording applications.
The FC 3 comes with a spider style shock mount. |
NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range: 20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery: 2.6 kg
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- Polar pattern: Cardioid
- Switchable -10dB PAD
- Frequency response: 20 - 20,000 Hz
- Max. SPL: 140/150 dB (THD = 0.5%)
- Electrical impedance: 200 Ohm
- Requires phantom power
- Diameter: 53 mm
- Length: 162 mm
- Net weight: 320 g
- Colour: Black
- Incl. shock mount
- Highly affordable AKG large-diaphragm microphone technology
- Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.
Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem.
An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern |
cardioid |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
25 mV/Pa (-32 dBV) |
Max. SPL |
140/150 dB (k=0,5%) |
Equivalent noise level (CCIR 468-3) |
25 dB |
Equivalent noise level |
14 dB-A |
Signal/noise ratio (A-weighted) |
80 dB |
Preattenuation pad |
10 dB, switchable |
Bass filter |
6 dB/octave below 500 Hz |
Impedance |
200 ohms |
Recommended load impedance |
>1000 ohms |
Supply voltage |
9 to 52 V phantom power to DIN 45596 |
Current consumption |
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Connector |
3-pin XLR |
Finish |
silver gray |
Net weight |
320 g / 11.3 oz. |
Shipping weight |
950 g / 2.1 lbs. |
Patent(s) |
Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) |
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Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
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Professional true condenser microphone for studio and live applications
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2 interchangeable capsules with cardioid and omnidirectional pickup patterns
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Low-mass gold sputtered diaphragm for ultimate sound reproduction
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Perfect for acoustic instruments, voice and overhead etc.
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Ultra low-noise transformerless FET input eliminates low-frequency distortion
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Smooth, super-wide frequency response and incredible musicality
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Switchable low-frequency roll-off and -10 dB input attenuation
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Gold-plated 3-pin XLR output connector
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Rugged construction with satin nickel-plated brass body
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Custom microphone stand adapter, windscreen and transport case included
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Manual Download | Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of. |
Variable large diaphragm microphone | Pressure-gradient transducer with double membrane capsule | The studio microphone classic | Three directional characteristics: omni, cardioid, figure-8 | Switchable low frequency roll-off | Switchable 10 dB pre-attenuation |
Ideal as main and as support microphone in the most differing recording situations
Acoustical operating principle | Pressure gradient transducer | Directional pattern | Omnidirectional, cardioid, figure-8 plus | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 20/28/22 mV/Pa1) | Rated impedance | 200 ohms | Rated load impedance | 1 kohms | Equivalent noise level, CCIR2) | 26/23/25 dB1) | Equivalent noise level, A-weighted2) | 15/12/14 dB-A1) | Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) | 68/71/69 dB1) | Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) | 79/82/80 dB1) | Maximum SPL for THD 0.5%3) | 117 dB (cardioid) | Maximum SPL for THD 0.5% with preattenuation3) | 127 dB | Maximum output voltage | 390 mV | Dynamic range of the microphone amplifier (A-weighted) | 105 dB | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | Current consumption (P48, IEC 61938) | 0.8 mA | Matching connectors | XLR3F | Weight | 500 g | Diameter | 56 mm | Length | 200 mm |
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