GOLDEN AGE PROJECT FC1 Condenser microphone

125.00 incl. GR VAT

Available on backorder

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The FC 1 MKII is a high quality large capsule condenser microphone, inspired by classical microphone models. It is is very a versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications. The FC 1 has a center-terminated capsule with a […]

 

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The FC 1 MKII is a high quality large capsule condenser microphone, inspired by classical microphone models. It is is very a versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications.

The FC 1 has a center-terminated capsule with a sweet top end and can handle loud sounds without harshness or other problems.
The output transformer handles bass well and adds that extra fat sound that only transformers can deliver. The retro EQ in the FC 1 MKII is set to deliver maximum sound quality with as many sound sources as possible.

The sound character of the FC 1 MKII is similar to vintage microphones and it is well suited to be used with most instruments and voices. It works very well on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic.

The FC 1 MKII comes with a spider style shock mount.

Weight 1.00 kg

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GOLDEN AGE PROJECT FC1 Condenser microphone removeAKG PERCEPTION 120 Condenser microphone removeRODE NT-2A Multipattern Condenser Microphone removeNEUMANN TLM-193 Cardioid Condenser Microphone removeBEHRINGER B-5 Sputtered Diaphragm Studio Condenser Microphone removeBEHRINGER C1 Studio Condenser Microphone remove
NameGOLDEN AGE PROJECT FC1 Condenser microphone removeAKG PERCEPTION 120 Condenser microphone removeRODE NT-2A Multipattern Condenser Microphone removeNEUMANN TLM-193 Cardioid Condenser Microphone removeBEHRINGER B-5 Sputtered Diaphragm Studio Condenser Microphone removeBEHRINGER C1 Studio Condenser Microphone remove
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SKUFC1PERCEPTION 120H11RD00030H11NE00001E005243E005249
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Description
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The FC 1 MKII is a high quality large capsule condenser microphone, inspired by classical microphone models. It is is very a versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications.

The FC 1 has a center-terminated capsule with a sweet top end and can handle loud sounds without harshness or other problems.
The output transformer handles bass well and adds that extra fat sound that only transformers can deliver. The retro EQ in the FC 1 MKII is set to deliver maximum sound quality with as many sound sources as possible.

The sound character of the FC 1 MKII is similar to vintage microphones and it is well suited to be used with most instruments and voices. It works very well on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic.

The FC 1 MKII comes with a spider style shock mount.

Live sound
Podcasting Home recording Vocals Musical instruments Perception 120
  • General-purpose cardioid recording microphone
  • Extended frequency response
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications. Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type 2/3\" Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 22 mV/Pa (-33 dBV)
Max. SPL 130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 72 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance
Recommended load impedance >= 1,000 ohms
Powering
Power requirement 48 V phantom power to DIN/IEC
Connector 3-pin XLR
Finish metallic blue
Dimensions 53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight 525 g (18.5 oz.)
Shipping weight 955 g (33.7 oz.)

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm

Acoustical operating principlePressure gradient transducer
Directional patternCardioid
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohms18 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-321 dB
Equivalent SPL DIN/IEC 65110 dB-A
S/N ratio CCIR 468-373 dB
S/N ratio DIN/IEC 65184 dB
Maximum SPL for THD 0.5%140 dB
Maximum output voltage13 dBu
Dynamic range of the microphone amplifier DIN/IEC 651130 dB
Supply voltage48 V ± 4 V
Current consumption3 mA
Matching connectorsXLR 3F
Weight480 g
Diameter49 mm
Length175 mm

Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone



The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.

 

Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included

 

 

 

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Behringer C-1 Studio Condenser Microphone   Behringer C-1 Studio Condenser Microphone The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
  • Professional large-diaphragm condenser microphone for unsurpassed audio quality
  • Ideal as main and support microphone for studio and live applications
  • Exceptionally flat frequency response and ultra-high sound resolution
  • Cardioid pickup pattern for outstanding sound source separation and feedback rejection
  • Ultra low-noise transformerless FET input circuitry
  • LED indicates phantom power operation
  • Gold-plated 3-pin XLR output connector for perfect signal transmission
  • Ultra-rugged construction with die-cast body
  • Swivel stand mount and carrying case included
Operating Principle Pressure Gradient
Capsule Condenser
Diaphragm 0.63" / 16.0 mm
Polar Pattern Cardioid
Performance
Frequency Range 40 Hz to 20 kHz
Maximum SPL 136 dB SPL
Impedance 100 Ohms
Load Impedance 1000 Ohms
Sensitivity -33 dB
THD 1%
Connectivity
Output Connectors (Analog) 1 x XLR 3-Pin
Power
Operating Voltage 36 to 52 V
Operating Current Consumption 2.5 µA
Physical 0.93 lb / 0.42 kg
Dimensions ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm
Weight
 
Weight1.00 kg0.50 kg2.90 kg0.48 kg0.40 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.50 kg
Weight 2.90 kg
Weight 0.48 kg
Weight 0.40 kg
Weight 0.50 kg