GOLDEN AGE R1 MK2 Ribbon microphone

198.00 incl. GR VAT

Available on backorder

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The R 1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today, after almost 70 years. The R1 Mk2 is very well suited for the […]

 

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The R 1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today, after almost 70 years.

The R1 Mk2 is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications

Weight 1.00 kg

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GOLDEN AGE R1 MK2 Ribbon microphone removeAKG C-214 Condenser Microphone removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE removeNEUMANN TLM-49 Condenser studio mic removeAKG C 3000B Condenser cardioid microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case remove
NameGOLDEN AGE R1 MK2 Ribbon microphone removeAKG C-214 Condenser Microphone removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE removeNEUMANN TLM-49 Condenser studio mic removeAKG C 3000B Condenser cardioid microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case remove
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SKUR-1 MK2C 214H11RD00006H11NE00032C 3000BAV-CK6
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Description
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The R 1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today, after almost 70 years.

The R1 Mk2 is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications

AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61 The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII. Sonic character of the C414 XLII for beautifully detailed recording of lead vocals and solo instruments Outstanding dynamic range and ultralow noise for close-up recording of high-output sources of up to 156dB SPL Switchable 20dB attenuator and bass-cut filter for close-up recording and reduction of proximity effect Integrated suspension to reduce mechanical noise and vibration from stage Roadworthy design all-metal die-cast body with shock- and scratch-resistant finish

K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
 
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.

SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range:  20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
 > 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise:  10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
 -36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight:  815 gms
Dimensions width:  208.5 mm
Dimensions depth:  55 mm
Dimensions height:  55 mm
Maximum output voltage:  > +30 dBu (@ 1% THD into 1 k).

Acoustical operating principlePressure gradient transducer
Directional patternCardioid
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm13 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent noise level, CCIR1)23 dB
Equivalent noise level, A-weighted1)12 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)71 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)82 dB
Maximum SPL for THD 110 dB
Maximum SPL for THD 129 dB
Maximum output voltage for THD -1 dBu
Dyn. range of the mic. amplifier /A-weighted, 0.5 %2))98 dB
Dyn. range of the mic. amplifier /A-weighted, 5 %2))117 dB
Supply voltage (P48, IEC 61938)48 V ± 4 V
Current consumption (P48, IEC 61938)3.2 mA
Matching connectorXLR 3F
Weight825 g
Diameter78 mm
Length165 mm
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal

 
  • Polar pattern: Cardioid
  • Switchable -10dB PAD
  • Frequency response: 20 - 20,000 Hz
  • Max. SPL: 140/150 dB (THD = 0.5%)
  • Electrical impedance: 200 Ohm
  • Requires phantom power
  • Diameter: 53 mm
  • Length: 162 mm
  • Net weight: 320 g
  • Colour: Black
  • Incl. shock mount
  • Highly affordable AKG large-diaphragm microphone technology
  • Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost. Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem. An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 25 mV/Pa (-32 dBV)
Max. SPL 140/150 dB (k=0,5%)
Equivalent noise level (CCIR 468-3) 25 dB
Equivalent noise level 14 dB-A
Signal/noise ratio (A-weighted) 80 dB
Preattenuation pad 10 dB, switchable
Bass filter 6 dB/octave below 500 Hz
Impedance 200 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption
Connector 3-pin XLR
Finish silver gray
Net weight 320 g / 11.3 oz.
Shipping weight 950 g / 2.1 lbs.
Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

Weight1.00 kg0.40 kg2.00 kg0.82 kg1.00 kg0.60 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.40 kg
Weight 2.00 kg
Weight 0.82 kg
Weight 1.00 kg
Weight 0.60 kg