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The R 1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today, after almost 70 years.
The R1 Mk2 is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications |
Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
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Professional true condenser microphone for studio and live applications
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2 interchangeable capsules with cardioid and omnidirectional pickup patterns
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Low-mass gold sputtered diaphragm for ultimate sound reproduction
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Perfect for acoustic instruments, voice and overhead etc.
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Ultra low-noise transformerless FET input eliminates low-frequency distortion
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Smooth, super-wide frequency response and incredible musicality
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Switchable low-frequency roll-off and -10 dB input attenuation
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Gold-plated 3-pin XLR output connector
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Rugged construction with satin nickel-plated brass body
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Custom microphone stand adapter, windscreen and transport case included
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Manual Download |
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 24 dB | | Equivalent SPL DIN/IEC 651 | 12 dB-A | | S/N ratio CCIR 468-3 | 70 dB | | S/N ratio DIN/IEC 651 | 82 dB | | Maximum SPL | 114 dB for THD | | Maximum output voltage | 8 dBu | | Dyn. range of the mic. amplifier DIN/IEC 651 | 102 dB for THD | | Supply voltage | Power supply N 149 A | | Matching connector | Microphone: DIN 8F, Power Supply: XLR 3F | | Weight | 460 g | | Diameter | 57 mm | | Length | 142 mm |
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The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Specifications
Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance: | Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of. |
NT1000 - ?Pure Performance? Ultra Versatile 1? Studio Condenser Microphone.
With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the
R?DE NT1000 exhibits exceptional performance when recording both vocals
and instruments in the studio.
Voiced for ?application versatility?, the NT1000 has been hailed by many as the
ultimate drum over-head and grand piano mic selection. The NT1000 is also
equally at home as a first call vocal mic. With its Australian made 1? HF-2 capsule
incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range,
and 140 dBA SPL capabilities and a 20 Hz ? 20 kHz frequency response.
Built of a heavy-duty cast metal satin nickel body, the NT1000 incorporates a
high-strength, heat-treated mesh head, and comes supplied in a zip pouch with a
stand mount.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 1? (25mm) pressure-gradient condenser
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651:
> 88dB (A-weighted, per IEC268-15)
Equvalent noise:
6dB SPL (A-weighted per IEC268-15) +/-1dB
Maximum spl:
> 140dB SPL (@ 1kHz, 1% THD into 1k( load)
Sensitivity:
-36dB re 1V/Pa (16mV @ 94dB SPL) +/-1dB
Dynamic range din iec 651: > 134dB (A-weighted, per IEC268-15)
Power supply voltage: P48 (35V - 53V)
Current consumption: 6mA
Weight without battery: 682 gm
Weight with battery: 882 gm
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