The R 2 MkII is quite different from the R 1 series of mics. It features a ribbon transducer with a shorter and more narrow ribbon. It is darker sounding than the R 1 series since the higher frequencies roll off earlier. The R 2 MkII will do wonders with both clean and distorted electrical […]
The R 2 MkII is quite different from the R 1 series of mics. It features a ribbon transducer with a shorter and more narrow ribbon. It is darker sounding than the R 1 series since the higher frequencies roll off earlier.
The R 2 MkII will do wonders with both clean and distorted electrical guitar, with brass instruments and more. It is delivered with a metal shock mount.
Weight
1.00 kg
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The R 2 MkII is quite different from the R 1 series of mics. It features a ribbon transducer with a shorter and more narrow ribbon. It is darker sounding than the R 1 series since the higher frequencies roll off earlier.
The R 2 MkII will do wonders with both clean and distorted electrical guitar, with brass instruments and more. It is delivered with a metal shock mount.
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.
Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem.
An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
25 mV/Pa (-32 dBV)
Max. SPL
140/150 dB (k=0,5%)
Equivalent noise level (CCIR 468-3)
25 dB
Equivalent noise level
14 dB-A
Signal/noise ratio (A-weighted)
80 dB
Preattenuation pad
10 dB, switchable
Bass filter
6 dB/octave below 500 Hz
Impedance
200 ohms
Recommended load impedance
>1000 ohms
Supply voltage
9 to 52 V phantom power to DIN 45596
Current consumption
Connector
3-pin XLR
Finish
silver gray
Net weight
320 g / 11.3 oz.
Shipping weight
950 g / 2.1 lbs.
Patent(s)
Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)
AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish
Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included
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