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The D 1 is a classic dynamic microphone inspired by the 1950's style. Most people might think that this kind of mic is designed for live vocal purposes only, but that is not the case with the D 1. The dynamic diaphragm is very sensitive yet rigid and it sounds terrific on electric instruments, toms & snares, and of course vocals.
The D 1 is a workhorse on stage and a spicy all round mic to keep around the studio or in the rehearsal hangout. | Behringer Ultravoice XM8500 Dynamic Cardioid Microphone
With the BEHRINGER vocal microphone ULTRAVOICE XM8500, your voice will shine in a way it never has before, giving a powerful edge to your performances. Your creative energy and highly professional demands finally have a worthy partner. You want your voice to come across at its best, capturing your audience with its power and expression. No problem: with the ULTRAVOICE XM8500, you've got them in your hands.
Bringing out the subtlest nuances and placing them properly in the mix: that's what a good vocal microphone is all about. And that's exactly what the ULTRAVOICE does. Its cardioid characteristic picks up sound from the front with the utmost sensitivity, while strongly dampening sound from the back. This gives you more security against feedback. The integrated shock-mount system effectively reduces handling noise to an absolute minimum. The XM8500's balanced low-impedance output lets you connect it to any console or microphone preamp - provided it has enough dynamic headroom. You'll need plenty of that: the ULTRAVOICE is so powerful that you'll put your current favorite microphone in its box. Even if it cost ten times as much.
On stage, dependability counts. The ULTRAVOICE won't let you down. Its rugged construction protects it against the toughest changes you can put it through. The matte anodized surface reduces reflections from studio or stage lighting. The two-stage pop filter and tough steel mesh keep breath and pop noises out of the signal.
Dynamic vocal microphone with smooth mid-frequency presence rise for excellent vocal projection Internal shock mount system to cut down handling noise Cardioid characteristic minimizes background noise and feedback Ultra-low distortion for a super clean sound Microphone stand adapter included Ultra-professional dynamic vocal microphone 50 Hz - 15 kHz frequency response for crystal-clear, highly detailed vocals Super rugged, reliable metal construction and electromagnetic shielding High-level balanced output Two-stage pop filter minimizes breath and pop noises Sensitivity - 70 dB
| Transducer |
Dynamic |
| Polar Pattern |
Cardioid |
| Frequency Response |
50 Hz to 15 kHz |
| Maximum Input Sound Level |
not specified by manufacturer |
| Power Requirements |
None Dynamic, Requires No Phantom or Battery Power |
| Output Impedance |
150 Ohms |
| Output Connectors |
Gold-Plated Pin XLR-3M Type |
| Dimensions |
6.375 x 2" (162 x 51mm) LxDiameter |
| Weight |
8.47 oz. (240 g) |
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Offered in a convenient and cost-effective "three-pack," the Q6 gives you plenty of output and performance for a variety of situations.
3 Mics in a Foam Padded Hard Shell Case
High gain, low impedance design
Dynamic Neodymium mic element
Super Cardioid pickup pattern
Multi-axis shock mounted element
On/Off Switch
Hard Shell Carry Case for 3 mics
(3) Mic Clips included
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The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface:
all metal body with black leatherette finish, sound inlet basket: nickel plated.
Pick-up pattern : super-cardioid
Sensitivity in free field, no load : (1kHz) 1,8 mV/Pa +- 2 dB
Nominal impedance : 200 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 270 x 33 x 36 mm
Weight : 450 g
| The P 3 S microphone is ideal for backing vocals, guitar, wind instruments and many other applications. It has a metal case and wire mesh grill to ensure exceptional ruggedness.
Key Features:
- Rugged performance microphone designed for backing vocals and instruments
- Rugged wire mesh cap with internal windscreen
- Die-cast metal body
- Complete with stand adapter and zip bag
- On/Off switch
Specifications:
- Polar pattern Cardioid
- Frequency range 40 to 18,000 Hz
- Sensitivity 2.5mV/Pa
- Max. SPL 144 dB SPL
- Recommended load impedance >=2,000 ohms
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The first Neumann microphone with a dynamic capsule. Functionally optimized design
specifically for the broadcast field, featuring integrated pop protection, suppression of
structure-borne noise and a hypercardioid directional characteristic.
Emotion conveyed with technical perfection. This is the ideal which the Neumann
microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the
requirements of professional broadcast studios and the individual, functionally optimized
design* ensure that these are microphones of character.
The BCM 705 is Neumann?s first dynamic microphone. The housing and headgrille are
identical to those of the BCM 104; only the green logo indicates that this is something new
from Neumann. The principle of reduction to the essentials can be seen in the dynamic
capsule with a hypercardioid directional characteristic, specifically designed for speech
reproduction at close range. Multi-level isolation from structure-borne noise ensures operation
free of interference, even in a lively studio environment.
Mechanical Features
The microphone headgrille twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her
individual headgrille. Iin front of the capsule, mounted on a frame holder, a fine gauze serves
as a built-in popscreen.
The microphones of the Broadcast Line have an elastic mount against structure-borne noise,
that is compatible with standard broadcast-segment microphone arms.
Acoustic features
The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the
speech intelligibility. The bass frequency response is designed to compensate for the overemphasis
of the bass caused by the proximity effect.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.
Mounting
The preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio
boom arm.
A thread adapter to fit different connector threads is included. In order to provide protection from
structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the microphone by +/-90 degrees.
FEATURES:
Dynamic capsule
Hypercardioid directional characteristic
Characteristic, functionally optimized design*
Integrated, neutral pop protection
Integrated elastic suspension
Individual headgrilles for different users
Colored rings to identify the replacement headgrilles
Easy removal and cleaning of microphone headgrille (with bayonet mount)
Mechanical compatibility with standard studio boom arms
Multi-level isolation from structure-borne noise
No power supply required
APPLICATION HINTS:
Announcer's mic for broadcasting and studio
This is just one of the most common applications. We recommend
additional experimentation to gain maximum use from this microphone.
TECHNICAL DATA:
Acoustical operating principle Pressure gradient transducer
Directional pattern Hypercardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 10 kohm 1,7 mV/Pa = ?55,4 dB ± 1 dB
Rated impedance 200 ohms
Rated load impedance >= 10,000 ohms
Equivalent SPL CCIR 468-3 32 dB
Equivalent SPL DIN/IEC 651 18 dB-A
S/N ratio CCIR 468-3 62 dB
S/N ratio DIN/IEC 651 76 dB
Weight 500 g
Diameter 64 mm
Length 85 mm
Height (without suspension) 110 mm
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