AKG CGN 99H/L 58cm Hypercardioid Gooseneck Microphone

• Hypercardioid polar pattern
• 50 cm ( 20 in.) long
• 95° pickup angle
• For acoustically difficult environments
• Connects easily via XLR connector

The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance, or where several talkers are grouped side by side. Two different lengths are available. The .exible joint ensures optimum alignment of the gooseneck to any talker position. Several options are available for installation, i.e., stand, tabletop installation, and lockable.

Choosing polar patterns

Selecting the correct polar pattern for installed sound is difficult since it depends on a variety of factors. Of course the acoustics of the room play a key role. For highly reverberant rooms such as worship centers, a hypercardioid polar pattern will be the best choice to avoid high levels of unwanted noise. Correct placement of the loudspeakers is also essential. If the speakers project right at the capsule, a hypercardioid will be your best bet. The most difficult task, however, is trying to judge how the talkers will behave. For talkers who are inexperienced or move around a lot, be sure to choose a cardioid polar pattern for reliable pickup; talkers at a greater distance from the mic will be served best by a hypercardioid.

The microphone shall be a hypercardioid gooseneck microphone. Its pickup angle shall be 95 degrees; frequency range 50 Hz to 19 kHz; sensitivity 12 mV/Pa; max. SPL 125 dB; electrical impedance

 Optional accessories

  Now More Flexible Than Ever. The Microflex Gooseneck Microphones. The Microflex Gooseneck microphones bring a whole new meaning to the word flexible. Beyond their fully adjustable goosenecks lies a new level of flexibility the new Microflex interchangeable condenser microphone cartridge. Designed for easy replacement and available in cardioid, supercardioid and omnidirectional polar patterns, the interchangeable cartridges offer wide frequency response and accurate sound reproduction for a broad variety of applications, such as houses of worship, courtrooms and conference centers. Plus, the condenser cartridges fit every model in the new Microflex product line for enhanced convenience and consistent sound.

Microflex Gooseneck microphones are available in four models with a variety of heights and mounting styles to choose from. One model includes a silent mute switch with LED indicator, a Shure Microflex exclusive. And every Microflex Gooseneck features high sensitivity and balanced, transformerless output for maximum immunity to electromagnetic hum and RF interference, even over long cable runs. Each Microflex Gooseneck microphone comes with a complete installation kit, including:

• Shock Mount
• Locking Flange Mount
• This microphone requires phantom power.

• Low-profile floor stand gooseneck module - for permanent installations and mobile applications
• Extremely rugged gooseneck construction - for an extra-long life of reliability and stability
• Quick-absorbing rubber shock mount - for optimum suppression of structure-borne noise
• Highly reliable contacts for capsule modules prevent contact problems and ensure extra-long life
• Optional extension tube available raises the microphone for tall users or choir pickup

• Immune to RF interference
• Speech optimized frequency range
• Enhanced hypercardioid polar pattern
• High SPL capability
• Premium microphone for ubiquitous application

A History of Sound: The C 747, the so called „pencil microphone“, was first built in 1987. Due to its excellent technical specifications, especially the wide and flat frequency range, it was used for the recording of all kinds of musical instruments, even those with very low frequencies. Because of its brilliant sound reproduction and its inconspicuous optical appearance, it was quickly known as an ideal overhead microphone.
Thank to the narrow polar pattern it solved the crosstalk problem (when recording multiple instruments at once) and the problem of picking up sounds from distant spots in a room. But for all that, due to the help of the acoustically well balanced, short interference tube, it didnʼt face one of the biggest problems of most shotgun microphones – the change of the polar pattern over the frequency. This is one of many reasons why this microphone found its way into a great number of Broadcast Stations, Recording Studios, Theatres, Opera Houses, Churches, Conference Rooms and Lecture Halls.

Another big advantage of the C 747 is that the microphone will not change the sound or level too much even when the person speaking is moving a lot. So it came that the C 747 finally found its way into installed sound systems as a perfect speech and lectern microphone. The C 747 is now one of the most versatile microphones in the AKG product range and over the years it has been available in various versions and model types such as hanging module, capsule for modular gooseneck microphones and in a boundary layer microphone.

Whatʼs New in V11: As it is more and more used in conference applications, we carefully redesigned the C 747 to better cope with some specific installed sound issues.
The new C 747 V11 will have an integrated RFi shield to block out unwanted interference by mobile phones, wireless mics and the like. Also we have fine tuned the frequency response to give especially the spoken word an outstanding presence, without changing the flavour of the classic C 747 sound.

An enhanced polar pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. This makes the C 747 V11 an excellent choice for noisy discussion groups or reverberant pulpits while it is forgiving enough to clearly pick up talkers moving around in front of the microphone. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power.
The C 747 V11 ships with an extensive accessory set including a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen.

SPECIFICATIONS:

• Miniature cardioid condenser clamp-on microphone with shock mounted capsule, ideal for miking drums and percussions plus brass
• For use with the B 29 L battery power supply, MPA V L phantom power adapter, or PT 40 or PT 400 transmitters (AKG WMS bodypack transmitters)
• Includes an AKG W 44 Windscreen, an AKG A 518 stabilizer knee, a 5-ft. (1.5-m) plug-in connecting cable with 3-pin mini XLR connector, an A 400 adapter for attaching a PT 40 or PT 400 bodypack transmitter and a protective case
• Integrated gooseneck
• Continuously adjustable vice type clamp
• Type: pre-polarized condenser microphone
• Polar pattern: Cardioid
• Frequency range: 60 Hz to 20,000 Hz
• Sensitivity at 1 kHz: 5 mV/Pa (-46 dBV re 1 V/Pa)
• Impedance: = 200 ohms
• Recommended load impedance: = 2000 ohms
• Max. SPL for 1%/3% THD: 130/132 dB SPL
• Equivalent noise level: 31 dB(A) to DIN 45412
• Cable length / Connector: 1.5 m (5 ft.) / 3-pin mini XLR
• Finish: Matte black
• Size (microphone only): length: 200 mm (7.9 in.), max. width: 47 mm (1.9 in.)
• Net weight (microphone and cable): C 518 M: 220 g (7.8 oz.), C 518 ML: 110 g (3.9 oz.)
• Shipping weight: C 518 M: 450 g (15.9 oz.), C 518 ML: 330 g (11.7 oz.)

AKG GN 30 OC., 12 inch gooseneck for D.A.M.-microphone capsules, 3/8“-connector, programmable indicator LED, incl. 10ft. cable to open-end, black, for installations