RME HDSP-E AIO PCI-E Sound Card

589.00 incl. GR VAT

In stock

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
RME presents the world’s most versatile PCI Express audio interface – the HDSPe AIO. This card makes the dream of an All-In-One solution for every possible application come true. The Advanced-Input-Output interface shines with the latest 192 kHz AD- and DA-converters, with more than 112 dB signal to noise ratio. For the first time, all […]

 

Read more

RME presents the world’s most versatile PCI Express audio interface – the HDSPe AIO. This card makes the dream of an All-In-One solution for every possible application come true. The Advanced-Input-Output interface shines with the latest 192 kHz AD- and DA-converters, with more than 112 dB signal to noise ratio. For the first time, all inputs and outputs are simultaneously operational, even SPDIF (phono) and AES/EBU (XLR). Additional hi-quality analog inputs and outputs can easily be added by favourably priced expansion boards. Of course TotalMix, the unsurpassed flexible routing mixer and SteadyClock, RME’s sensational clock technology with maximum jitter suppression of external clock signals, are on board too. HDSPe AIO also supports the optional TCO for synchronization to timecode (LTC/video). All this combines into a professional ‘soundcard’ that the world has not seen before.

HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME’s secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time.

Features

The HDSPe AIO provides unique features:

Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR
Optional analog expansion boards with 4 balanced in- or outputs
All analog I/Os capable of 192 kHz, constant number of available channels
1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation
1 SPDIF digital I/O, 192 kHz-capable
1 AES/EBU digital I/O, 192 kHz-capable
1 Stereo headphone output, separate DA-converter and playback device
So up to 18 inputs and 20 outputs can be used simultaneously!
1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable
DIGICheck, RME’s unique metering- and analysing tool
TotalMix: 760 channel Mixer with 42 bit internal resolution
Native PCI Express – no PCI to PCI Express bridge used
* The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode.

HDSPe AIO includes SteadyClock (TM), RME’s own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.

Included software:

DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.
Drivers: Windows 2000/XP/Vista/64 (full ASIO multi-client operation of WDM, GSIF 2.0 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI).

Settings

Just click on the hammer symbol in the systray of the taskbar and the settings dialog of the HDSPe AIO comes up. The clear structured, easy to understand window plus the unique informative status windows for input signal, clock mode and sample rate make your work with the card to a real pleasure.

When working with several digital sources it is not only necessary to know if these are properly locked, but also if they are totally synchronized. RME’s exclusive SyncCheck     © checks all input signals and displays their actual state, and thanks to RME’s Intelligent Clock Control (ICC)       concept you have all clocks and states under control – with ease.

Top
Optional Add-Ons

Analog Expansions: An easy to handle ribbon cable connects the optional AI4S-192 AIO and AO4S-192 AIO. These analog expansion boards having one bracket with 4 stereo TRS jacks offer the same performance as the on-board stereo analog I/O of the HDSPe AIO: up to 192 kHz, balanced operation and 3 different reference levels. With this a maximum of 6 analog inputs and 8 analog outputs can be achieved.

Word Clock Expansion: The optional 9632 Word Clock Module provides a galvanically isolated word clock input and two word clock outputs via BNC jacks.

TDIF Expansion: HDSPe AIO can also provide a TDIF interface when using the TEB module.

Expansion Boards    Optional analog and digital I/Os
HDSP TCO    Timecode Option Module with enhanced sync capabilities for HDSPe cards. 1 x word clock I/O, 1 x video sync input (switchable from wc in), 1 x LTC I/O
Top
Tech Specs

1-Lane PCI Express Endpoint device (no PCI Express to PCI Bridge), revision 1.1.

2.5 Gbps line speed

Packet-based full-duplex communication (up to 500 MB/s transfer rate)

Supported sample frequencies: Internally 32, 44.1, 48, 64, 88.2, 96, 176.4, 192 kHz. Externally 28 kHz – 200 kHz

8 buffer sizes/latencies available: 0.7 ms, 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms

All settings changeable in real-time

Automatic and intelligent master/slave clock control

Enhanced Mixed mode: All inputs and outputs simultaneously operational

TMS (Track Marker Support): Supports CD/DAT start-IDs and the read out of CD subcode

Unique status windows for record and playback, showing mode and sample rate

DIGICheck, RMEs unique metering and analysing tool

Digital inputs and outputs ground-free transformer coupled

3-stage hardware level control for analog inputs and outputs

Balanced analog input and output, DC-coupled signal path

192 kHz / 24-bit converters. SNR 112 dB RMS unweighted, 115 dBA

Maximum input and output level (0 dBFS @ HiGain): +19 dBu

Low impedance headphone output (30 ohm), separate DAC and playback device

Super low jitter design:

Top
Accessories

HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH)
HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH)
HDSPe AIO: Digital breakout cable, SPDIF (BO9632)
HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968)

Weight 0.30 kg

Reviews

There are no reviews yet.

Be the first to review “RME HDSP-E AIO PCI-E Sound Card”

Your email address will not be published. Required fields are marked *

Quick Comparison

RME HDSP-E AIO PCI-E Sound Card removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeYAMAHA GO 46 FIREWIRE AUDIO-MIDI INTERFACE removeEDIROL REAC-S8PREAC-U audio/midi sequencer SONAR 8 Producer with REAC Driver Kit removeYAMAHA AUDIOGRAM 6 USB Audio Interface remove
NameRME HDSP-E AIO PCI-E Sound Card removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeYAMAHA GO 46 FIREWIRE AUDIO-MIDI INTERFACE removeEDIROL REAC-S8PREAC-U audio/midi sequencer SONAR 8 Producer with REAC Driver Kit removeYAMAHA AUDIOGRAM 6 USB Audio Interface remove
Image
SKUJ08RM00034896mk3Ultralite-mk3GO46REAC-S8PREAC-UJ080.00021
Rating
Price 589.00 incl. GR VAT1,188.58 incl. GR VAT599.84 incl. GR VAT 286.35 incl. GR VAT 1,339.20 incl. GR VAT 120.00 incl. GR VAT
Stock

In stock

In stock

In stock

In stock

In stock

In stock

AvailabilityIn stockIn stockIn stockIn stockIn stockIn stock
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

RME presents the world's most versatile PCI Express audio interface - the HDSPe AIO. This card makes the dream of an All-In-One solution for every possible application come true. The Advanced-Input-Output interface shines with the latest 192 kHz AD- and DA-converters, with more than 112 dB signal to noise ratio. For the first time, all inputs and outputs are simultaneously operational, even SPDIF (phono) and AES/EBU (XLR). Additional hi-quality analog inputs and outputs can easily be added by favourably priced expansion boards. Of course TotalMix, the unsurpassed flexible routing mixer and SteadyClock, RME's sensational clock technology with maximum jitter suppression of external clock signals, are on board too. HDSPe AIO also supports the optional TCO for synchronization to timecode (LTC/video). All this combines into a professional 'soundcard' that the world has not seen before.

HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time.

Features

The HDSPe AIO provides unique features:

Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR
Optional analog expansion boards with 4 balanced in- or outputs
All analog I/Os capable of 192 kHz, constant number of available channels
1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation
1 SPDIF digital I/O, 192 kHz-capable
1 AES/EBU digital I/O, 192 kHz-capable
1 Stereo headphone output, separate DA-converter and playback device
So up to 18 inputs and 20 outputs can be used simultaneously!
1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable
DIGICheck, RME's unique metering- and analysing tool
TotalMix: 760 channel Mixer with 42 bit internal resolution
Native PCI Express - no PCI to PCI Express bridge used
* The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode.



HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.

Included software:

DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.
Drivers: Windows 2000/XP/Vista/64 (full ASIO multi-client operation of WDM, GSIF 2.0 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI).

Settings

Just click on the hammer symbol in the systray of the taskbar and the settings dialog of the HDSPe AIO comes up. The clear structured, easy to understand window plus the unique informative status windows for input signal, clock mode and sample rate make your work with the card to a real pleasure.

When working with several digital sources it is not only necessary to know if these are properly locked, but also if they are totally synchronized. RME's exclusive SyncCheck     © checks all input signals and displays their actual state, and thanks to RME's Intelligent Clock Control (ICC)       concept you have all clocks and states under control - with ease.

Top
Optional Add-Ons

Analog Expansions: An easy to handle ribbon cable connects the optional AI4S-192 AIO and AO4S-192 AIO. These analog expansion boards having one bracket with 4 stereo TRS jacks offer the same performance as the on-board stereo analog I/O of the HDSPe AIO: up to 192 kHz, balanced operation and 3 different reference levels. With this a maximum of 6 analog inputs and 8 analog outputs can be achieved.

Word Clock Expansion: The optional 9632 Word Clock Module provides a galvanically isolated word clock input and two word clock outputs via BNC jacks.

TDIF Expansion: HDSPe AIO can also provide a TDIF interface when using the TEB module.

Expansion Boards    Optional analog and digital I/Os
HDSP TCO    Timecode Option Module with enhanced sync capabilities for HDSPe cards. 1 x word clock I/O, 1 x video sync input (switchable from wc in), 1 x LTC I/O
Top
Tech Specs

1-Lane PCI Express Endpoint device (no PCI Express to PCI Bridge), revision 1.1.

2.5 Gbps line speed

Packet-based full-duplex communication (up to 500 MB/s transfer rate)

Supported sample frequencies: Internally 32, 44.1, 48, 64, 88.2, 96, 176.4, 192 kHz. Externally 28 kHz - 200 kHz

8 buffer sizes/latencies available: 0.7 ms, 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms

All settings changeable in real-time

Automatic and intelligent master/slave clock control

Enhanced Mixed mode: All inputs and outputs simultaneously operational

TMS (Track Marker Support): Supports CD/DAT start-IDs and the read out of CD subcode

Unique status windows for record and playback, showing mode and sample rate

DIGICheck, RMEs unique metering and analysing tool

Digital inputs and outputs ground-free transformer coupled

3-stage hardware level control for analog inputs and outputs

Balanced analog input and output, DC-coupled signal path

192 kHz / 24-bit converters. SNR 112 dB RMS unweighted, 115 dBA

Maximum input and output level (0 dBFS @ HiGain): +19 dBu

Low impedance headphone output (30 ohm), separate DAC and playback device

Super low jitter design:
Top
Accessories

HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH)
HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH)
HDSPe AIO: Digital breakout cable, SPDIF (BO9632)
HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968)

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

Yamaha GO46 FireWire Interface

The GO46 FireWire interface from Yamaha provides a means to stream
high-quality 24-bit/192kHz digital audio and MIDI into a computer. Connect
it to a laptop, and you've got a rugged and portable interface that can go
anywhere you go, hence the name "GO46." This box is the ideal interface
for great-sounding audio on the "GO."

Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI

Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
 on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.

FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.

Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.

Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE

The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:

* SONAR 8 Producer
* REAC Driver Kit
* Cakewalk Approved Hardware Monitoring Device
* SONAR Templates
* Users Guides

The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.

SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.

With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.

SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.

SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.

Recommended System Requirements:

* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit)
* Processor Speed: Intel Core 2 Duo 2GHz or higher
* RAM: 3 GB for 40 Channel Recording
* Ethernet Port Speed: Gigabit Ethernet/CAT5e Only
* Graphics: 1280 x 960, 24-bit color or higher
* Audio Hard Drive Size: 30 GB
* Audio Hard Disk Type: RAID 0 with (2) SATA drives
* Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R
* Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW
* Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional)
* Other Software: Adobe Acrobat


Computer Based Recording Packages 

Computer-Based Recording Packages For All Players Of Musical Instruments 

The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.

Size/Weight
Dimensions Width 170mm (6-3/4“)
Height 59mm (2-3/8“)
Depth 192mm (7-5/8“)
Weight Weight 770g (1.7 lbs.)
General Specifications
Sampling Frequency Rate USB AUDIO 1.1, 16bit/44.1kHz
Effects
Types Dynamic 1-knob Compressor (COMP) x 2
Storage and Connectivity
Connectivity Headphones Stereo Phone connector x 1
Microphone Mic/Hi-Z input x 2
LINE IN Phone connector x 4 (L/MONO x 2, R x 2)
LINE OUT Phone connector x 2 (L, R)
USB TO HOST USB (TO HOST)
Power Supply
Power Supply USB powered
System Requirements
Windows PC Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface
CPU 1 GHz or better Intel Core / Pentium / Celeron processor 750 MHz or better Intel Core / Pentium / Celeron processor
Support OS Windows Vista / Windows XP Professional / XP Home Edition
Memory More than 1 GB More than 128 MB
Macintosh PC Macintosh computer with built-in USB interface
CPU Intel CPU / Macintosh G3 processor 300 MHz or better
Support OS Mac OS X 10.3.3 or higher
Memory More than 128 MB
Accessories
Included Accessories Cable USB Cable
Others CUBASE AI DVD, Owners Manual

 

Weight0.30 kg4.00 kg2.00 kg1.50 kg1.00 kg1.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.30 kg
Weight 4.00 kg
Weight 2.00 kg
Weight 1.50 kg
Weight 1.00 kg
Weight 1.50 kg