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HDSPe RayDAT is a multi-channel, multi-format and multi-task tool in stunning professional quality, the ideal solution from recording up to the final mastering. For the first time, even SPDIF (phono) and AES/EBU (XLR) are simultaneously operational due to separated hardware and record/playback devices. RayDAT offers no less than 4 x ADAT optical I/O, SPDIF I/O and AES/EBU I/O. That's a whopping 36 channels of inputs and outputs. On top, there are 2 MIDI I/Os and TotalMix, RME's unsurpassed DSP-based real-time mixer/router, with hardware-calculated level metering and complete MIDI remote capability. HDSPe RayDAT also supports the optional TCO for synchronization to timecode (LTC/video).
Internal ADAT inputs and outputs allow to add up to two TDIF ports directly inside the computer via RME's optional expansion boards.
HDSPe RayDAT is the newly developed PCI Express version of the HDSP 9652. A genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time.
Connectivity
36 Inputs / 36 Outputs
4 x ADAT I/O (up to 192 kHz via S/MUX4)
1 x AES/EBU I/O (192 kHz)
1 x SPDIF I/O (192 kHZ)
2 x MIDI I/O
TotalMix
optional: Time Code Option (TCO)
optional: Expansion Board WCM
optional: Expansion Board TEB
Features
The HDSPe RayDAT provides unique features:
4 x ADAT digital I/O, supporting 192 kHz via S/MUX4 operation
1 x SPDIF digital I/O, 192 kHz-capable
1 x AES/EBU digital I/O, 192 kHz-capable
2 x MIDI I/O, 32 channels high-speed MIDI via breakout cable
Up to 36 inputs and 36 outputs can be used simultaneously!
DIGICheck, RME's unique metering- and analysing tool
TotalMix: 2592 channel mixer with 42 bit internal resolution
Native PCI Express - no PCI to PCI Express bridge used
S/MUX poured in hardware: 16 channels 24-bit/96kHz for record and playback on ADAT optical
HDSPe RayDAT includes SteadyClockTM, RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.
Included software:
DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 36 channels, Vector Audio Scope, various other audio analysis tools.
Drivers: Windows 2000/XP/Vista/7/64 (full ASIO multi-client operation of WDM, GSIF 2.1 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI).
Differences to HDSP 9652
PCI Express interface
Additional (fourth) ADAT I/O
S/PDIF and AES/EBU I/O
simultaneously operational
Sample rates up to 192 kHz
even lower latencies
Greatly enhanced TotalMix
Word Clock I/O via optional expansion board
direct support of HDSP TCO
No ADAT Sync port (D-sub)
Settings
Just click on the hammer symbol in the systray of the taskbar and the settings dialog of the HDSPe RayDAT comes up. The clear structured, easy to understand window plus the unique informative status windows for input signal, clock mode, sample rate and time code make your work with the card to a real pleasure. With a simple mouse click you gain access to the full power of your card.
When working with several digital sources it is not only necessary that these are all properly locked, they also have to be totally synchronized. Else drop outs and crackling occurs. RME's exclusive SyncCheck © checks all input signals. In clock mode Master the synchronous operation to the internal clock is checked. This outstanding and unique technology helps to find errors immediately. The actual state of each input is displayed in the settings dialog.
RME's unique SyncCheck and AutoSync technology has evolved into the new Intelligent Clock Control (ICC) of the HDSPe system. HDSPe RayDAT measures and displayes the frequency of all clock sources. Even word clock! Based on validity and current sample rate the system then decides which clock source should be used - fully automated and performed in hardware. With this the HDSPe system offers the most easiest handling of the present clocks, although having a lot digital inputs, plus the most advanced support when configuring the clock setup.
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Tech Specs
Supported sample frequencies: Internally 32, 44.1, 48, 64, 88.2, 96, 176.4, 192 kHz. Externally 28 kHz - 200 kHz.
8 buffer sizes/latencies available: 0.7 ms, 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms
All settings changeable in realtime
Automatic and intelligent master/slave clock control
Enhanced Mixed mode: All inputs and outputs simultaneously operational
Unsurpassed Bitclock PLL (audio synchronization) in ADAT mode
TMS (Track Marker Support): Supports CD/DAT start-IDs and the read out of CD subcode
DIGICheck, RME's ultimate measurement, analysis and test tool
Unique status windows for record and playback, showing mode and sample
Super low jitter design:
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Optional Expansions
Expansion Boards WCM/TEB
Word Clock Expansion: The optional 9632 Word Clock Module provides a galvanically isolated word clock input and two word clock outputs via BNC jacks.
TDIF Expansion: HDSPe RayDAT can provide up to two TDIF interfaces when using the TEB module.
HDSP TCO Timecode Option Module adding further sync options: 1 x word clock I/O, 1 x video sync input (alternative to wc input), 1 x LTC I/O.
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Accessories
Digital breakout cable, AES/EBU & SPDIF (BO968)
MIDI breakout cable (BOHDSP9652MIDI)
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Yamaha GO46 FireWire Interface
The GO46 FireWire interface from Yamaha provides a means to stream
high-quality 24-bit/192kHz digital audio and MIDI into a computer. Connect
it to a laptop, and you've got a rugged and portable interface that can go
anywhere you go, hence the name "GO46." This box is the ideal interface
for great-sounding audio on the "GO."
Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.
FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.
Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE
| Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O |
Computer Based Recording Packages
Computer-Based Recording Packages For All Players Of Musical Instruments
The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.
Size/Weight
Dimensions | Width | 170mm (6-3/4“) | Height | 59mm (2-3/8“) | Depth | 192mm (7-5/8“) | Weight | Weight | 770g (1.7 lbs.) |
General Specifications
Sampling Frequency Rate | USB AUDIO 1.1, 16bit/44.1kHz |
Effects
Types | Dynamic | 1-knob Compressor (COMP) x 2 |
Storage and Connectivity
Connectivity | Headphones | Stereo Phone connector x 1 | Microphone | Mic/Hi-Z input x 2 | LINE IN | Phone connector x 4 (L/MONO x 2, R x 2) | LINE OUT | Phone connector x 2 (L, R) | USB TO HOST | USB (TO HOST) |
Power Supply
System Requirements
Windows | PC | Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface | CPU | 1 GHz or better Intel Core / Pentium / Celeron processor 750 MHz or better Intel Core / Pentium / Celeron processor | Support OS | Windows Vista / Windows XP Professional / XP Home Edition | Memory | More than 1 GB More than 128 MB | Macintosh | PC | Macintosh computer with built-in USB interface | CPU | Intel CPU / Macintosh G3 processor 300 MHz or better | Support OS | Mac OS X 10.3.3 or higher | Memory | More than 128 MB |
Accessories Included Accessories | Cable | USB Cable | Others | CUBASE AI DVD, Owners Manual |
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Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
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| | | 8 channels of premium 24-bit 192K AD/DA conversion | | | | 4 digitally controlled 75db microphone preamps | | | | 2 fully balanced inserts on mic pre channels | | | | 4 Hi-Z instrument inputs capable of handling high level instruments | | | | 2 individual, controllable and assignable high level headphone outputs | | | | 2, 6 or 8 channel monitor outputs | | | | 8 channels of ADAT I/O | | | | FireWire 400 I/O, compatible with OS X Core Audio (no driver required) | | | | 2 channels of SPDIF I/O | | | | “Soft Limit” for maximum digital input level without overs | | | | “UV22HR” for superior dither of 24 bit resolution down to 16-bit | | | | Advanced, dual-stage "Intelliclock” | | | | Complete integration and control with Appleʼs Logic Pro Software | | | | Compatibility with any CoreAudio software applications | | | | Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro |
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