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There’s nothing like having a large and enthusiastic audience singing along with you. Critical Mass puts that magic right at your feet in an easy to use stompbox. Whether you’re pounding out arena rock-style anthems or leading worship at your church, having group vocals on demand allows you to set the mood and engage your entire audience. Choose from "melodic” or "gang” style vocals that suit any style of music with no key or scale input required.
FEATURES
- A simple-to-use vocal stompbox lets you easily create stunning group-sound vocal effects
- Powerful melodic and gang styles give you large group vocals using your voice alone
- No key or scale to set – just sing
- Simple three-knob control gets you up and running in seconds
- High-quality, low-noise mic preamp for pristine vocals
- On/off foot switch for quick performance control
- Rugged, road-worthy construction for years of dependable use
- 3-year warranty program
- Designed and engineered in Canada
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Connections
Analog Inputs
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Guitar Input impedance: 1 MOhm
Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu
Guitar Input SNR: >115dB
Analog Outputs
Output Impedance, Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Dynamic Range: >104 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon MP-75
Details
Power
Power Supply (Supplied): 12V .4A
Power Consumption: 5.6W
Safety
EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B
Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements
Operating Temperature: 32°F to 122°F (0°C to 50°C)
Storage Temperature: -22°F to 167°F (-30°C to 70°C)
Humidity: Max. 90 % non-condensing
Included with VoiceTone H1
Region specific power supply
USB cable
User guide
1 year warranty parts and labor
Size
Height: 5.4 inches (140 mm)
Width: 3.5 inches (90 mm)
Depth: 2.3 inches (60 mm)
Weight
Weight: 0.92 lb. (0.42 kg)
Construction
Two part dies cast metal
Rubberized base
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- Switchable polarity
- Cable length: 1.8 m
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Classic chorusing, flanging, vibrato, and tremolo effects are all accessible in the pedal itself. Other effects can be downloaded from Universal Audio and loaded into the pedal over USB. In addition to silent switching and true/buffered bypass selection, the pedal offers a bevy of control as well as instant save/recall of your favorite sounds as presets.
The pedal offers three classic modulations effects, including:
- Chorus Brigade: A classic '70s analog bucket-brigade chorus with additional Vibrato mode.
- Flanger/DBLR: A studio flanger/doubler with tones modeling legendary rack effect units.
- Trem 65: An opto-tube tremolo derived from iconic blackface amps of the mid-1960s.
In addition to these three effects, you'll have access to more from the Universal Audio website, including the Phaser X90 and the Dharma Trem 61.
This dual-processor enables you achieve a powerful and authentic sound and also facilitates simple preset loading with instant recall. Each effect allows you to take advantage of secondary controls to shape the modulation.
Just like classic and modern UA gear, this pedal is built to last. It also offers both true and buffered bypassing (thanks to a UAD firmware update), as well as silent switching onstage and in the studio.
| 1231 Dual 31-Band Graphic Equalizer
The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.
SPECIFICATIONS:
INPUT |
Connectors: |
1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip |
Type: |
Electronically balanced/unbalanced, RF filtered |
Impedance: |
Balanced 40 kOhm, unbalanced 20 kOhm |
Max Input Level: |
>+21dBu balanced or unbalanced |
CMRR: |
>40dB, typically >55dB at 1kHz |
OUTPUTS |
Connectors: |
1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip |
Type: |
Impedance-balanaced/unbalanced, RF filtered |
Impedance: |
Balanced 200 ohm, unbalanced 100 ohm |
Max Output Level: |
>+21dBu balanced/unbalanced into 2 kOhm or greater
>+18dBm balanced/unbalanced (into 600 ohm) |
SYSTEM PERFORMANCE |
Bandwidth: |
20Hz to 20kHz, +0.5/-1dB |
Frequency Response: |
50kHz, +0.5/-3dB |
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+/-15dB range |
+/-6dB range |
Dynamic Range: |
109dB |
115dB |
Signal-to-Noise: |
90dB |
97dB |
THD + Noise: |
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- Antares Auto-Tune Evo real-time pitch correction with enhanced tracking and correction capabilities
- Antares Microphone Modeling simulates a variety of high-end studio microphones with variable proximity effect
- Analog tube modeling effect
- Variable-knee compression
- Downward-expanding gate processor
- Variable frequency de-esser
- Flexible 2-band parametric EQ
- Automatic mono or stereo doubletracking
- User-programmable settings
- Dynamic MIDI control
- XLR microphone input with phantom power
- 1/4” balanced line input and output
- S/PDIF digital output
- 1/4" footswitch input
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