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Whether youʼre at the top of the charts – or just a dreamer with a microphone, VoiceLive Play gives you hundreds of song & artist presets to choose from, helping you create amazing vocals. Plug in your MP3 player and sing along with your favorite tracks or create instant HIT effects for your own songs.
200+ song & artist inspired presets
Plug in your MP3 player to the AUX input and sing along using Vocal Cancel feature
RoomSense – embedded mics set auto key for harmonies
Sound Like The Pros
Producers spend more time on perfecting vocals than any other instrument, and the number of layered vocal tracks on a studio recording often run well into the double-digits. Now the same care for creating vocals live or at home is available to everyone.
VoiceLive Play gives singers the opportunity to experience the sound they know and love from their favorite songs with ease. Featuring automatic backing harmonies, vocal double tracking, pristine EQ and compression, lush reverbs, hard-tuned robo-voice – all the the goose-bumps-on-your-arm effects that make todayʼs Billboard hit vocals "pop”.
Pick a Genre, any Genre
Operating and navigating VoiceLive Play is a breeze. The GENRE button allows you to easily browse hundreds of presets. Choose a style that suits you and VoiceLive Play will list the presets that fit your preference. If youʼve never used effects before, youʼll quickly learn how to find the sound youʼre looking for with GENRES.
Download More & Make Your Favorites
If hundreds of presets wasnʼt enough, youʼll be able to download new and exciting artist presets each month for free via VoiceSupport.
Should you want to create your own presets, VoiceLive Play offers the simple and intuitive onboard controls to do so. In addition, you can mark any preset as a FAVORITE, creating a personal genre of choice effects for super-fast access.
Control
200+ Song & Artist Inspired Presets
Preset Up/Down and HIT Footswitch
Graphics LCD Display
Bump-Protected Mic Level
Dual-Colour Backlit Buttons
Dedicated Effect Block On/Offs
Size
Height: 1.8 inches (45 mm)
Width: 7.9 inches (200 mm)
Depth: 6.1 inches (156 mm)
Weight
Weight: 2.1 lb. (0.95 kg)
- See more at: http://www.nakas.gr/ecomnakas/nakas2006/default.asp?static=421&product=133031#sthash.FMfwOozB.dpuf
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1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
- Switchable boost/cut ranges of ±6 or ±15 dB
- Electronically balanced/unbalanced inputs
- Servo balanced/unbalanced inputs
- RF filtered inputs and outputs
- XLR, Barrier Strip, and 1/4" TRS connectors
- -12dB/+12dB input gain range
- 18dB/octave 40Hz Bessel low-cut filter
- Chassis/signal ground lift capability
- Internal power supply transformer
- Power-off hardwire relay bypass with 2-second power-up delay
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iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
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Plug your guitar into the Woodrow '55 and choose from numerous legendary mic/speaker pairings, boosts, and amp models, including popular hot-rod options, with more available for download. Featuring built-in mic and speaker pairings derived from the OX Amp Top Box, everything from pristine cleans, to rich overdrive, to lo-fi grunge can be easily attained, while classic boost circuits and controllable room ambience can unleash a universe of possibilities. Whether you are looking to get out in front of your amp or simply add some American tweed tube growl to your guitar sound, the Woodrow '55 amplifier pedal delivers expressive, album-ready studio tones at the flip of a switch.
Woodrow '55 Specifications
Power requirements (power supply sold separately) |
Isolated 9VDC, center-negative, 400mA minimum |
Inputs |
2 x ¼” unbalanced TS (input 2 for stereo connections and 4-cable mode) |
Outputs |
2 x ¼” unbalanced TS (output 2 for stereo connections and 4-cable mode) |
Input impedance |
500 Kilohms (Mono In)
1 Megohms (Stereo In) |
Output impedance |
500 Ohms |
Maximum input level |
12.2 dBu |
Maximum output level |
12.1 dBu |
Frequency response |
20 Hz to 20 kHz, ±1 dB |
USB Type-C |
For registration and firmware updates via computer |
Wireless technology
Transmitted Frequency Range
Maximum Output Power |
Bluetooth v5
2.400 GHz – 2.4835 GHz
+4.35 dBm |
Dimensions (with knobs and protrusions) |
Height: 2.56 inches, 6.5 cm
Width: 3.62 inches, 9.2 cm
Depth: 5.55 inches, 14.1 cm |
Weight (unboxed) |
1.24 lbs
0.567 kg |
| Digitech DOD Rubberneck analog delay
- Delay effect in pedal form
- Analog operating mode
- Delay time 1,500 milliseconds
- Tap tempo
- Delay time modulation (Rubbernecking)
- True bypass
- Adjusting for time
- Repeats
- Level
- Rate&depth
- Gain & tone
- Adjusting for rubberneck rate regen
- Switch for selection of tap ratio (eighth / dotted eighth / quarter notes)
- Switch for selection of tails mode (off / on / on-no dry)
- Bi-color status LED and delay tempo indicator LED
- Footswitch bypass and tempo/regen
- Metal construction
- Operation with power supply (optional)
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The pedal offers three classic delay effects, including:
- Tape EP-III: Three unique 1960s tape echo machines with settings for tape age and preamp color.
- Analog DMM: Vintage analog bucket-brigade delay textures with enveloping modulation modes and subdivisions.
- Precision: Pristine digital delays with endless delay trails and optional modulation, derived from the UAD plug-in library.
In addition to these three effects, you'll have access to more from the Universal Audio website including a Cooper Time Cube delay.
Color the sound at will with optional preamp coloration using the Tape EP-III and Analog DMM variants.
Dual processors enable you to achieve a powerful and authentic sound and facilitate simple preset loading with instant recall. Each effect gives you controls to take full advantage of the tone.
Just like classic and modern UA gear, this pedal is built to last. It also offers both true and buffered bypassing as well as silent switching onstage and in the studio.
This pedal offers an dry analog through path to preserve the integrity of your guitar's tone. You'll be able to use the pedal in mono, stereo, and dual mono setups. It also has a tap tempo switch built into the preset-selection footswitch.
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