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Size
Height: 5.4 inches (140 mm)
Width: 3.5 inches (90 mm)
Depth: 2.3 inches (60 mm)
Weight
Weight: 0.92 lb. (0.42 kg)
Construction
Two part dies cast metal
Rubberized base
Connections
Analog Inputs
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Guitar Input impedance: 1 MOhm
Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu
Guitar Input SNR: >115dB
Analog Outputs
Output Impedance, Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Dynamic Range: >104 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon MP-75
Details
Power
Power Supply (Supplied): 12V .4A
Power Consumption: 5.6W
Safety
EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B
Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements
Operating Temperature: 32°F to 122°F (0°C to 50°C)
Storage Temperature: -22°F to 167°F (-30°C to 70°C)
Humidity: Max. 90 % non-condensing
Included with VoiceTone H1
Region specific power supply
USB cable
User guide
1 year warranty parts and labor
| User´s Manual
LD Systems FX 300
2-Channel Pedal with 16 Digital Effects
- Microphone input for dynamic and condenser microphones
- 16 digital effect presets in 16-bit quality
- Low-noise instrument input with high input impedance for acoustic guitars, bass guitars or other instruments
- Separate FX sends for both channels, additional FX loop for the instrument input
- HPF and +48 V phantom power for microphone input
- Signal/peak LEDs for both channels and clip LED for the effects
- FX MUTE pedal for muting effects
- MUTE ALL pedal for muting outputs
- Balanced and unbalanced output
- Operated on 9 V battery or optional power supply (LDFX300PS)
For a singer-songwriter performing on stage or giving a concert in a living room, sound is everything.
LD Systems FX 300 will blow you away right from the moment you start your show, even if you\'ve had little to no time to carry out a soundcheck. This small yet handy device not only serves as an effect pedal for altering the sound of your voice and instrument but is also an easy-to-use two-channel mixer. Its best feature by far are the pedals that let you control the mute functions with your feet or hand. And if you\'ve got something to say, you can simply mute all effects with the FX MUTE pedal so your voice can be heard loud and clear without any reverb or delay and everyone in the room can understand your message. To prevent the signal of your microphone or instrument from reaching the outputs, all you need to do is tap the MUTE ALL pedal - a lifesaver during breaks or when wrapping up your set.
The FX 300 is outfitted with 16 digital effects presets in 16-bit quality, two inputs with a separate gain setting and a balanced and unbalanced output. The +48 V phantom power provided at the microphone input allows condenser microphones to be used in addition to dynamic microphones. The high-impedance, low-noise instrument input is not only great for acoustic or bass guitars but also for all other instruments. Plenty of headroom ensures you no longer have to worry about distorted signals. And with a 9 V battery that lasts up to five hours, LD Systems FX 300 has got you covered even if there\'s no outlet in sight.
Product type
Artist Pedal
Type
Home-Recording , Live
Channels
2
Microphone channels
Microphone channels
1
Mic inputs
XLR/6.3 mm jack
Frequency Response Microphone Channel
50 - 20000 Hz
Amplification range Microphone channel XLR input
42 dB
Mono Mic Input Input THD-N |
1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
- Switchable boost/cut ranges of ±6 or ±15 dB
- Electronically balanced/unbalanced inputs
- Servo balanced/unbalanced inputs
- RF filtered inputs and outputs
- XLR, Barrier Strip, and 1/4" TRS connectors
- -12dB/+12dB input gain range
- 18dB/octave 40Hz Bessel low-cut filter
- Chassis/signal ground lift capability
- Internal power supply transformer
- Power-off hardwire relay bypass with 2-second power-up delay
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The Ruby '63 features dual-engine processing combined with UAD audio-modeling expertise for an extremely authentic emulation of the classic '60s British tube amp sound. Cabinet/mic emulations can be bypassed for simply adding overdrive or tonal flavor to your sounds. With treble booster, preamp boost, and speaker swaps, the Ruby '63 is equipped to produce album-ready tones with the flip of a switch.
Drawing from the custom mic and speaker pairings of UAD's award-winning OX Amp Top Box, the Ruby '63 provides immediate access to inspiring studio tones. Six unique modeled speaker/mic combos are available to either take on the go or spice up your DAW recording, providing a huge range of sounds.
The Ruby '63 features three different types of modeled boost circuits arranged as channels, each with their own distinct voice. The Brilliant channel, based on a '63 top-boost amplifier, adds extra tube for more gain and treble. The Normal channel, based on a '61 non-top-boost amplifier, features more headroom and lower overall gain than Brilliant and works well with other pedals. The Vibrato channel is based on a '63 top-boost amplifier and features its own unique sound and set of inputs. Vibrato can produce tremolo-type tones and attain even slower rates than the original amp.
The Ruby '63 features two classic boosts, right onboard. This includes the '60's Dallas Rangemaster germanium treble preamp booster (linked to the Brilliant channel), and the preamp section of a '70s Maestro EP-3 tape delay (linked to the Normal channel). Just flip the Boost switch to achieve searing guitar tones.
Want to just control all of the Ruby '63 features without having to bend over and adjust knobs? UAD has you covered with a handy Bluetooth pairing function that allows you to alter any available parameter directly from your favorite mobile device through the UAFX Mobile app. Customize features, explore presets, or even download new tones, models, and artist presets all with a few taps. You can even get deep and customize your footswitches for a wide array of functions.
With two footswitches, six knobs, and three flip switches, the Ruby '63 contains a bevy of control for those who want maximum sonic flexibility. Input gain, output gain, high-frequency cut, bass response, treble response, and boost amount all get dedicated rotary knobs, so any amp sound can be quickly dialed in. Speaker type, amp storage, and channel type all get three-position switches for extra flexibility. The dual footswitches default to on/off and preset switching, while further footswitch modes are available with the UAFX Control app.
The Ruby '63 provides users with an elegant and efficient I/O arrangement to enable plenty of options right out of the box. One mono input and one mono output are provided for basic use, while a secondary input and output are also provided for stereo linking. A multitude of connection combinations are possible, from sending stereo outs to an interface or stage PA, to sending separate outs to different amps and effects loops—even more options are unlocked when using multiple Ruby '63 pedals in tandem. The 4-Cable mode, compatible only with UAFX amp pedals, allows the addition of another switchable channel to any real guitar amplifier with an effects loop, allowing you to switch between your guitar amp's built-in preamp section and the sounds in your pedals.
Featuring the timeless design and rugged craftmanship that UA has become known for, the Ruby '63 pedal is built to last decades. Whether taken on the road or used in the studio, this pedal can be relied upon to deliver quality sound on demand.
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- Antares Auto-Tune Evo real-time pitch correction with enhanced tracking and correction capabilities
- Antares Microphone Modeling simulates a variety of high-end studio microphones with variable proximity effect
- Analog tube modeling effect
- Variable-knee compression
- Downward-expanding gate processor
- Variable frequency de-esser
- Flexible 2-band parametric EQ
- Automatic mono or stereo doubletracking
- User-programmable settings
- Dynamic MIDI control
- XLR microphone input with phantom power
- 1/4” balanced line input and output
- S/PDIF digital output
- 1/4" footswitch input
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Voice Τone Τ1
Εξαιρετική ποιότητα ήχου χωρίς παραμορφώσεις
Υψηλής ποιότητας multi-band EQ
Compressor & de-esser
Δυνατότητα σύνδεσης με άλλα μοντέλα Voice Tone
Xαρακτηριστικά:
Αναλογικές εισόδους:
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Αντίσταση εισόδου κιθάρας : 1 MOhm
Επίπεδο εισόδου κιθάρας @ 0 dBFS: -7 dBU to 17 dBu
Είσοδος κιθάρας SNR: >115dB
Αναλογικές εξόδους:
Αντίσταση εξόδου Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Δυναμικό εύρος : >104 dB, 20 Hz to 20 kHz
Απόκριση συχνότητας: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon
Μέγεθος
Ύψος: 5.4 inches (140 mm)
Πλάτος : 3.5 inches (90 mm)
Βάθος: 2.3 inches (60 mm)
Βάρος
Βαρος : 0.92 lb. (0.42 kg)
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