| Content |
Connections
Analog Inputs
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Guitar Input impedance: 1 MOhm
Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu
Guitar Input SNR: >115dB
Analog Outputs
Output Impedance, Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Dynamic Range: >104 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon MP-75
Details
Power
Power Supply (Supplied): 12V .4A
Power Consumption: 5.6W
Safety
EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B
Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements
Operating Temperature: 32°F to 122°F (0°C to 50°C)
Storage Temperature: -22°F to 167°F (-30°C to 70°C)
Humidity: Max. 90 % non-condensing
Included with VoiceTone H1
Region specific power supply
USB cable
User guide
1 year warranty parts and labor
Size
Height: 5.4 inches (140 mm)
Width: 3.5 inches (90 mm)
Depth: 2.3 inches (60 mm)
Weight
Weight: 0.92 lb. (0.42 kg)
Construction
Two part dies cast metal
Rubberized base
| 1231 Dual 31-Band Graphic Equalizer
The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.
SPECIFICATIONS:
| INPUT |
| Connectors: |
1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip |
| Type: |
Electronically balanced/unbalanced, RF filtered |
| Impedance: |
Balanced 40 kOhm, unbalanced 20 kOhm |
| Max Input Level: |
>+21dBu balanced or unbalanced |
| CMRR: |
>40dB, typically >55dB at 1kHz |
| OUTPUTS |
| Connectors: |
1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip |
| Type: |
Impedance-balanaced/unbalanced, RF filtered |
| Impedance: |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output Level: |
>+21dBu balanced/unbalanced into 2 kOhm or greater
>+18dBm balanced/unbalanced (into 600 ohm) |
| SYSTEM PERFORMANCE |
| Bandwidth: |
20Hz to 20kHz, +0.5/-1dB |
| Frequency Response: |
50kHz, +0.5/-3dB |
|
+/-15dB range |
+/-6dB range |
| Dynamic Range: |
109dB |
115dB |
| Signal-to-Noise: |
90dB |
97dB |
| THD + Noise: |
|
|
Plug your guitar into the Woodrow '55 and choose from numerous legendary mic/speaker pairings, boosts, and amp models, including popular hot-rod options, with more available for download. Featuring built-in mic and speaker pairings derived from the OX Amp Top Box, everything from pristine cleans, to rich overdrive, to lo-fi grunge can be easily attained, while classic boost circuits and controllable room ambience can unleash a universe of possibilities. Whether you are looking to get out in front of your amp or simply add some American tweed tube growl to your guitar sound, the Woodrow '55 amplifier pedal delivers expressive, album-ready studio tones at the flip of a switch.
Woodrow '55 Specifications
| Power requirements (power supply sold separately) |
Isolated 9VDC, center-negative, 400mA minimum |
| Inputs |
2 x ¼” unbalanced TS (input 2 for stereo connections and 4-cable mode) |
| Outputs |
2 x ¼” unbalanced TS (output 2 for stereo connections and 4-cable mode) |
| Input impedance |
500 Kilohms (Mono In)
1 Megohms (Stereo In) |
| Output impedance |
500 Ohms |
| Maximum input level |
12.2 dBu |
| Maximum output level |
12.1 dBu |
| Frequency response |
20 Hz to 20 kHz, ±1 dB |
| USB Type-C |
For registration and firmware updates via computer |
| Wireless technology
Transmitted Frequency Range
Maximum Output Power |
Bluetooth v5
2.400 GHz – 2.4835 GHz
+4.35 dBm |
| Dimensions (with knobs and protrusions) |
Height: 2.56 inches, 6.5 cm
Width: 3.62 inches, 9.2 cm
Depth: 5.55 inches, 14.1 cm |
| Weight (unboxed) |
1.24 lbs
0.567 kg |
| Built upon award-winning UAFX dual-engine processing and three legendary limiters plus an iconic tube preamp, the Max Preamp and Dual Compressor Pedal from Universal Audio provides the classic compression colors of the Teletronix LA-2A opto-compressor, the UA 1176 FET compressor, and the Dyna Comp as well as the all the grit and character of UA's classic 610 tube microphone preamp. With the powerful dual-FX engine found on all UAFX pedals, you can stack and mix compressors for a wider array of tones and textures, and each stack gets its own dedicated footswitch.
Six knobs give you control over attack, ratio (a pedal exclusive parameter), release, preamp gain, compression level, and output volume, and three switches let you select between compressor models for each stack and the stack you are editing. Stereo 1/4" I/O permits either classic mono or immersive stereo processing, including support for the classic 4-cable method. And with the UAFX Control app, you can tweak EQ settings, unlock serial or parallel operation, and add a sidechain bass filter, all over wireless Bluetooth.Universal Audio Max Preamp and Dual Compressor Pedal |
Voice Τone Τ1
Εξαιρετική ποιότητα ήχου χωρίς παραμορφώσεις
Υψηλής ποιότητας multi-band EQ
Compressor & de-esser
Δυνατότητα σύνδεσης με άλλα μοντέλα Voice Tone
Xαρακτηριστικά:
Αναλογικές εισόδους:
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Αντίσταση εισόδου κιθάρας : 1 MOhm
Επίπεδο εισόδου κιθάρας @ 0 dBFS: -7 dBU to 17 dBu
Είσοδος κιθάρας SNR: >115dB
Αναλογικές εξόδους:
Αντίσταση εξόδου Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Δυναμικό εύρος : >104 dB, 20 Hz to 20 kHz
Απόκριση συχνότητας: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon
Μέγεθος
Ύψος: 5.4 inches (140 mm)
Πλάτος : 3.5 inches (90 mm)
Βάθος: 2.3 inches (60 mm)
Βάρος
Βαρος : 0.92 lb. (0.42 kg)
| Classic spring, hall, and plate effects are on hand—or rather, under foot. A 224 chamber and a digital plate algorithm are available from Universal Audio via their website and can be loaded into the pedal over USB. In addition to silent switching and buffered true bypass selection, the pedal offers a bevy of control, as well as instant save/recall of your favorite sounds as presets.
The pedal offers three classic verb effects, including:
- Spring 65: 3 Golden Unit spring reverb tanks pulled from classic 1960s American guitar amps.
- Plate 140: 3 vintage German plate reverbs captured at the iconic Record Plant studio.
- Hall 224: A trio of perfectly modeled late-1970s digital reverb algorithms.
In addition to these three effects, you'll have access to more from the Universal Audio website including a vintage digital plate and a model of a 224 chamber.
This dual-processor enables you achieve a powerful and authentic sound, and also facilitates simple preset loading with instant recall. Each effect gives you controls to take full advantage of the tone.
Just like classic and modern UA gear, this pedal is built to last. It also offers both true and buffered bypassing (thanks to a UAD firmware update), as well as silent switching onstage and in the studio.
This pedal offers an analog dry-through path to preserve the integrity of your guitar's tone. You'll be able to use the pedal in mono, stereo, and dual-mono setups, and you'll have the ability to select how the reverb trails off (or cuts abruptly) when you disengage the effect.
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