| Content |
Connections
Analog Inputs
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Guitar Input impedance: 1 MOhm
Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu
Guitar Input SNR: >115dB
Analog Outputs
Output Impedance, Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Dynamic Range: >104 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon MP-75
Details
Power
Power Supply (Supplied): 12V .4A
Power Consumption: 5.6W
Safety
EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B
Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements
Operating Temperature: 32°F to 122°F (0°C to 50°C)
Storage Temperature: -22°F to 167°F (-30°C to 70°C)
Humidity: Max. 90 % non-condensing
Included with VoiceTone H1
Region specific power supply
USB cable
User guide
1 year warranty parts and labor
Size
Height: 5.4 inches (140 mm)
Width: 3.5 inches (90 mm)
Depth: 2.3 inches (60 mm)
Weight
Weight: 0.92 lb. (0.42 kg)
Construction
Two part dies cast metal
Rubberized base
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Size
Height: 5.4 inches (140 mm)
Width: 3.5 inches (90 mm)
Depth: 2.3 inches (60 mm)
Weight
Weight: 0.92 lb. (0.42 kg)
Construction
Two part dies cast metal
Rubberized base
Connections
Analog Inputs
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Guitar Input impedance: 1 MOhm
Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu
Guitar Input SNR: >115dB
Analog Outputs
Output Impedance, Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Dynamic Range: >104 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon MP-75
Details
Power
Power Supply (Supplied): 12V .4A
Power Consumption: 5.6W
Safety
EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B
Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements
Operating Temperature: 32°F to 122°F (0°C to 50°C)
Storage Temperature: -22°F to 167°F (-30°C to 70°C)
Humidity: Max. 90 % non-condensing
Included with VoiceTone H1
Region specific power supply
USB cable
User guide
1 year warranty parts and labor
| Classic spring, hall, and plate effects are on hand—or rather, under foot. A 224 chamber and a digital plate algorithm are available from Universal Audio via their website and can be loaded into the pedal over USB. In addition to silent switching and buffered true bypass selection, the pedal offers a bevy of control, as well as instant save/recall of your favorite sounds as presets.
The pedal offers three classic verb effects, including:
- Spring 65: 3 Golden Unit spring reverb tanks pulled from classic 1960s American guitar amps.
- Plate 140: 3 vintage German plate reverbs captured at the iconic Record Plant studio.
- Hall 224: A trio of perfectly modeled late-1970s digital reverb algorithms.
In addition to these three effects, you'll have access to more from the Universal Audio website including a vintage digital plate and a model of a 224 chamber.
This dual-processor enables you achieve a powerful and authentic sound, and also facilitates simple preset loading with instant recall. Each effect gives you controls to take full advantage of the tone.
Just like classic and modern UA gear, this pedal is built to last. It also offers both true and buffered bypassing (thanks to a UAD firmware update), as well as silent switching onstage and in the studio.
This pedal offers an analog dry-through path to preserve the integrity of your guitar's tone. You'll be able to use the pedal in mono, stereo, and dual-mono setups, and you'll have the ability to select how the reverb trails off (or cuts abruptly) when you disengage the effect.
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Inputs / Outputs
| USB I/O |
1 x USB-C Female Input |
| Audio I/O |
2 x 1/4" TS Hi-Z/Instrument Input (Unbalanced, Stereo Pair)
2 x 1/4" TS Hi-Z/Instrument Output (Unbalanced, Stereo Pair) |
Wireless
| Bluetooth |
5.0 |
| Mobile App Compatible |
Yes: Android & iOS
App Name: UAFX Control
Functionality: Adjust Settings, Firmware Update, Remote Control, Setup
*As of April, 2023: Check with manufacturer for the most up-to-date compatibility |
Power
| Power Source |
AC Adapter with Power Brick (Not Included) |
| DC Input Power |
9 VDC |
| Operating Current |
400 mA |
Environmental
| Environmental Protection |
None |
Physical
| Color |
Light Blue |
| Dimensions |
5.55 x 3.62 x 2.56" / 14.1 x 9.19 x 6.5 cm (D x W x H) |
| Weight |
1.24 lb / 0.56 kg |
Packaging Info
| Package Weight |
1.52 lb |
| Box Dimensions (LxWxH) |
7.4 x 4 x 3" |
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1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
- Switchable boost/cut ranges of ±6 or ±15 dB
- Electronically balanced/unbalanced inputs
- Servo balanced/unbalanced inputs
- RF filtered inputs and outputs
- XLR, Barrier Strip, and 1/4" TRS connectors
- -12dB/+12dB input gain range
- 18dB/octave 40Hz Bessel low-cut filter
- Chassis/signal ground lift capability
- Internal power supply transformer
- Power-off hardwire relay bypass with 2-second power-up delay
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The pedal offers three classic delay effects, including:
- Tape EP-III: Three unique 1960s tape echo machines with settings for tape age and preamp color.
- Analog DMM: Vintage analog bucket-brigade delay textures with enveloping modulation modes and subdivisions.
- Precision: Pristine digital delays with endless delay trails and optional modulation, derived from the UAD plug-in library.
In addition to these three effects, you'll have access to more from the Universal Audio website including a Cooper Time Cube delay.
Color the sound at will with optional preamp coloration using the Tape EP-III and Analog DMM variants.
Dual processors enable you to achieve a powerful and authentic sound and facilitate simple preset loading with instant recall. Each effect gives you controls to take full advantage of the tone.
Just like classic and modern UA gear, this pedal is built to last. It also offers both true and buffered bypassing as well as silent switching onstage and in the studio.
This pedal offers an dry analog through path to preserve the integrity of your guitar's tone. You'll be able to use the pedal in mono, stereo, and dual mono setups. It also has a tap tempo switch built into the preset-selection footswitch.
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