D&R HYBRID-1 mk2 Telephone Hybrid Passive Broadcasting

310.00 incl. GR VAT

In stock (can be backordered)

EAN: 7436917139152
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D&R’s newest Telephone Hybrid-1 is an interface between a standard telephone line and a mixing console. Its purpose is to enable to record or broadcast a conversation between a caller and a presenter in an easy way. Superb audio separation between in and outgoing signals are achieved by carefully designed internal circuitry. It is a […]

 

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D&R’s newest Telephone Hybrid-1 is an interface between a standard telephone line and a mixing console. Its purpose is to enable to record or broadcast a conversation between a caller and a presenter in an easy way.

Superb audio separation between in and outgoing signals are achieved by carefully designed internal circuitry. It is a problem solver for changing two wire communication into a four wire system with separate in and outputs.

Telephone hybrids provide the interface between professional audio equipment and the public telephone network.

They provide protection for your equipment and the public telephone lines, allowing for varying line signals and line conditions. Automatically canceling out the unwanted signal they also facilitate two-way communication down a single telephone line.

Each hybrid has a telephone line connection, a handset connection and separate connectors for audio input and output from a broadcast mixer, or other professional audio source.

A large proportion of D&R hybrids are used in radio and television broadcasting applications allowing external callers to be connected to the studio mixing console. Most of the other units are supplied to communication operations allowing extremely effective conversion between 4-wire audio circuits and standard telephone lines.

Specification

Output: balanced mic level -20dB. Input: Line level 0 dBu balanced. R/C balance: fully adjustable separation to  more than 30dB.

C-BALANCE :12 pole rotary switch to select the optimum side tone attenuation.

R-BALANCE: Internal potentiometer to adjust for optimum side tone attenuation.

TO CALLER: Switch to temporarily connect the line (wall) connector to the Phone connector (appliance) to be able to dial and make a connection.

ON-LINE CONNECT: Line connect switch to connect and disconnect calls from the telephone line

Weight 0.50 kg

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D&R HYBRID-1 mk2 Telephone Hybrid Passive Broadcasting removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER removeAxel Technology MACROTEL7 Telephone Hybrid removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeBEHRINGER FX2000 3D EFFECTS VIRTUALIZER remove
NameD&R HYBRID-1 mk2 Telephone Hybrid Passive Broadcasting removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER removeAxel Technology MACROTEL7 Telephone Hybrid removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeBEHRINGER FX2000 3D EFFECTS VIRTUALIZER remove
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Description
ContentD&R's newest Telephone Hybrid-1 is an interface between a standard telephone line and a mixing console. Its purpose is to enable to record or broadcast a conversation between a caller and a presenter in an easy way. Superb audio separation between in and outgoing signals are achieved by carefully designed internal circuitry. It is a problem solver for changing two wire communication into a four wire system with separate in and outputs. Telephone hybrids provide the interface between professional audio equipment and the public telephone network. They provide protection for your equipment and the public telephone lines, allowing for varying line signals and line conditions. Automatically canceling out the unwanted signal they also facilitate two-way communication down a single telephone line. Each hybrid has a telephone line connection, a handset connection and separate connectors for audio input and output from a broadcast mixer, or other professional audio source. A large proportion of D&R hybrids are used in radio and television broadcasting applications allowing external callers to be connected to the studio mixing console. Most of the other units are supplied to communication operations allowing extremely effective conversion between 4-wire audio circuits and standard telephone lines. Specification Output: balanced mic level -20dB. Input: Line level 0 dBu balanced. R/C balance: fully adjustable separation to  more than 30dB. C-BALANCE :12 pole rotary switch to select the optimum side tone attenuation. R-BALANCE: Internal potentiometer to adjust for optimum side tone attenuation. TO CALLER: Switch to temporarily connect the line (wall) connector to the Phone connector (appliance) to be able to dial and make a connection. ON-LINE CONNECT: Line connect switch to connect and disconnect calls from the telephone lineFEEDBACK DESTROYER FBQ1000 Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters High-performance 2-channel Feedback Destroyer and Parametric EQ Automatically and "intelligently" locates and destroys up to 24 frequencies Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance Auto mode continuously monitors the mix and automatically sets filters Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters Extensive MIDI implementation and user preset memories for instant program recalls Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany BEHRINGER FEEDBACK DESTROYER FBQ1000

Features
Enhance switch to restore spectral balance of compressed signal
Switchable Mode - Dual Channel or Stereo linked
Above or Below Threshold LEDs
Balanced XLR and Jack Inputs and Outputs
Intuitive, user friendly layout
Flawless performance

Innovation
The ARX COMPO? is a unique compressor/limiter designed for use in any
professional audio dynamics control application, packaged in a compact 1
RU chassis.The COMPO operates as two independent compressor/limiters,
with 'industry standard' variable Threshold, Ratio and Output gain controls.
A Stereo Link switch on the front panel lets both channels track as a stereo
pair in a Master/Slave configuration.
Enhance Switch
The COMPO features an 'Enhance' switch, which provides frequency restoration
to preserve the spectral balance of the audio signal, compensating for the sagging
Low and High frequency response of compressed program material.
The best way to think of it is as a 'smart' loudness control.
Wide Scale metering
There is comprehensive LED indication of all operating functions and status. Above
or Below Threshold LEDs on each channel give you instant visual confirmation of
compressor activity, as well as easy to read LED Gain Reduction meters.
Balanced Inputs and Outputs
On the rear panel, each channel has true differential Balanced inputs and outputs,
on both XLR and TRS jack connectors. Other features include an Active/Bypass
switch for each channel, and passive RFI filters on the inputs.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
the unit via a removable power lead and standard 3 pin IEC connector, with built-in
fuse and voltage change switch.
ARX Quality
With its smooth compression, intuitive user friendly layout, high density precision
circuitry, and extensive user-variable operating parameters, the ARX COMPO is the
ideal installation 'set and forget' compressor, and is also equally at home in Studio,
Broadcast and Sound Reinforcement environments.

Every day, ARX Audio interface products solve audio problems for thousands of people
around the world.


T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 22 dB
Frequency Response 20Hz to 20KHz ±0.4dB
Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted
Distortion .02% THD @ 0dB,1KHz
Dynamic Range 107 dB
Enhance Section
Low Enhance 50 Hz, High Enhance 10 KHz
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input/OutputConnector type XLR, Balanced Jack

Front Panel Controls
Channel A Active/Bypassed IN/OUT switch
Threshold, Ratio and Output Gain controls
Numbered marker panel for labelling compressor assigns
5 segment LED Gain Reduction display
Above/Below Threshold status LEDs
Enhance switch and status LED
Stereo link switch and status LED
Channel B controls identical to Channel A
Rear Panel Connectors
Balanced XLR Input and Output connectors.
Balanced TRS jack Input and Output connectors.
AC input connector, with voltage switch and fuse.
 

GENERAL DATA
Power Supply 220 / 110V 25 VA
Dimension 434x351x44mm (1 rack unit)
Weight » 4 Kg
MEETING INTERFACE IN / OUT
Connector DB 9 female
Nominal in / out audio level 0 dBm
Input impedance 600 W / 10 KW (selectable)
Output impedance 100 W
* nominal line level: - 6 dBm
** it can vary depending on characteristics of telephone line
All measurements are intended at 1 kHz.
AUDIO PROGRAM IN / OUT
Connectors XLR, electr. balanced
Input impedance 600 W / 10K W (selectable)
Output level * - ¥ ¸ + 16 dBm
Output impedance 100 W
Noise on Receive output 2-Wire separation £ 25 dB**
4-Wire separation £ 70 dB
2-WIRE SECTION
Connector RJ11
Nominal input level - 6 dBm
Nominal output level - 6 dBm
Compensation mode Electronic, transf. decoupled
Impedance 600 W
4-WIRE SECTION
Connector Terminal block
Impedance 600 W
Nominal TX level 0 dBm
Nominal RX level 0 dBm

High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System  
  • Professional 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
  • Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
  • Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Conceived and designed by BEHRINGER Germany

VIRTUALIZER 3D FX2000
High-Performance 3D Multi-Engine Effects Processor
71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
Awesome modulation, dynamic, psychoacoustic and EQ algorithms
Authentic amp simulation, distortion and special effects
11 effect combinations with selectable serial / parallel configuration
Up to 7 adjustable parameters plus 2-band EQ per effect
24-bit A/D and D/A converters with 64/128-times oversampling
True stereo processing for realistic channel separation in stereo image
100 factory presets plus 100 user memory locations
Extensive MIDI implementation
Accurate LED level meters for perfect level setting and optimum performance
Servo-balanced XLR and ¼'' TRS inputs and outputs
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

 Reverbs & Delays

Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.

Reverbs include:

    CATHEDRAL
    GOLD PLATE
    SMALL HALL
    ROOM
    STUDIO
    CONCERT
    STUDIO
    STAGE
    SPRING REVERB
    AMBIENCE
    EARLY REFLECTIONS

Specialty reverbs include:

    REVERB – reverb is synthetically turned off after a predetermined amount of time
    REVERSE REVERB – reverb envelope is reversed—it slowly gets louder

Delays include:

    STEREO DELAY – delay is processed across the entire stereo image
    TAPE ECHO – simulates classic tape echo devices, pre-dating the advent of digital delays
    PING PONG – delay signal is "bounced” from left to right at an adjustable tempo

Much More than Just Reverb and Delay

The FX2000 has some of the best-sounding reverb and delay programs, but thatʼs not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation.

Modulation and Pitch Shifter FX:

    STEREO FLANGER (originally generated by playing back two synchronized "reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels)
    VINTAGE FLANGER simulates a guitar fl anger stomp box
    JET STREAM FLANGER sounds like a classic analog flanger
    STEREO CHORUS (combines a slightly detuned signal with the original)
    ANALOG CHORUS simulates a guitar chorus stomp box
    VINTAGE CHORUS imitates a classic analog studio chorus
    ULTRA CHORUS creates the sound of an eight person chorus
    STEREO PHASER (combines a second, phaseshifted signal to the original)
    VINTAGE PHASER represents a guitar phaser stomp box
    DUAL PHASER processes the left and right channels separately
    ROTARY (simulation of the rotating speakers typically used on an organ) – Slow or Fast
    PITCH SHIFTER (changes the pitch of the original signal) – can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
    VIBRATO – the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
    TREMOLO (common vintage guitar amplifier effect) – a fast or slow periodic variation in volume
    AUTO PANNING – signal is automatically sent from one side of the stereo image to the other, either once or multiple times

Dynamic FX:

    COMPRESSOR – reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
    EXPANDER – effectively broadens the dynamic range of source signals while reducing background noise
    GATED REVERB – helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals
    ANA. KOMPR/LIM. — similar to COMPRESSOR but with Limiting functionality
    ULTRAMIZER – analyses incoming signal and automatically applies compression across two independent frequency bands
    DENOISER – eliminates or reduces noise and other interference
    DE-ESSER – reduces or removes sibilance (Ssss sound) from signal
    WAVE DESIGNER – allows you to influence the envelope by adjusting Attack and Release of the signal

Psychoacoustic FX:

    EXCITER – adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
    ENHANCER – functions much like a dynamic pitch equalizer
    ULTRA BASS – sub-harmonic processor combined with bass exciter and limiter
    STEREO IMAGER – divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image
    ULTRA WIDE – creates a broader stereo image
    BINAURALIZER – also creates a broader stereo image and compensates for crosstalk between both speakers

Filter/EQ FX:

    AUTO FILTER – influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite
    LFO FILTER - Controls the rate of oscillation effects
    PARAMETRIC EQ – allows you to control the bandwidth, frequency and amplitude of a signal
    GRAPHIC EQ – the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined

Distortion FX and Amp Simulations

The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.

Special FX:

    VINYLIZER – adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
    SAMPLER – allows you to record and playback up to five (5) seconds of program material
    VOCODER – allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar "talking synthesizer” effect
    VOICE CANCELER – removes mono vocal parts from stereo recordings for "instant Karaoke”
    RESONATOR – simulates and oscillating system that amplifies a specific frequency

Our FX Combinations Go to 11

Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.

FX Combinations include:

    Chorus & Reverb
    Flanger & Reverb
    Leslie & Reverb
    Pitch & Reverb
    Delay & Reverb
    Tremolo & Reverb
    Phaser & Reverb
    Chorus & Delay
    Flanger & Delay
    Pitch & Delay
    Tremolo & Delay

Enhanced User Editability
Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
Value
With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor— both in the studio and on the road.

Weight0.50 kg1.90 kg5.20 kg4.00 kg2.50 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 1.90 kg
Weight 5.20 kg
Weight 4.00 kg
Weight 2.50 kg
Weight 3.00 kg